Category Archives: Odds & Sods

Saturday Odds & Sods: Down On The Riverbed

Valley Farms by Ross Dickinson.

Dr. A and I are going to the Antiques Roadshow at the Morial Convention Center today. We’re not 100% certain what we’re taking as of this writing but I’m nervous that she’ll use me as her antique. While I have some patina, I’m not sure how valuable I am. On the other hand, if puns add value I might be worth a few bucks.

A quick political note. Here’s a tweet I sent out marking the resignation of Sean Spicer, the press secretary who could lie and chew gum at the same time:

I chose this week’s featured image because our theme song is tres Californian. So is the artist. The late Ross Dickinson was our friend Bonny’s grandfather. The Bonster went to grad school with Dr. A. End of cronyistic shout-out. Is cronyistic a word? Since I’m Greek I should know; of course, we specialize in nepotism. Unfortunately, the current administration* is giving nepotism a bad name. I take that as an affront to my heritage.

Down On The Riverbed was written by David Hidalgo and Louis Perez for Los Lobos’ fabulous 1990 album, The Neighborhood. The original studio version features John Hiatt singing harmony with some grit but without the syrup. Hominy grits you want with your eggs, Mr. Hiatt? Dave Alvin’s version comes from the 2006 album West of the West whereon he recorded some of his favorite songs written by California tunesmiths.

Now that we’ve been down on the riverbed without drowning, it’s time to don a life jacket (I wish they were still called Mae Wests) and go to the break.

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Saturday Odds & Sods: Miles From Nowhere

Asakusa Hongan-ji Temple by Hokusai.

It was citywide election qualifying week here in New Orleans. I’m acquainted with three of the mayoral candidates but I’m undecided. It’s still early days in the race to replace Mitch Landrieu who is term limited and cannot run a fifth time to be Mayor. He’s a persistent bugger, y’all.

One person who talked about running was reality teevee star Sidney Torres aka the Trashanova. The Trashanova is a rich malaka who often wears a man bun, which is disqualifying as far as I’m concerned. Additionally, he’s  too closely tied to former Mayor Nagin to have a chance to win. Torres declined to throw his man bun into the ring and the city heaved a collective sigh of relief. Ta-ta, Trashanova.

This week’s theme song is a three-headed beast, sort of like me before my first cup of coffee in the morning. We have two  different songs titled Miles From Nowhere and one with a substantially similar title. I like to keep you on your toes.

After all the Tea for the Tillerson jokes, I thought it was high time to post a Cat Stevens song from the album with a substantially similar title. Substantially similar appears to be the two-word phrase of the day. Cat Stevens is followed (figuratively, not literally) by the Smithereens and Dwight Yoakam, which makes this a rather high mileage post.

Speaking of keeping you on your toes, we’re skipping the break and diving right in. Splash. Hopefully, it will be the deep, not shallow, end.

Your President* Speaks: It’s a long flight from DC to Paris so Trump had a chat with the press corps. He said some crazy shit about a transparent border wall. The “idea” is to see the “bags of drugs” flying over it or some such shit. That full quote is too long and rambling for this space but here are a couple of beauts annotated by yours truly:

So I was asked to go by the President [Macron], who I get along with very well, despite a lot of fake news. You know, I actually have a very good relationship with all of the people at the G20. And he called me, he said, would you come, it’s Bastille Day — 100 years since World War I. And I said, that’s big deal, 100 years since World War I. SO we’re going to go

The president* appears to think that Bastille Day is somehow connected to the Great War. It happened in 1789 and had something to with another famous event.

The other quote has the Insult Comedian sounding like his mentor Roy Cohn:

And I think what’s happening is, as usual, the Democrats have played their card too hard on the Russia thing, because people aren’t believing it. It’s a witch hunt and they understand that. When they say “treason” — you know what treason is? That’s Julius and Ethel Rosenberg for giving the atomic bomb, okay? But what about all the congressmen, where I see the woman sitting there surrounded by — in Congress.

