Category Archives: Film

Horrible Bosses

I’ve never seen the movie Horrible Bosses but, like everyone else, I’ve had some bad bosses. Besides, I know a good title when I see one. I have, however, seen 9 to 5 and it’s hard to imagine them being worse fictional bosses than Dabney Fucking Coleman.

In case you’re wondering where this is going, there was a spate of negative press last week about the latest entrant into the presidential race, Minnesota Senator Amy Klobuchar. According to articles in a slew of online publications, she’s a horrible boss.  (Spate & Slew sounds like a shystery law firm.) The fact that there were so many articles right before her announcement ignited my bullshit detector. I don’t believe in coincidences.

There was a lot of melodrama on the tweeter tube about Klobuchar the bad boss. Some even wondered if she could continue in the Senate let alone run for president. I didn’t see anything disqualifying. She’s obviously a very difficult person to work for BUT so are many hard-driving workaholics out there including other Senators. not to mention lawyers, which is the workplace milieu from which Klobuchar comes.

The Klobuchar as bad boss articles are another example of the double standard at work. I don’t recall any MALE presidential contenders being judged on how they treated their staff, but it’s a thing because her name is Amy, not Arnie. She’s a piker, however, compared to LBJ or Trump whose staff is apparently in open rebellion. BTW, George W. Bush was a sweetheart of a boss but he was a horrible president.

Women in professional positions are judged by a higher standard than men. In the legal profession, many men are skeptical that women are tough enough to be lawyers, let alone bosses. Senator Klobuchar is 58 so she had to prove herself tough and worthy to older, often sexist, lawyers. Hence her horrible bossery. It’s not a management style I like, but it’s a dog eat dog world out there and you don’t want to be like Cheers barfly Norm Peterson and wear Milk Bone underwear.

My suggestion to Democratic primary voters is that they consider the information about Klobuchar’s management style alongside her record in office. If you don’t like what you’ve heard, support someone else. There are a lot of good candidates running. So many that I remain undecided.

There’s an upside for Klobuchar from the horrible boss stories: it proves that she’s tough enough to be president despite her Minnesota nice exterior. Additionally, if elected, she’ll work for us, not vice versa. And the American people can be horrible bosses too. Just ask the surviving staff members of the two recent presidents who were not re-elected: Jimmy Carter and Poppy Bush.

The last word goes to Dolly Parton:

Saturday Odds & Sods: Fly Like An Eagle

Women and Birds at Sunrise by Joan Miro

Once again, New Orleans showed the world how to turn adversity into a party. I’m talking about the widespread local boycott of the Super Bowl. It was easy for me. I rarely watch unless I have a rooting interest in one of the teams. I wasn’t down for some of the dumber aspects of “no-call gate” such as claims that the Saints wouldn’t have gone to the big dance after a similar bad call, or that the Rams were cheaters BUT we *wuz* robbed. I blame the league and the referees, not the Rams who lost in one of the dullest Super Bowls in years. Yawn. Brady and Belichick won again. Yawn.

New Orleanians quickly moved from the Super Bowl controversy to an argument over the Krewe of Chewbacchus. It’s a geek/sci-fi parade that sprung up a few years back. I like the idea but hate the execution. I like parades to move quickly and not stall for hours as Chewbacchus invariably does. Yawn.

The head of the krewe styles himself, not as a humble Captain, but as “The Overlord.” He floated a trial balloon that they *might* exploit a loophole in city ordinances and allow commercial sponsorship. That’s a big NOLA no-no: the krewes, not corporations, throw a party for the city and its citizens. The “Overlord” quickly crawfished and claimed he was just joking but I know a deflated trial balloon when I see one. Pop goes the geek weasel.

This week’s theme song was written by Steve Miller and was the title track of his1976 hit album. The Fly Like An Eagle single was a monster hit, peaking at number two on the Billboard charts.

We have three versions for your listening pleasure: the original SMB hit, a live version with guitarist Joe Satriani, and a cover by my homeys, the Neville Brothers:

Now that we’ve soared like eagles, let’s jump to the break, Hopefully, there will be a tailwind so we won’t break our tail feathers or is that bend? Beats the hell outta me.

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Album Cover Art Wednesday: I Love Paris

The French jazz pianist, songwriter, and Oscar-winning film composer Michel Legrand died recently at the age of 86. His long list of film credits can be seen at IMDb.

