Self Portrait After The Spanish Flu by Edvard Munch.
My sleep pattern remains wacked out. This lifelong night person has become a morning writer. I’ve even awakened before Dr. A a few times and fed the cat. Both she and PD were disoriented. Such is life during the pandemic.
I decided to use one of Edvard Munch’s lesser known works as this week’s featured image. It’s a reminder than one can survive even the worst pandemic. It also explains why he was such a Gloomy Gus. Of course, he was Norwegian; it goes with the territory.
This week’s theme song was written by Jerry Lieber and Mike Stoller in 1968. They shopped it around before finding the perfect singer: Peggy Lee. I’ll have more about Miss Peggy Lee and our theme song after the jump.
We have two versions of Is That All There Is? for your listening pleasure: the Peggy Lee original and a swell cover by the woman whose name I cannot stop saying, Chaka Khan. It’s a mantra in my family and it should be in yours. Chaka Khan, Chaka Khan, Chaka Khan.
Our next musical pairing involves a title that’s similar to Miss Peggy Lee’s last hit. To add to the needless complexity of this post, they’re different tunes.
You say this, I say that. Let’s call the whole thing off.
Now that we’ve questioned everything, let’s take a dubious leap of faith and jump to the break
I don’t have a helluva lot to add to what I said as the 13th Ward Rambler earlier this week. I’m still keeping my head down during the lockdown. We’ve had a few front porch visitors, which breaks the monotony and allows Paul Drake to make goo-goo eyes at company and get his nose prints all over the lower glass panes of our front door.
This week’s theme song was written by Paul Samwell-Smith, Keith Relf, and Jim McCarty in 1966 and represented a sonic breakthrough for The Yardbirds. The tune’s Wikipedia entry is absurdly detailed and argues that Jeff Beck should have received a songwriting credit as well. It’s okay: Beck assumed de facto ownership of the song after recording it with The Jeff Beck Group on 1968’s Truth album.
We have three versions of Shapes Of Things for your listening pleasure: the Yardbirds original, the Jeff Beck Group, and David Bowie from Pin-Ups. They’re all shapely and thingy:
Now that we’ve shaped things and contemplated Jeff Beck’s guitar virtuosity, let’s jump to the break.
It’s hard to know where to start some days. There’s so much happening that my mind reels like the drunk monkey in the ancient koan. Overkill is the koan of the realm in 2020. Pun intended; it always is.
It should come as no surprise that there’s rot at the core of the federal government. The Impeached Insult Comedian has been on a firing bender of late. A sinister one indeed: he’s been firing Inspectors General. They’re the ones in charge of keeping the various departments on the straight and narrow. That’s impossible during the Trump regime. Straight is out, crooked is in. It’s the age of overkill, after all.
The most worrisome of the firings is at the State Department where Mike Pompeo was being investigated for various abuses of power including turning his staff into servants. Inspectors Generals frown on civil servants walking their bosses’ dog. They’re only supposed to walk government dogs but since they don’t exist, dog walking is out.
I wonder if anyone in Trumpistan is literate enough to be familiar with Nikolai Gogol’s satirical playThe Inspector General aka TheGovernment Inspector. It mocked corrupt provincial officials in Tsarist Russia. In 1949, Hollywood reduced Gogol’s biting satire to imbecilic farce. Imbecilic farce certainly describes the Trump regime’s bumbling response to COVID-19. Make that deadly imbecilic farce.
Notice Danny Kaye’s orange skin in the poster below. I hesitate to make a Trump comparison since Kaye was a leading Hollywood liberal. Besides, he had much better hair than the Kaiser of Chaos:
Back to Gogol. Perhaps Mike Flynn discussed him in one of his many conversations with Russian Ambassador Sergey Kislyak. You know, the ones he lied about to protect himself and President* Pennywise.
In other news, Trump has been making outlandish and untrue statements on a daily basis. No surprise there: he’s the personification of overkill, after all. He gave a whole new meaning to the term American exceptionalism with this deeply stupid remark:
When we have a lot of cases, I don’t look at that as a bad thing — I look at that in a certain respect as being a good thing because it means our testing is much better. … So I view it as a badge of honor, really.
Really? A badge of honor? The only good thing about this loony remark is that it gives me an excuse to post this:
Where is my badge? Indeed, sir.