Actually, Roy Cohn was a coherent motherfucker. That last sentence makes no sense whatsoever.

While we’re on the subject of the Darnold, there’s *another* excerpt from Joshua Green’s new Trump-Bannon book. It’s not as fun as the Bannon-Napoleon portrait one but it’s still swell. This excerpt is at Bloomberg News and discusses Trump’s time hosting The Apprentice. Fun fact: Trump was popular with minorities until the whole birther thing, which is when his ratings tanked. Sad.

Let’s move on to a segment about Trump’s longtime personal mouthpiece.

The Marc Kasowitz Blues: Pro Publica ran an eye-opening piece about Trump’s hard-drinking, foul-mouthed lawyer. One of the main points of the article by Justin Elliot and Jesse Eisinger is that Kasowitz will have a hard time obtaining a security clearance because of his drinking problem. I’m not sure how he can adequately defend the president* without one.

Kasowitz not only has a drinking problem, he has a nasty temper, which surfaced after a segment on the Rachel Maddow Show:

Marc Kasowitz, President Trump’s personal attorney on the Russia case, threatened a stranger in a string of profanity-laden emails Wednesday night.

The man, a retired public relations professional in the western United States who asked not to be identified, read ProPublica’s story this week on Kasowitz and sent the lawyer an email with the subject line: “Resign Now.”

Kasowitz replied with series of angry messages sent between 9:30 p.m. and 10 p.m. Eastern time. One read: “I’m on you now.  You are fucking with me now Let’s see who you are Watch your back , bitch.”

 In another email, Kasowitz wrote: “Call me.  Don’t be afraid, you piece of shit.  Stand up.  If you don’t call, you’re just afraid.” And later: “I already know where you live, I’m on you.  You might as well call me. You will see me. I promise.  Bro.”

Kasowitz’s spokesman, Michael Sitrick, said Thursday he couldn’t immediately reach Kasowitz for comment.

ProPublica confirmed the man’s phone number matched his stated identity. Technical details in the emails, such as IP addresses and names of intermediate mail servers, also show the emails came from Kasowitz’s firm. In one email, Kasowitz gave the man a cell phone number that is not widely available. We confirmed Kasowitz uses that number.

The exchange began after the man saw our story featured last night on the Rachel Maddow show on MSNBC. We reported that Kasowitz is not seeking a security clearance even though the Russia case involves a significant amount of classified material.

Moral of the story: always think twice before hitting the send icon Also, isn’t Kasowitz a bit old to call someone bitch or bro? He’s 65. The AARP weeps.

It’s unclear if Trump congratulated or castigated  Kasowitz for his mob lawyer outburst. It might be time to call in John Gotti’s lawyer Bruce Cutler seen below with his favorite client and a guy who looks like Paulie Walnuts’ unkempt cousin:

Bruce Cutler and John Gotti via the NY Daily News.

The Dapper Don in a turtleneck, not a tie? The fashion gods must have wept that day.

I’m sure Trump has met Cutler. I was disappointed not to find any pictures of them together when I asked first Siri and then Mr. Google. So it goes.

While we’re on the subject of the Trump-Russia scandal, next up is a “fake news” toon.

Cartoon Of The Week: I resisted the temptation to post Hokusai’s most famous painting, The Wave, as this week’s featured image. The Guardian’s Steve Bell, however, went for it in this cartoon about Trump Junior’s problems.

Holy shit storm, Batman.

It’s time to put New Yorkers and Muscovites in the rear view mirror and move on.

Warren Zevon’s Last Waltz: I’ve made a boatload of Zevon references recently so I reckoned I should share Jon Pareles’ classic 2003 profile of WZ as he faced death.

Since the story uses WZ’s last appearance on The Late Show with David Letterman as a backdrop, here’s that episode:

Enjoy every sandwich.