1954’s I Love Paris was Legrand’s first album. It was re-released many times over the years with more than a few covers. Here are four of them;

Here’s the album in two parts with a variation on the original cover:

Saturday Odds & Sods: Back To Black

Bird Collage by Max Ernst

It was overwrought drama week in New Orleans. Saints fans are genuinely angry in the aftermath of the blown call but things have gotten silly. There’s a futile lawsuit filed by lawyer Frank D’Amico who advertises his services on the tube. He’s getting some free publicity by filing what is best described as a “feel-good frivolous” lawsuit seeking a Saints-Rams rematch. It has as much chance at success as I have of playing in the NBA.

My Congressman, Cedric Richmond, is doing a major pander by threatening a Congressional hearing over the blown call. Hey, Cedric, we’re having a constitutional crisis, and you want to spend time grilling Roger Goddam Goodell?

This week’s theme song was written in 2007 by Amy Winehouse and Mark Ronson. Black To Black was the title track of Amy’s final studio album and the sub-title of the great documentary about her life. We have two versions for your listening pleasure:

While we’re at it, let’s throw two more blackened songs into the musical skillet:

Did I really use the term musical skillet? I must be slipping. Speaking of which, let’s slip away and jump to the break.

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Rudy: Confusion Will Be My Epitaph

“I am afraid it will be on my gravestone. “Rudy Giuliani: He lied for Trump.” Somehow, I don’t think that will be it. But, if it is, so what do I care? I’ll be dead. I figure I can explain it to St. Peter.”

Rudy Giuliani, 2019

“Confusion will be my epitaph
As I crawl a cracked and broken path
If we make it we can all sit back and laugh,
But I fear tomorrow I’ll be crying,
Yes I fear tomorrow I’ll be crying”

Peter Sinfield, 1969

The Human Smoke Machine known as Rudy Giuliani has been ubiquitous since the disputed Buzzfeed article was published. It’s a good thing that Rudy’s goal isn’t to clarify matters because he goes on and on and on, belching smoke like a coal-fueled factory. In the immortal words of Macbeth: “It is a tale told by an idiot, full of sound and fury signifying nothing.”

Rudy’s bizarre defense of president* Trump seems to be as jinxed as a production of Macbeth aka The Scottish Play. Uh oh, I just used the M word twice, which means this post is jinxed too: “Double, double toil and trouble;  Fire burn, and caldron bubble.”

Enough with quotes from the jinxed play, back to Rudy who has made an even bigger mess of things than usual. First, he expanded the Kremlingate timeline by admitting that negotiations about the Moscow project continued during the 2016 election. The president* first claimed to have no business dealings with Russia, then changed his story several times. After walking back the claims he made to the Failing New York Times, Rudy said this to the New Yorker’s Isaac Chotiner: “If he had a project in Moscow, there would be nothing wrong with it, but he didn’t.”

In his role as the First Criminal’s mouthpiece, Rudy constantly violates the first rule of holes: When you’re in one, stop digging. Rudy’s frenetic rat-a-tat-tat verbiage reminds me of an ugly version of Walter Burns as played by Cary Grant in His Girl Friday:

Like his client, Rudy has a fatal inability to STFU. They’re both “cock-eyed liars” who spread confusion every time they open their big fat bazoos. It’s proof positive that it’s easier to tell the truth: you don’t have to remember all the lies you told. The truth is alien to both Trump and Rudy. Lying is like breathing to them.

Rudy Giuliani used to be known as the “prosecutor who got Gotti” and as “America’s mayor.” He was even a serious presidential contender before his 2008 campaign collapsed into farce. Rudy is the ultimate Trump dignity wraith. Confusion will indeed be his epitaph,

The last word goes to King Crimson:

The More The Merrier

Welcome to the latest post wherein I steal the title of an old movie. The More The Merrier was a brilliant 1943 comedy about the wartime housing shortage in Washington D.C. It’s noteworthy as the last comedy directed by George Stevens before going off to war. Stevens was among the first Americans to see a Nazi death camp and stuck to more serious subjects after the war. As much as I love A Place In The Sun, Shane, and Giant, I wish Stevens had done some comedies after the war. Nobody did them better and his post Giant output defined the phrase mixed bag. That concludes the film buff portion of the post.

Let’s turn out attention to the 2020 presidential campaign. There’s some hand wringing among Democrats about the number of candidates who plan to run. I say the more the merrier. A diverse field of candidates shows the strength of our party. And a large field gives us a better chance to pick a candidate who will reflect the nation’s mood in November 2020.