You’ve surely heard the Trumpian claim that he’s taking hydroxychloroquine to keep the coronavirus at bay. He’s lying, deeply stupid or both. Given what Nancy Smash called his “morbid obesity,” I wonder if he’s ingesting these instead:
It’s hard to top that sight gag. Attempting to do so would be overkill.
The last word goes to Men At Work and Colin Hay with two versions of an insomnia song I forgot to post last week:
Summer is slowly but surely returning to New Orleans. The first two weeks of May were blissfully temperate but summer’s cauldron has begun to boil. It’s unclear if it’s a Pepper Pot but you never can tell.
We had a serious thunderstorm in the wee small hours of Friday morning. I originally planned to put PD’s big ass box out with the trash but thought better of it. I wish I could claim second sight but I’m glad I didn’t have to scoop wet cardboard off the grass.
I did not know until googling information about this week’s theme song that Mentor Williams was Paul Williams’ kid brother. It’s unclear if Paul mentored Mentor in the songwriter’s craft but the older brother never wrote a song as good as Drift Away. Mentor W wrote it in 1970 and after several misfires it became a monster hit for Dobie Gray in the summer of 1973. One couldn’t escape its refrain:
“Oh, give me the beat, boys, and free my soul.
I wanna get lost in your rock and roll and drift away.”
We have two versions of Drift Away for your listening pleasure by Dobie Gray and my 13th Ward homies the Neville Brothers.
I know there was a hit version of the song in 2002. I refuse to post a video by anyone who spells cracker with a K. Take that, Uncle Kracker.
Let’s pay a visit to Disambiguation City with the Kinks hard rocking, Drift Away. It sounds nothing like Mentor W’s song but it’s a classic in its own right.
I hope your attention isn’t drifting away. If it is, the time is right to jump to the break.
Perhaps I should have used Zachary Richard’s Snake Bite Love as our theme song while we were Festing In Place but I couldn’t let go of using Can’t Let Golast week. Besides, it’s never too late for a Zack Attack.
We have two versions of Snake Bite Love for your listening pleasure: the 1992 studio original and a 2009 live version from a Jazz Fest set I attended.
One more snake song before we slither to the break:
I realize the hands in the Max Ernst image above should be gloved but they won’t be shopping at a grocery store near you so why should you care?
I almost called this post Monday, Monday but that’s boring so I decided to quote the lyrics, then post the tune:
I wonder if anyone made bathtub gin in that tub during Prohibition? A bootlegger may have peed in that terlet. I’ve always preferred the terlet version of the cover. It’s the one I posted on Wednesday October, 24, 2018. Actually, I posted a double dose. We’d be in trouble without terlets. Who the hell wants to pee on a tree?
Must Read: The WaPo nailed the Impeached Insult Comedian and his corrupt cohort to the wall in Sunday’s paper. A quick interlude: are they a corrupt cohort or coterie of crooks?
Here’s my favorite quote because it’s so clueless and selfish:
“There’s a little bit of a God complex,” one senior administration official said of the [doctors] group. “They’re all about science, science, science, which is good, but sometimes there’s a little bit less of a consideration of politics when maybe there should be.”
Scientists gotta science, doctors gotta doctor. I guess all President* Pennywise wants from the docs is some Good Lovin‘:
In case you don’t know the lyrics, here’s a sample:
I was feelin’ so bad,
I asked my family doctor just what I had,
I said, “Doctor, Doctor
Mr. M.D., Doctor
Now can you tell me, tell me, tell me,
What’s ailin’ me?”
You could even morph that “tell me” into “Fauci, Fauci, Fauci.” You could. I would never do such a thing.
Reformed Boris? British Prime Minister Boris Johnson, who I”ve compared to Basil Fawlty, is out of the ICU and back at work after his brush with death. And I thought he was pale *before* becoming a coronavirus survivor.
Boris gave an interview to The Murdoch Sun in which he came close to declaring Thatcherism dead. He had nothing but glowing things to say about the National Health Service, which has been cut ruthlessly by the Tories. I’ll believe his near deathbed conversion when he fully funds the NHS.
Thatcherism and Reaganism were born at the same time. They should die together as well. I’ll give them credit for one thing: Maggie and Ronnie sure could dance.
