Wingnut Publisher Now Sad Publishing So Wingnutty

Another wingnut sees money to be made bemoaning the State of Things Today, and another company jumps to pay him money for it: 

During his 30 years in editing, Adam Bellow has handled some of the most controversial and notorious right-wing books of our era, including “The Bell Curve” by Charles Murray and Richard J. Herrnstein, Dinesh D’Souza’s “Illiberal Education” and David Brock’s “The Real Anita Hill.”

But last fall, in the middle of one of the most acrimonious and divisive presidential elections in American history, Mr. Bellow, 60, made a surprising pivot. He left his post as editorial director of Broadside, a conservative imprint at HarperCollins, and started a new imprint at St. Martin’s Press, where he plans to edit authors from across the political spectrum.

As a well-known neoconservative culture warrior, Mr. Bellow is an unlikely emissary for fostering bipartisan dialogue. He’s not softening his views, or renouncing the right-wing polemics he’s edited over the decades, some of which continue to kick up controversy. (Last month, Mr. Murray faced violent protests when he gave a speech at Middlebury College in Vermont.)

Instead, Mr. Bellow said he hoped to bring Democrats and Republicans together — or at least onto the same publishing list. “I saw an opportunity to get myself out of the box that I was in,” he said. “Both sides need to re-examine their assumptions, and I want to sponsor that process.”

Both sides need to re-examine their assumptions, even though I made shitloads of money on one side explicitly NOT examining any assumptions, but hey, at least I admit it!

Mr. Bellow played a role in widening the ideological divisions he now maintains he wants to bridge. At Broadside, which he founded in 2010, he edited partisan books by Donald Rumsfeld and Ted Cruz. He helped fuel the right’s attacks on Hillary Clinton as a corrupt career politician, with works like Daniel Halper’s “Clinton, Inc.” and Peter Schweizer’s “Clinton Cash.”

“I plead guilty,” he said. “If it’s true that our public culture has become overly polarized and people no longer argue in a respectful way with one another, I’m sure I had something to do with that.”

You know, I’m not so much mad at this guy as I am at the people who looked at his schtick and said, “Okay, let’s give him a giant pile of money to buy books with.”

This is the natural consequence of us constantly talking about “partisan politics” and America’s “political polarization” as if the state of us just happened, like the weather, as if we all just woke up one morning batshit crazy and full of rage at poor people’s grocery carts. The people who made us this way get to slither on out of the swamp they created and stocked with piranhas, clucking their tongues at how terrible it is to be here these days.

(See also Sykes, Charlie, and “talk radio is terrible now I’m done making money from wrecking Wisconsin.” I swear, every time some liberal approving retweets that asshole into my timeline I want to make them have holiday arguments with my relatives, who all think Charlie is just the shiznit because he helped bust up those dastardly public employee unions back in ’11. The north remembers, motherfucker.)

We have been sold this, for decades, sold a story of America that has never been remotely true, sold a story of selfishness and resentment and paralysis in the face of need, sold a story of government ineptitude and waste and abuse beginning in the 19goddamn30s when those commies wanted to put on plays with YOUR MONEY. We have been offered, night after night at our dinner tables, a meal of rotting meat and blighted potatoes and when some of us got hungry enough to eat it, NOW comes someone to tell us all it’s time to get healthy again?

Just spare me the paychecks written to these types, when I can throw a rock and hit a dozen writers and editors and publishers who have never been wrong about anything political in the last two decades, who are not morally bankrupt or punishingly stupid, who are working day jobs and night jobs to keep writing because there is no Big Publishing Money for being FUCKING RIGHT THE FIRST TIME AROUND.

If you want a job describing the wreckage these days, it seems you have to have had a hand on the detonator.

A.

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