It’s been forgotten what a large field of talented candidates ran for the 2008 Democratic nomination. It quickly boiled down to Obama versus Clinton, but John Edwards was a serious contender early on. We dodged that bullet but we could have found ourselves stuck with Edwards when the National Enquirer baby daddy story hit.

We know what worked in the 2018 midterms: new faces, especially women and minority candidates. That might be the right formula for 2020 as well but an experienced old hand such as Joe Biden might be appealing to voters sick of Trumpian incompetence by the time the election rolls around. Or maybe not. It’s hard to tell this far out from the election. Repeat after me: the more the merrier.

I remain undecided about 2020 but I find much to like in the candidacies of Warren, Harris,  Castro, and Gillibrand as well as the thus far undeclared cohort of Booker, Klobuchar, Brown, Beto, and others who are flirting with running. It’s a veritable cast of thousands: the more the merrier.

As to Mike Bloomberg and Bernie Sanders, I’m a fan of neither but let them run and see how they do. Bloomberg’s wanderings from Democrat to Republican to Independent and back to Democrat gives this hardcore Democrat pause. Similarly, Sanders’ status as a stubborn Independent is vexatious. I’m also unconvinced that a passion candidate like Bernie will do as well the second time around, BUT if both he and Bloomberg want to run, I say the more the merrier. Let the voters decide.

Everyone who is a native-born citizen over the age of 35 has the right to run for president even Tulsi Gabbard. I’m mystified as to why she thinks that running on a platform of compromising with Trump, Obama bashing, and Kremlingate skepticism will appeal to Democratic voters. I’ll skip detailing her anti-LGBT past, which has already crippled her candidacy.

Speaking of the Current Occupant, he’s the elephant in the room. If Trump runs for re-election, he will be the GOP nominee even if he faces a primary challenge. But I remain uncertain that he’ll be on the ballot in 2020. As a partisan Democrat, I hope the Insult Comedian runs because he looks beatable in the wake of the midterms, but as a patriot I hope he’s out of office ASAP.

Democrats need to be prepared to run against another Republican nominee, be it Pence or someone else. That’s another reason to be glad that the Democratic field will be so large. We need options. The more the merrier.

The last word goes to The Mighty Sparrow:

 

Republicans In Disarray

It’s been a bad week for the president* thus far. His wildly unpopular shutdown enters its 27th day, he’s been mocked for serving cold hamberders to jocks from Clemson, and his administration* has been leaking like a sieve. The stories about his NATO-phobia and Interpretergate have been particularly damaging as well as damning. It’s been an excellent week, however, for Putin’s plan to foment chaos in what used to be called the free world. We’ll just have to keep on rockin’

Enough of the Insult Comedian, let’s talk about *other* Republicans in disarray. Two past malakas of the week have been in the news: Steve King and Chris Christie.

The Same Old Racist Iowa Cornholer: Emulating Captain Louis Renault in Casablanca, House GOP Leader Kevin McCarthy is shocked, shocked to learn that Steve King is a bigot. Based on his legendary “untrustable in hungria” comment, McCarthy is not the brightest bulb in the lamp. He’s also not very observant: Steve King was a racist long before he was stripped of his committee assignments.  I wrote about it in a 2017 post called King Of The Bigots and Trip Gabriel of the Failing New York Times has compiled Steve King’s Greatest Hits. What a long, strange Trip it’s been.

Perhaps Kevin hadn’t noticed before because his head is so far up Trump’s ample rump that he’s been blind to King’s racism. It’s a lame excuse: King has been saying this shit since he was a member of the Iowa lege. This quote comes from 2002, when the Trump presidency* was just a bad dream:

Mr. King, in the Iowa State Senate, files a bill requiring schools teach that the United States “is the unchallenged greatest nation in the world and that it has derived its strength from … Christianity, free enterprise capitalism and Western civilization.”

The Congressman from next door Metry and past malaka of the week, Steve Scalise, has been too busy selling books and pretending NOT to be a more politically viable David Duke to notice King’s bigotry either. Scalise prefers code words to raw naked hatred but he’s guilty of Renault-ism as well:

The King of Bigots took to the House floor yesterday to defend himself:

Dolts like King always twist history to justify their words and actions. Many abolitionists were racists and preferred emigration and separation to integration and equality. I wonder if King has ever heard of Liberia.