Signs & Memes: We begin this segment with a picture taken in New Orleans by one of my most faithful readers, Paul McMahon:
The next anti-Kaiser Of Chaos image was stolen by off the internet by film writer Bill Arceneaux and I’m stealing it from him:
Blast From The Past is not only the title of the next segment, it’s the title of my upcoming Bayou Brief column, which looks at Jazz Festing In Place and the early release of former New Orleans Mayor C Ray Nagin.
Where was I? Oh yeah, watch one of the greatest Giants of all hit a titanic tater in the 1969 All-Star Game off the wonderfully nicknamed A’s pitcher Blue Moon Odom
San Francisco Giants legend Willie McCovey hits a HR vs. Oakland A's pitcher Blue Moon Odom at the 1969 Baseball All-Star Game in Washington, D.C. #MLB#SFGiants#Historypic.twitter.com/Ap2wvgwOmN
Stretch was such a ferocious hitter that he made hurlers hurl in the Wayne’s World meaning of the word.
Guess what time it is:
While you were in the lobby, I hope you saw the poster:
Sam Fuller’s House of Bamboo: I had heard of this 1955 film but had no idea how good it is. I was shocked to learn that it was shot in Cinemascope and produced by a major studio. I’m used to Fuller’s films being shot in gritty black and white and on a low budget. Once I recovered, I enjoyed the movie.
House Of Bamboo was the first American film shot in Tokyo after we bombed the shit out of it. The city is as important a character as Roberts Ryan and Stack. It’s one of Stack’s best performances and nothing like his most famous role, Eliot Ness. He’s a smart ass and a bad ass as well. I’m not assing off about that either.
Here’s the trailer:
House Of Bamboo can be viewed on TCM On Demand, on their app, and it will air on TCM on May 13th I loved it and give it high marks indeed: 4 stars, an Adrastos Grade of A, and two big thumbs up.
We had some first world problems at Adrastos World HQ this week: a cable box containing 60 episodes of Law & Order died. I battled the provider to a draw but losing the season-5 episodes with the perfect L&O cast of Orbach, Noth, Merkerson, Waterson, Hennessy, and Hill hurt:
Law & Order is my pandemic jam and it’s not currently on a streaming service. I can’t let go of the craving.Told ya this was a first world problem.
I hope that those of you who have read my previously unpublished law school mystery, Tongue In The Mail, enjoyed it. If you haven’t read it, give it a shot by clicking on this link. The serialization is dead, long live the serialization.
This week we have a trio of theme songs with the same title. Our first Can’t Let Go was written by Bryan Ferry for his 1978 solo album The Bride Stripped Bare. Here’s a double dose with the studio original and Roxy Music live:
Our second Can’t Let Go was written by Lucinda Williams for her classic 1998 album, Car Wheels On A Gravel Road:
Our final Can’t Let Go was written by Bill Meyers, Maurice White, and Allee Willis for Earth Wind & Fire’s 1979 album I Am.
I don’t know about you but I’m having a hard time letting go. Perhaps a jump to the break is in order.
Richard Thompson-Edward Hopper month concludes with a perverse pairing of Hopper’s most famous painting and a lesser known RT gem.
There’s not a lot to report this week since we’re on lockdown like everybody else. The polls don’t seem to reflect the Impeached Insult Comedian’s notion that people are desperate to resume normal life and take another bite out of the COVID-19 apple. Even 70% of rank and file Republicans would rather not die. Imagine that. So much for the Trump Death Cult.
This week’s theme song was written by Richard Thompson for his 1996 album You? Me? Us? Dig those crazy question marks. It also has a cool Max Ernst-like collage album cover, which may turn up some Wednesday. You never can tell.
We have two versions of The Ghost Of You Walks for your listening pleasure. The studio original and a live teevee performance on the BBC’s Later with Jools Holland. The latter is just the two unrelated Thompsons: Richard and Danny.
I’m not afraid of ghosts but if you are, let’s jump to the break to escape.
In addition to writing this lurid potboiler, James Warner Bellah worked on five John Ford films. Bellah represented the dark side of Ford’s vision. Many of the bigoted bits in his Westerns were down to Bellah.
Richard Thompson-Edward Hopper month continues. We begin with with a weather bulletin of sorts. Y’all are used to my weather obsession by now.