The only reason Republicans stripped the bark off King’s committee assignments is that House Democrats voted to rebuke the Iowa Cornholer’s latest statements. The vote was 424-1. And the no vote came from Illinois Congressman Bobby Rush who thought the House should censure the King of Bigots.

Let’s move on to our next example of Republicans in disarray. The post title feels slightly illicit since it mocks a million such stories about Democrats in Tiger Beat on the Potomac aka Politico. Perhaps I’ll win the morning.

Governor Asshole’s Revenge: There’s a consensus out there that the Trump regime operates like a mob family. I’ve even given him a wise guy name: Don Donaldo Il Comico Insulto.

The man who wanted to be Clemenza to Trump’s Godfather has written a book that verifies the old Sicilian adage “revenge is a dish best served cold.” I wonder if the dish is pizza? I happen to like cold, leftover pizza for breakfast. I’ve also been known to hold a grudge.

Back to Christie’s upcoming tome, Let Me Finish. Yesterday, the Guardian published an exclusive article about the most explosive parts of the book, which involve the Governor Asshole/Slumlord Jared blood feud:

Christie blames this key player[Kushner] in the president’s inner circle for his ignominious dismissal shortly after Trump’s election victory in November 2016. Christie, the former governor of New Jersey, writes that Kushner’s role in his sacking was confirmed to him by Steve Bannon, Trump’s campaign chief, in real time.

As Bannon was carrying out the firing, at Trump Tower in New York, Christie forced him to tell him who was really behind the dismissal by threatening to go to the media and point the finger at Bannon instead.

“Steve Bannon … made clear to me that one person and one person only was responsible for the faceless execution that Steve was now attempting to carry out. Jared Kushner, still apparently seething over events that had occurred a decade ago.”

The political assassination was carried out by Kushner as a personal vendetta, Christie writes, that had its roots in his prosecution, as a then federal attorney, of Charles Kushner in 2005. The real estate tycoon was charged with witness tampering and tax evasion and served more than a year in federal prison.

Apologies for the long quote but I couldn’t quite channel my inner Mario Puzo or David Chase this morning, so I let the Guardian guys do it for me.

I’ve missed having Governor Asshole to kick around. I’m glad he’s publishing an *almost* tell-all book about the Trump regime. I say almost because he’s softer on Trumpberius than on anyone else:

At his first meeting with Trump in 2002, at a dinner in the Trump International Hotel and Tower, in New York, Trump ordered his food for him. He chose scallops, to which Christie is allergic, and lamb which he has always detested. Christie recalls wondering whether Trump took him to be “one of his chicks”.

At another dinner three years later Trump told the obese Christie he had to lose weight. Addressing him like one of the contestants in Miss Universe, the beauty contest organisation that he owned, Trump said “you gotta look better to be able to win” in politics.

Trump returned to the theme of girth during the 2016 presidential campaign, exhorting Christie to wear a longer tie as it would make him look thinner.

Christie hates lamb? Fuck him and the long red tie he rode in on. Was that a bridge too far? Nah, in the immortal words of Bobby Bacala:

No, Bobby, I don’t. It’s what I do.

There’s one more example of Republicans in disarray. Chinless Mitch may be preventing a vote on re-opening the government but he lost a vote yesterday, which had to be one of the most newsworthy Tuesdays in history. One could even call it Christie Gras.

The Oleg Deripaska Sanctions Blues: Team Trump wants to lift sanctions on the Russian oligarch to whom Paul Manafort owes millions of dollars, Oleg Deripaska. 11 Republican Senators joined Democrats to stop this move in its tracks; one of whom, to my great surprise, was Gret Stet Senator John Neely Kennedy of Neelyisms fame. As Neely himself might put it, even a blind pig finds an acorn sometime. Boy howdy.

This was a preliminary vote: they need 2 more GOP votes to stop Mnuchin’s folly but any sign  of Republican disarray is inordinately pleasing. Props to Chuck Schumer for organizing this mini uprising. He’s showing more backbone since Nancy Smash became Speaker. Keep it up, Chuck.

That concludes this episode of Republicans In Disarray Theatre. The last word goes to the Gin Blossoms who have anthropomorphized disarray.

Saturday Odds & Sods: Because The Night

Twelfth Night Revelers Pageant Design by Charles Briton, 1871

Carnival is in its early stages but it’s beginning to eat my life. That may sound cannibalistic but I’ve always been fascinated by the Donner Party, so I’m down with cannibals. But I was never big on the band Fine Young Cannibals. I like music with more bite. All FYC ever did was was drive me crazy. Hmm, FYC sounds like KFC and you know what they say about chicken…

Last Sunday was Twelfth Night proper so Dr. A and I attended the launch party of a new business owned by our friends Will and Jennifer Samuels. It’s called the King Cake Hub and they sell a wide variety of King Cake from numerous local bakeries. And New Orleanians are obsessed with King Cake.

The King Cake Hub’s location has added to the local interest: the Mortuary at 4800 Canal Street. It used to be a genuine mortuary and is currently home to an elaborate haunted house every fall. If you don’t believe me, it’s picture time:

I knew Will before he became a King Cake impresario and was a pizza man; not to be confused with Frank Furillo of Hill Street Blues. I wish him well in his new venture. End of semi-shameless unpaid commercial plug.

Henceforth there shall be no more shilling. Isn’t “thou shall not shill” one of The Ten Commandments of Love?

This week’s theme song, Because The Night, has something of a checkered history:

The song was originally recorded by Bruce Springsteen during sessions for his Darkness on the Edge of Town album. He was not satisfied with the song and later declared he already knew he wasn’t going to finish it since it was “a[nother] love song”; the Patti Smith Group was working on Easter in the studio next door, with engineer/producer Jimmy Iovine working on both albums. Iovine gave Smith a tape of the song, she recast it, and it was included on Easter, becoming the first single released from that album.

We have three versions for your listening pleasure: Patti’s version, Bruce and the E Street live in 2012, and Bruce and Patti teaming up with U2.

WARNING: BONO ALERT.

If that Bono sighting doesn’t make you want to jump to the break, I don’t know what will. So, follow me, trail along.

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Pulp Fiction Thursday: Down There/Shoot The Piano Player

David Goodis was one of the most interesting and accomplished crime fiction writers of his era. Many of his books were made into movies. The most interesting one by far was Francois Truffaut’s adaption of Down There. He improved upon the title so later editions of the Goodis book were titled Shoot The Piano Player.

Here’s the movie poster. C’est manifique.

Not Everything Sucks: Streets of Fire is on Amazon Now

Have you seen this movie? Hardly anyone’s seen this movie. Young Diane Lane looking FINE and the best soundtrack of any film ever (I will fight you):

You will not regret the two hours. I promise.

A.

All About Christmas Eve

No politics from me today. No insights about Christmas Eve either. I like the title since it evokes All About Eve, which was more about Margot Channing now that I think about it. It’s not about the 2012 teevee movie All About Christmas Eve either. That’s a good thing since I just heard of it. I’m not big on Lifetime or Hallmark holiday movies. They’re fruitcake for the eyes.

You’re probably wondering what this post is about. Me too. Oh yeah, I wanted to quote the boss lady telling the Insult Comedian to STFU on the tweeter tube yesterday.

I also want to wish everyone Happy Holidays from all of us at Adrastos World Headquarters. On to victory in the War on Christmas.

The last word goes to Brian Setzer:

Saturday Odds & Sods: Don’t Look Now

Dresden Street by Ernst Ludwig Kirchner

I don’t usually go in for cross-cultural generalizations about the state of the world but for every rule, there’s an exception. And 2018 has been an exceptionally bad year. Hell meet hand basket.

The US, UK, and France have gone to political hell and back in 2018. Our main problem is obvious: a corrupt and deeply stupid president*. In Britain, they’re still paying the price for the Brexit referendum catastrophe, which has resulted in bad leadership in both of the “big parties” and political paralysis. In France, Emmanuel Macron compared himself to Charles DeGaulle once too often, now there are riots in the streets just like in DeGaulle’s day. In 1968, they waved red flags. In 2018, they wear yellow vests. There’s a good chance that Macron will be France’s third consecutive one-term president. Burning it down is not all it’s cracked up to be.

I wish I had solutions for these problems but I’m a pundit, not a prophet. I don’t even have a prophet and loss statement. I can hear them groaning all the way to Bunkie, so it’s time to move on.

This week’s theme song was written in 1969 by John Fogerty for CCR’s Willy and the Poor Boys album. The title has been shortened over time from Don’t Look Now (It Ain’t You or Me) by dropping the parenthetical aside. You may have noticed that I live for parenthetical asides but I can live with the deletion of this one. In fact, it’s a delightful deletion.