We had a cold front in New Orleans this week. Nighttime lows hovered around 50 several nights in a row. That may not sound like much to people from the frozen north but by our standards that’s cold for mid-April. Some locals whined about the cold, but I like it. Some folks just like to bitch. You know who you are; piss off out of my virtual kitchen.
Every time I search for Hopper paintings online, I’m told he was an “American realist” painter. That’s what he called himself, but his work is deeply weird. The painting above reminds me of Hitchcock’s Rear Window. I’ve never thought of Hitch as a realistic filmmaker even if regular guy Jimmy Stewart starred in that flick. His character was a laid-up photographer turned peeping tom. That’s weird, not realistic.
Sunday is Greek Easter, so I decided to pick a Richard Thompson tune with religious undertones. According to Mark and other bible dudes, Gethsemane was the garden at which Jesus prayed before his betrayal and arrest. It still exists and is a tourist attraction with an elaborate web site.
Gethsemane is also the title of this week’s theme song. It was written by Richard Thompson in 2003 for The Old Kit Bag. It’s an ominous sounding song that opens with this ominous verse.
“Among the headstones you played as boys
Crypts and tombs like a roomful of toys
Just up the river from the smoke and the noise
Gethsemane.”
We have two versions of Gethsemane for your listening pleasure: the studio original and a recent solo acoustic interpretation by the songwriter.
There’s also a song from Jesus Christ Superstar called Gethsemane (I Only Want To Say.) Here’s the original cast recording with Deep Purple frontman Ian Gillan in the title role.
I suspect playing Jesus Christ Superstar was nothing like working with Ritchie Blackmore. They did, however, produce some swell music:
Christ on a cracker, that rocked.
All this talk of Jesus and betrayal reminds me of this Asia tune:
A lot of shit got real this week. The presidential race returned to the radar screen with endorsements of Joe Biden by former rivals Bernie Sanders and Elizabeth Warren. The latter stunned Rachel Maddow by giving a one-word answer when asked if she’d take second place on the ticket. The word was YES. I have mixed feelings about the idea. She’d be the best president in waiting BUT Dems would lose a senate seat and I still think Kamala Harris would be the best pick politically. Stay tuned.
I had planned to write separate posts about the subjects listed in the title. But as John Lennon once said, in another song better than Imagine, “Life is what happens to you while you’re busy making other plans.”
Oh hell, I might as well post the video, it’s what I do:
That reminds me of another John Lennon tune from Double Fantasy, which is also much better than Imagine:
We’re all “just sitting here watching the wheels go round and round” during the lockdown. It’s giving some people ants in their pants.
That brings me to our first subject. I know, it’s the last item in the post title but this fucking flows. Never mess with the fucking flow.
Putrid Protests: There are people tea-partying like it’s 2009. The Michigan protest was pure Teabaggery. It was intensified by Michigander MAGA Maggots who cannot abide a woman governor telling them what to do. I’m surprised nobody had a sign calling Gretchen Whitmer a Governess. That would require wit, which is a quality sadly lacking among the red hat set.
The most appalling thing about this idiotic protest can be seen in this tweet:
13,000 Michiganders died fighting for the Union in the War of the Rebellion. They died to purge the land of that fucking flag, you stupid motherfuckers. Fuck you. Uh oh, I’m turning into Jude. Fuck that shit.
Governor Whitmer was asked the Veep question by Rachel last night. She wasn’t having it and gave a wordy answer reminding the world that her plate is full right now. And Governor Whitmer strikes me as someone who always cleans her plate before moving on to the next task. Stay tuned.
It’s time for a visual transition:
Red Dawn was a fakakta 1984 movie hatched in the feverish brain of right-wing writer-director John Milius. It told the story of a Soviet invasion of God’s Country. Me, I prefer this comedic take:
Carl Reiner is wearing his angry rug in that lobby card. Fuck you, Alan Arkin.
Red Dawn is also an email string traded by concerned government scientists during the early days of the pandemic. The NYT published a story about it last weekend. It’s devastating to the political hacks and Trumper shitbirds who ignored their dire warnings.
My favorite bit came from an email
Dr. Lawler is an infectious disease specialist when not commenting on Trump’s March Of Folly.
Let’s try another visual transition. I really dug the last one.
The Ultimate Unreliable Narrator: The term unreliable narrator was coined in 1961 by Wayne C. Booth. It often applies to a crime fiction narrator who lies to readers; something I never do in Tongue In The Mail. End of shameless plug.