We have two versions for your listening pleasure: the Creedence original and a 2005 cover by my main man Dave Alvin.

Don’t Look Now is also the title of a fine film by director Nicolas Roeg who died last month. And don’t look now is excellent advice when one jumps to the break: every time I peek, I get dizzier than Tommy Fucking Roe.

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Saturday Odds & Sods: Tangled Up In Blue

The Large Blue Horses by Franz Marc.

The weather has been wild and wacky in New Orleans. It was 80 degrees last weekend, then it plummeted to a day time high of 50 a mere two days later. It’s like being an extra in The Pit and The Pendulum. I have no idea what that means but it sounds good.

We had some car trouble this week. We convinced ourselves we might have major electrical issues. It turned out the car needed a new battery. Whew. Dr. A has named the new used car Hildy, after Rosalind Russell’s character in His Girl Friday. Neither Cary Grant nor Ralph Bellamy were consulted.

Am I allowed to brag? I promise not to go all Insult Comedian on your asses. The response to my Neelyisms: Translating Louisiana’s Junior Senator piece has been very favorable indeed. Thanks, y’all. I hope it will further one of my quirkier causes: getting people to stop calling him by his real name instead of my nickname for him. Repeat after me:  In politics, there’s only one John Kennedy, and his middle initial was F, not N. Just call him Neely.

This week’s theme song was written by Bob Dylan for his great 1975 album Blood on the Tracks. Tangled Up In Blue is one of my favorite Dylan tunes. It’s an almost foolproof song, which is why it has been covered so many times.

We have three versions for your listening pleasure: Dylan’s original, a 2017 cover by Joan Osborne, and a live version by the Jerry Garcia Band.

Now that we’re all tangled up, let’s jump to the break. I hope I can find my blue ripcord.

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Pearl Harbor Day Of My Mind

I had a dream that will live in infamy. Not really but it took place on the Pearl Harbor Day of my mind. It centered around the classic movie, From Here To Eternity.

For some reason, I was hanging out in a bar with Ernest Borgnine, Frank Sinatra, and Monty Clift. Deborah Kerr and Donna Reed were nowhere in sight, alas. I think Deborah was off canoodling on the beach with Burt Lancaster.

The air raid sirens went off and Borgnine bopped Sinatra in the bean with a bottle. They were clearly in character as Fatso Judson and Angelo Maggio respectively.

I awakened with a start at that point and the dream was over. I felt vaguely disappointed that I didn’t make Borgnine laugh. He had a great laugh. So it goes.

One more thing. The post title is meant to evoke Lawrence Ferlinghetti’s A Coney Island of my Mind. The beat (poetry) goes on.

Pulp Fiction Thursday: Crossfire

Hollywood was emboldened by the war against the Fascist powers to make more socially aware movies. There were two anti-anti-Semitism movies released in 1947: Gentleman’s Agreement and Crossfire. The former was a prestige picture directed by Elia Kazan, and starring Gregory Peck and John Garfield. It could be called a “Gentile savior” film as journalist Peck goes “undercover” and poses as a Jew. It won the best picture Oscar but has not held up that well. It’s a good but not great movie.

Crossfire was a noirish genre film that told the story of an anti-Semitic soldier played by the great Robert Ryan. It’s a tight, compact thriller with a fabulous cast: Robert Mitchum, Gloria Grahame, Sam Levene, and a pipe smoking Robert Young. It’s a 4 star classic and a much more effective tool against anti-Semitism than the more genteel Gentleman’s Agreement.

Here’s the poster. It has one of the best tag lines ever:

Let’s all go to the lobby and check out this lobby card:

Crossfire was adapted from a novel by Richard Brooks who was the writer-director of such classics as Elmer Gantry and In Cold Blood.

Hollywood improved on Brooks’ title. You can see for yourself:

I was mildly chagrined to lean that I  used Crossfire for PFT 6 years ago. I missed the Brooks book so this post is better. It’s what happens when you’re prolific and occasionally prolix.

Life Imitates The Godfather: Paulie, Won’t See Him No More

Clemenza and Paulie Gatto in The Godfather

There’s something about the Manafort-Trump relationship that makes me think of gangster movies. Imagine that. During Manafort’s trial, the Insult Comedian rhapsodized about Al Capone as a stand-up guy, so naturally I wrote a post called Life Imitates The Untouchables: Scarface Paul Manafort?

I’ve tried to avoid Godfather references in order to stand out from the mobster movie analogy crowd. And I realize the Clemenza-Paulie Gatto analogy is imperfect because Paulie G was whacked for betraying his Don whereas Paulie M first betrayed, then stood by Don Donaldo Il Comico Insulto. I should apologize for that long sentence but it would break my momentum. I don’t mess around with either Jim or Big Mo. The Seventies references are really flying today.

Now that I’ve Godfathered the hell out of you, let’s turn our attention to the Manafort at hand. After weeks of quiet, the Manafort case has exploded. Team Mueller pulled out of its plea deal with Manafort because of his incessant lying. Imagine that. Then, it got messier when the Failing New York Times broke the story that Manafort’s lawyer has been briefing Trump’s lawyers about their discussions with Team Mueller. There *was* a co-operation agreement between Teams Manafort and Trump but such deals usually end with a plea bargain. This is sleazier than hell but may not be illegal. It may, however, be actionable by the relevant bar association. Stay tuned.

Making matters even stranger is that mob buster turned wartime consigliere Rudy Giuliani was the source for the bombshell NYT story. We’ve gone from Gatto to Gotti in a heartbeat, a lovebeat. It’s unclear if Rudy did this out of an inability to NOT brag about the contacts or because he’s a stupid twat who thinks this helps his client’s case. It does not. It makes Trump look guilty. But Team Trump agrees with Tricky Dick:

This gambit is classic Manafort. He’s an expert at playing both ends against the middle. It’s why he’s in the jam he’s in today. But at least Trumpy loves him again.

I agree with those who think Manafort is playing for a pardon. He’s also playing the long game. Even for Trump, it’s politically impossible to pardon Manafort before the 2020 election. In his more lucid moments, the artist formerly known as Mayor Combover has admitted that a Manafort pardon would be disastrous politically. Of course, his idiot client is quite capable of impulsively issuing one just to blow shit up. That’s why I call him the Kaiser of Chaos.

There are many Manafortian theories out there. Former US Attorney, Deputy Assistant Attorney General, and MSNBC legal eagle, Harry Litman, has written a must read op-ed analyzing them. Unlike Litman, I believe that Manafort has a legitimate fear of being whacked by Russian spooks or wise guys in jail. It’s why he’s in solitary. It’s a plot line straight out of  The Americans.

The other Manafort news involves a story in the Guardian describing three meetings between him and albino devil Julian Assange. Many have discounted the story because of its sourcing. It *is* possible that the Guardian got played but the suspicion of the story strikes me as rank provincialism. The Guardian is one of the world’s great newspapers so its stories should be accorded the same respect as those in the NYT or WaPo. Besides, its sourcing is quite similar to many Woodstein Watergate stories. I also think the Steele Dossier implicitly supports the story. Stay tuned.

I’m used to making Watergate or Iran-Contra references about the DC scandal of the day. I am, however, unused to comparing our politics to gangster movies. What can I tell ya? I call them as I see them.

The last word goes to Corleone Caporegime Peter Clemenza:

Sorry for the last word fib, but I would be remiss in my duties as a mob movie maven if I didn’t post Clemenza’s lines after Paulie G met his maker:

Saturday Odds & Sods: Holiday

The Stillness Of Time by Salvador Dali

I originally thought I’d be able to write a full-blown Odds & Sods post this week. I was wrong. We spent Turkey Day pinballing from New Orleans to Baton Rouge and back again. Unlike Tommy, I’m not a deaf, dumb, and blind Pinball Wizard but I *am* stiff and sore from sitting in the car in heavy traffic and our pre and post Saints game hikes.

The Saintsgiving game was a bigger rout than the 31-17 final score indicates. The Saints-Falcons rivalry is intense but this isn’t the Dirty Birds’ year. It belongs to the New Orleans Saints. This is a special team: they’re fun to watch and have fun playing. The players are as likely to break out in random acts of dancing as the fans. This Saints team seems determined to put the fun back in the No Fun League.

The fans do their bit to support the team by getting LOUD. Check out the decibel level when the Falcons had the ball:

That’s Who concert loud, y’all. I kept waiting for them to play Long Live Rock There was the obligatory We Will Rock You sighting (sounding?) as well.