This unreliable narrator *is* committing a series of crimes but they’re not fictional, alas. I’m talking about the Impeached Insult Comedian who says something one day, changes his mind the next, and denies ever having said it on the third day, which is also the title of an early ELO album.
People keep falling for this nonsense and not just the MSM. My social media feeds were full of people freaking out over Trump’s “I have the power to adjourn Congress” bullshit. He does not and the idea was shot down by the Turtle on the second day. Get a grip, y’all. As some smart ass said on Twitter:
Why are people taking Trump literally again? Hasn’t anyone learned anything from 4 years of lies and false starts?
Captains Bligh: Charles Laughton, Trevor Howard, Anthony Hopkins.
I’m out of the habit of posting the Impeached Insult Comedian’s tweets. He spends so much time preening, posturing, bragging, and lying on tevee that his Twitter feed feels redundant. I wish *he* were redundant in the British sense: out of work. Let’s make it so in November.
Back to President* Pennywise’s latest weird tweet. I’m not sure if he wrote it himself since there are some big words in it but it’s revealing nonetheless:
Tell the Democrat Governors that “Mutiny On The Bounty” was one of my all time favorite movies. A good old fashioned mutiny every now and then is an exciting and invigorating thing to watch, especially when the mutineers need so much from the Captain. Too easy!
Invigorating? Too fancy for the Kaiser of Chaos who speaks and “writes” in what the late Philip Roth called “jerkish.” Or as Truman Capote said about Jack Kerouac, “it’s not writing, it’s typing.” Capote’s beatdown of the beat writer was rooted in jealousy. Like Trump, he always had to be the center of attention.
The tweet is also vague as to which version of Mutiny on the Bounty Trump prefers:
The 1935 Frank Lloyd-Charles Laughton-Clark Gable version?
The 1962 Lewis Milestone-Carol Reed-Trevor Howard-Marlon Brando version?
The 1984 Roger Donaldson-Anthony Hopkins-Mel Gibson version is called The Bounty but it’s about mutiny, not a candy bar. It’s even based on a different book, but a mutiny is a mutiny is a mutiny.
Trump seems to identify with Captain Bligh. He’s under the mistaken impression that Captain Bligh was the hero of the piece. That’s another figment of his fertile fantasy life. The American Film Institute named Captain Bligh the #19th most loathsome screen villain ever. Btw, the feature is interactive: another time killer for the pandemic.
I suspect most governors would be glad to be identified with the big screen Fletcher Christians except for the one on the right in the triptych below:
Fletcher Christians: Clark Gable, Marlon Brando, Mel Gibson.
Fletcher Christian was the bull goose mutineer and the hero of the first two bounteous films. The 1984 movie was more ambiguous properly befitting a movie starring anti-Semitic nut job Mel Gibson. Not that President* Pennywise and ambiguity are on speaking terms or even passing acquaintances. I’d pass on meeting him myself…
Marlon Brando over-identified with Fletcher Christian. He staged his own mutiny against original director Carol Reed. Brando denounced the maker of Odd Man Out and The Third Man as a hack unworthy of sailing on the same tall ship as the great Marlon Brando. He engineered Reed’s firing in favor of the more pliable Lewis Milestone. It was a tantrum worthy of the Kaiser of Chaos or even the original Kaiser Bill:
What’s the purpose of this post? Other than making my readers laugh? The proof is in this pudding: the Kaiser of Chaos has delusions of grandeur and fantasies of exiling Andrew Cuomo and Gavin Newsome to Pitcairn Island. If, that is, he had a clue as to what I’m talking about. Maybe I should make a Survivor exile island analogy instead, the president* and Mark Burnett are bosom buddies, after all. Not to be confused with Tom Hanks and Peter Scolari in the sitcom of that name:
I’m terribly fond of the novel by Charles Nordhoff and James Norman. It was the first grown-up book I ever read. I recall devouring Mutiny on the Bounty while bedridden with some malady when I was 11 or 12 years old. I never for a second identified with Captain Bligh. Just as I’d rather walk the plank or swing from the yardarm than vote for Donald Trump.
The last word goes to Bugs Bunny in Mutiny on the Bunny:
Edward Hopper is associated with scenes of urban isolation and alienation. As you can see, the same thing applies to his rural scenes. That gas station isn’t hopping, which is par for the course for Hopper.
The Gret Stet of Louisiana is making progress with the pandemic. The curve is flattening slightly BUT there’s a big problem with racial disparity among the afflicted. Twice as many black folks have died of COVID-19 related illnesses as white folks. Terrible is an accurate but still inadequate word to capture the horror of this discrepancy. If I believed in using emojis here, I’d insert a sad face BUT:
This week’s theme song was written by Richard Thompson in 1981 for the final Richard and Linda Thompson duo effort, Shoot Out The Lights.
Walking On A Wire is one of the ultimate breakup songs. It’s some serious shit, y’all. We have two versions for your listening pleasure: the studio original and a recent solo acoustic version by the songwriter.
I’m still feeling wiry. Time for some Leonard Cohen as channeled by Aaron Neville.
I’m a bit wired from all that walking on a wire. Keep your balance as we jump to the break.
Welcome To My Nightmare was Alice Cooper’s first solo album. It was a successful attempt to move Alice/Vincent Cooper/Furnier into the mainstream. In 1975, the mainstream included concept albums of which this was one. What’s not to love about a guest appearance by Vincent Price?
Welcome To My Nightmare 2 was a sequel concept album released in 2011. Here are the two covers together:
I’m trying something different this month. I’m pairing the artwork of Edward Hopper with the music of Richard Thompson. Each Saturday in April will feature a different EH image and RT tune. I think they work well together.
My oak pollen allergy has been bonkers this year. We’ve hit a prolonged dry patch: no rain since some time in February. We tend towards extremes in New Orleans. It either rains too much or not at all. The happy medium is unknown in our forecasting annals.
The worst thing about this allergy season during the pandemic is that it’s hard for me to go outside at all. The last time I took a walk, I had a pollen related sneezing jag, which led some fellow strollers to glare at me as if I were Typhoid Mary. So it goes.
This week’s theme song was written by Richard Thompson for the Pour Down Like Silver album. I have a soft spot for that album: it was the first RT album I ever purchased but not until 10 years after its release. I was a late RT bloomer.
We have three versions of For Shame Of Doing Wrong for your listening pleasure: the Richard and Linda studio original, a poppy version produced by Gerry Rafferty, and a cover by RT’s former Fairport band mate, Sandy Denny.
Is it shameful that I like the poppy version from Rafferty’s Folly? Hell, I like the song below too. It was inescapable in 1978:
As I hang my head for shame of doing wrong, let’s jump to the break in a shameless manner.
Holy misdirection, Batman. I’m not writing about the Doris Day-Rock Hudson-Tony Randall classic, I’m talking about one of President Pennywise’s special guests stars at one of his campaign rally style briefings: the My Pillow Guy.
President Donald Trump used Monday’s White House daily briefing on coronavirus to again parade out private company executives — including My Pillow CEO Mike Lindell, who used the platform to praise Trump and tell Americans amid a global pandemic to “read our Bibles.”
MyPillow CEO Lindell said his bedding company would be dedicating 75% of its manufacturing to producing cotton face masks, aiming to get up to 50,000 a day by end of this week. He then said he would read something he wrote “off the cuff.”
“God gave us grace on Nov. 8, 2016, to change the course we were on,” Lindell said, referring to the day Trump was elected. “God had been taken out of our schools and lives. A nation had turned its back on God.”
“And I encourage you to use this time at home to get back in the ‘Word,’ read our Bibles and spend time with our families,” he added, touting “our great president” and “all the great people in this country praying daily” as key to getting through the pandemic.
Did he mean preying? Creeps like the My Pillow Guy and his orange messiah have been preying on our fears for years. If people want to pray, that’s okay with me but there’s a price to be paid for believing in a false prophet; make that profit. They profit and you lose.
The best response to this mishigas came from former Gambit editor Kevin Allman:
This week’s featured image is one of the most famous American paintings of the 19th Century. I’ve posted it to honor all the medical professionals who are fighting the good fight against COVID-19 but who wear masks and gloves unlike Dr. Gross and his cohort. Thanks, y’all.
I prefer to keep this weekly feature light but it’s hard to do in these tough times. The second act is kind of heavy, but the jokes return in our third act. Laughs are precious right now when fear is abroad in the world and our government in the hands of an evil clown, President* Pennywise. Oy just oy.