This week’s Saturday post may be truncated but we do have a theme song as well as a follow-up by the same artist. Ray Davies wrote Holiday for the klassic Kinks album Muswell Hillbillies. The follow-up comes from the Kinks underrated concept album, Soap Opera. Every time I hear Holiday Romance, I visualize Astaire and Rogers gliding across the dance floor.

That’s it for this abbreviated edition of Saturday Odds & Sods. I opened the post with a Salvador Dali painting. Let’s close things out with a picture of Dali and Alfred Hitchcock who are presumably discussing the dream sequence conceived by the artist for Spellbound.

Album Cover Art Wednesday: The Raven

I’m still contemplating my McRaven/Poe pun from Monday afternoon. It’s why this week’s album cover is the soundtrack of Roger Corman’s 1963 production called The Raven. It’s not an adaptation, it’s inspired by the Poe poem.

The Raven features Boris Karloff, Vincent Price, and Peter Lorre as mad scientists and a young Jack Nicholson in a supporting role. What’s not to love about that cast?

The soundtrack was composed and conducted by Les Baxter. We seem to have gone from nevermore to nevertheless.

 

Trump’s Raking, California’s Burning

There have been so many pinch me moments since Donald Trump became president*. The latest came with his bizarre response to the California wildfires. As always, this fucking moron thinks he knows everything when, in fact, he knows absolutely nothing. It’s always made worse by the refusal of anyone around him to tell him when he’s wrong, which is more often than not. The only Yes-men I’ve ever cared for were Anderson and Squire.

About the featured image. I felt it was important to translate it to the original Astoria-Queens dialect. If I could line up Joe Pesci for a reading, I would. My cousin Vinny knew a thing or two about da utes.

Back to Donald’s Excellent California Misadventure. Make sure you click on the embedded video in the tweet:

There’s just so much to unpack from Trump’s latest big bag of stupid. First, Finnish President Sauli Niinistö said he NEVER said anything about raking to Trump. Second, Finland is a small-ish, cold, and wet country. California is vast and dry from an epic drought. My home state is inherently prone to wildfires and all the raking in the world will not end that. Additionally, most of the forests there are managed by the Federal, not state government. But when did the Insult Comedian ever let the facts get in the way of making him look stupid?

When did da president* from Noo Yawk become an expert in forestry? Has he ever even wielded a rake? Perhaps he’s thinking of the kind of rake described in this tweet:

I attempted to post that tweet at a rakish angle but it proved impossible. Unlike the Current Occupant, I know when I don’t know something, you know.

One of Trump’s few talents is his eerie ability to make everything about himself. In this instance, it’s a horrific talent: 76 people have died and over 1000 are missing as of this writing. The Camp fire is a bona fide tragedy that all the raking or Smokey Bear bashing in the world will not solve. Yes, I said Smokey Bear bashing:

I would loved to have been a fly on the wall when Jerry Brown and Gavin Newsome discussed the presidential visit.  I thought I saw Jerry grit his teeth when Trumpberius went on about raking. The temptation to put the business end of a rake where the moon don’t shine must have been overwhelming. I applaud the outgoing Governor for his restraint. It must have been hard for Jerry: he doesn’t suffer fools gladly.

Nero had his fiddle, Trump has his rake. Dave Alvin has the last word:

Saturday Odds & Sods: Afterglow

San Giorgio Maggiore At Dusk by Claude Monet

The weird weather continues in New Orleans. We seem to have skipped fall and gone straight to winter. One day we ran the AC, the next the heater. As you saw yesterday, the cats are happy. They love blankets and space heaters. I could do without either. I hate the cold; a stance befitting someone who has lived most of their life in California and Louisiana.

The other down side of cold weather NOLA-style is that public places crank up the heat. I strolled to the grocery store the other day dressed for the great outdoors, I returned a sweaty mess since I had to walk fast to avoid the Valence Street rooster. I’m not a fan of chickens and this one is on the aggressive side.  I’d rather eat them than dodge them.

This week’s theme song was written by Tony Banks in 1976 for Genesis’ last pure prog album, Wind & Wuthering. Afterglow is a drop dead gorgeous song that closes the album as well as an era. It’s the last Genesis album featuring lead guitar player Steve Hackett who was missed almost as much by the band’s fans as Peter Gabriel.

We have two versions for your listening pleasure: the Genesis original followed by the Classic Rock String Quartet.

Now that we’re afterglowing, let’s jump to the break. I promise a soft landing.

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