At the risk of being a pest, a reminder to support Chef’s Brigade NOLA for all the reasons set forth in this post. Thanks again, y’all.
This week’s theme song was written by Robbie Robertson in 1970 for The Band’s third album Stage Fright. It’s a joyful tune with a somewhat dark lyrical subtext.
We have two versions of Time To Kill for your listening pleasure: the Todd Rundgren produced studio original and a live version from the Summer Jam at Watkins Glen: a 1973 festival starring The Band, The Dead, and the Allman Brothers Band.
The title certainly resonates in our era:, we all have time to kill. One of my mottos as a blogger is: When in doubt, post a Kinks song:
Now that we’ve killed time, let’s jump to the break. It won’t kill you.
The other day on social media I posted a link to a WaPo article about the difficulties faced by families who lost loved ones during the pandemic. It drew a raft of comments because I mentioned my favorite cousin. As First Draft readers know, she died last week.
Today was my cousin’s funeral; attendance was limited to 5 relatives and the people who performed the service. I’m not sure we would have been able to go in normal times, but these are not normal times.
My cousin was a movie buff and the one who introduced me to John Ford’s movies. That’s why the funeral scene from The Searchers is the featured image. Ford knew how to stage a 19th Century funeral in the 20th Century.
My cousin’s service was 21st Century all the way. It was live streamed by her church in Dallas. I nearly put live stream in quotes as the transmission was erratic until the last 10 minutes of the mass. At one point we tried streaming on 5 different devices: 2 iPhones, a laptop, desktop, and an iPad. The latter worked the best. Score one for Apple.
It was such a struggle that we started to laugh at the absurdity. I knew my cousin wouldn’t have minded. She was devout but she had an irreverent side: as a young woman, she acted with Nick Nolte at a community theatre in Phoenix, Arizona. Nolte was wild even then so a little laughter from her New Orleans kin wouldn’t have phased my cousin.
As I laughed, I thought of Chuckles Bites The Dust; the episode of the Mary Tyler Moore Show wherein the station clown dies at the “hands” (trunk?) of an elephant while dressed in a peanut costume. The rest of the gang makes sick jokes about the death of Chuckles, but Mary Richards is made of sterner stuff. (The best joke came from snarky news writer Murray Slaughter: “Born in a trunk, died in one.”) Instead, Mary laughed her ass off during the funeral service after the minister recited the Chuckles credo: “A little song, a little dance, a little seltzer down the pants.”
I know what those of you who know us IRL are thinking. You’re casting Dr. A as Mary and me as Lou Grant. Twenty years ago, I would have objected but I’ve grown into my Lou Grantness. I was always a curmudgeon but now I have Ed Asner’s hairline and paunch.
I don’t blame the church for my 21st Century live stream blues. It’s hard to imagine a more difficult place from which to transmit than a church. What can ya do?
Condolences to Chris, Xander, and Chloe. The good news is that they’d understand our finding the live stream fail funny. The apple didn’t fall far from the tree. Perhaps that’s why the iPad worked best.
John Ford’s funeral scenes typically used Let’s All Gather At The River as music. But I’d like to use an equally solemn river song. The last word goes to The Band who headlined the first concert I attended. My favorite cousin was the one who took me.
The post title is my feeble attempt to prove that irony isn’t dead, it’s just on lockdown. I awakened with a start yesterday with these lyrics in my head:
“The news is on, it isn’t good. I see the trees but not the wood.”
Those prescient words come from the 1991 Difford and Tilbrook song The Day I Get Home. Short-term thinking and failure to understand the big picture have characterized the entire Trump regime, particularly its pitiful response to this pandemic. We’ve all been worried about what would happen in a crisis and it’s as bad as feared.
Before moving on, here’s today’s theme song:
First, a hearty welcome back to Tommy T. I was up way too late last night and was relieved to see that Freeper madness had driven him to write. I’d give him a virtual slap on the back but social distancing, man; not to mention his back surgery. Get well, my friend. We need you.
Let’s stir the potpourri, if such a thing is possible.
Don’t Watch Trump’s Pressers Live: I’ve had a hard time watching President* Pennywise live for several years. He is incapable of telling the truth even when it’s imperative. There’s little information to be gleaned from watching a mentally ill man meltdown on live teevee. Read about it, watch the clips, but don’t watch it live. I agree with Rachel Maddow and Charlie Pierce who have urged the networks to pull the plug on the briefings. Things are scary enough without listening to the Impeached Insult Comedian brag.
Trump is beginning to remind me of former Venezuelan strong man Hugo Chavez who would commandeer hours of teevee time for his own amusement. This is not a comparison anyone should welcome. After a few days of trying to be normal, Trump is back to his old tricks of demonizing the media, dismissing expert advice, and telling the world how smart he is. If he were really that smart he’d STFU and get the fuck out of the way. Enough already.
Senator Aqua Buddha Can Go Fuck Himself: Rand Paul is the first Senator to test positive for the 21st Century plague. Since he’s a libertarian, he carried on with his normal routine; spreading the virus on Capitol Hill by going to the gym and swimming in the pool. Freedom, man.
Thanks to Aqua Buddha, Willard Mittbot Romney has been obliged to self-isolate. It’s a loss when one of the few sane Republican office holders will be out of action for 2 weeks. I never thought I’d say that. Pandemics have a way of altering the way you think.
I hope that Aqua Buddha’s illness will convince wingnuts that this is some serious shit, not a beer virus. Freedom, man.
Speaking of Freedom, man:
Of course, Richie’s notion of Freedom was radically different from that of Aqua Buddha who can go fuck himself. Freedom, man.
I got all riled up by that segment. Time to take a musical chill pill, Traffic-style:
Let’s all go to the lobby; six feet apart, of course.
Movie Corner: I’d always heard 1953’s Battle Circus derided as minor Bogart. We’re on kinda sorta lockdown so when it popped up on TCM, I recorded it. It was a pleasant surprise.
First some lobby cards:
Love In Hell? I like the Spanish language title too.
Battle Circus tells the story of a Korean War era MASH unit. Sound familiar? Bogie plays a grizzled, cynical, and horny surgeon who’s tired of the war and the pressures of surgery. Sound familiar? Dr. A and I are huge MASH fans so the comparisons were flying as we watched. Bogart as Hawkeye? It’s easy to imagine. Here’s looking at you, Hot Lips.
There’s also a beautiful blonde nurse played by June Allyson. She stole the movie. Bogie was in his prima donna phase at that point so he rarely allowed that to happen. Perhaps it was mutual respect shown by one Philip Marlowe to the spouse of another: Allyson was married to Dick Powell who played Marlowe in Murder, My Sweet. Allyson was stuck in thankless roles for most of her acting career: ingenue, wife, mother. It was good to see her have a meaty role for a change.
Battle Circus was a big budget film with two major movie stars. So, they had the co-operation of the Army and showed us *how* a Korean War era MASH unit “bugged out.” The scenes in which they took down and reassembled the tents were spectacular. They gave the movie its title too. The image of a MASH unit as a Battle Circus is a good one.
Here’s the trailer:
Battle Circus is still lurking on several TCM platforms and is available for rent on Amazon Prime. Much to my surprise, I give it 3 1/2 stars and an Adrastos grade of B+.
That’s it for today. Remember to stay home. Hunkering down and waiting for this thing to pass is all most of us can do right now. Repeat after me: Better Bored Than Dead.
It’s been a tough week in the Big Uneasy and everywhere else on planet for that matter. The good news is that Governor John Bel Edwards excels in a crisis. He’s a West Point graduate and he’s brought some military calm to the pandemic. Mayor Cantrell bowed to the inevitable and issued a stay home order for residents of Orleans Parish. She’s doing all the right things but remains verbose in doing them. Every time I see her on teevee, my inner speechwriter dies a little.
This week’s theme song was composed by Yes for 1974’s Relayer album. The lyrics are by Jon Anderson. It was inspired by Tolstoy’s War and Peace and has four movements:
The song describe a battle, with a prelude, a charge, a moment of victory, and a peace. “It’s not to explain war or denounce it really,” Anderson said. “It’s an emotional description with the slight feeling at the end of, ‘Do we have to go through this forever?”
We have two versions of The Gates Of Delirium for your listening pleasure. The studio original and a 2001 live version with a dadgum Dutch orchestra:
Now that we’re all a bit delirious, here’s a song from Neko Case, KD Lang, and Laura Veirs:
Since we’re at the gates of a delirious new era, let’s jump to the break and see what’s on the other side.