It’s time to sing the blues with a master of the form.

Saturday Classic: Albums featuring guest artists were the rage in the late Eighties and early Nineties. John Lee Hooker’s The Healer was one of the best of the bunch. It featured Carlos Santana, Bonnie Raitt, Robert Cray, Canned Heat, Los Lobos, George Thorogood, and Charlie Musselwhite. Enjoy.

That’s it for this week. I wrote more about politics than the average Saturday post, but I have Russia on my mind. I must be pining for cold weather. Our closing bat-meme features real life super villains Vladimir Putin and Donald Trump. Btw, Donny now claims that Vladdy was for Hillary in the late election. Oy, just oy.

Saturday Odds & Sods: Garden Of Earthly Delights

The Garden Of Earthly Delights by Hieronymus Bosch.

The first week of July is when it really heats up in New Orleans. The air is thick and smacks you upside the head when you venture outside. The pace of life slows to a crawl and Oscar and Della can be found sprawled out on our wood floors hoping to cool themselves. Nice work if you can get it.

Later today, I’m going to the silliest annual event in New Orleans. It’s a non-violent running of the bulls thingamabob. The “bulls” are roller girls wielding soft paddles. I do not run. Dr. A and I hang out with our friend Cait and the child army of darkness whilst her husband Dave runs. We all sweat. It’s minosas and donuts for me, y’all. Perhaps I should take a Spank paddle to liven things up:

This week’s theme song is inspired by our Boschian theme. You may have noticed that Hieronymus Bosch’s prot0-surrealist The Garden of Earthly Delights is the featured image. There will be more Bosching about later but I will never head to the mountains and drink Busch beer. You say Busch, I say Bosch. Let’s call the whole thing off. Stop me before I quote Ira Gershwin again.

Back to the theme song. It comes from XTC’s Oranges and Lemons album whose cover was featured of a Wednesday in 2014. That feature was sidelined this week but will return next Wednesay: bad scout’s honor. Welcome to the garden of earthly delights, y’all.

I have another Boschy song for your listening pleasure. It was written and recorded by that self-described “awful little man,” Graham Parker.

Now that we’ve listened to some late-Eighties alternative rock, you deserve a break today. OMG, I sound like Ronald Fucking McDonald. That simply will not do.

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Saturday Odds & Sods: You Never Can Tell

It’s been a long week in New Orleans. It’s been wet, steamy, and crimey. Is that a word? The spell-checker wanted to change it to criminy. The local media have been in full freak out mode over a mugging/beatdown in the Quarter, which means we’ve had to see the video of the attack 444 times. They caught the muggers who appear to be Katrina kids left to their own devices after the storm. It’s a sad story all the way around. Criminy.

This week’s featured image is a photograph of the spectacular Babylon set built for D.W. Griffith’s 1916 epic Intolerance, which I mentioned the other day in my post about racist vandalism in Mississippi. The statues and other adornments were made of plaster and executed by artisans imported from Italy. Team Trump would want to deport them instead of celebrating their artistry. Unfortunately, the set was torn down but its glory is preserved in pictures and on film.

This week’s theme song was written by Chuck Berry. It’s a tune of many names. It’s also known as C’est La Vie or the Teenage Wedding Song. Berry’s original version turned up in Pulp Fiction as the soundtrack for the dancing scene between the two Ts: Travolta and Thurman.

Next up are two spirited renditions. The first comes from Bill Wyman’s Rhythm Kings. I stumbled into it whilst mocking the anti-Beatle diatribe of the Other Bill Wyman in this space not long ago. I had to, uh, Get Back at him.

The second version was requested of Bruce Springsteen at a 2013 show. It’s fun to watch the E Street Band work through it. Call it inside rock and roll:

Now that we’ve seen Uma dance and Bruce wing it, let’s go to the break. See you on the other side.

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Saturday Odds & Sods: Anything Goes

Grandmother Moorhead’s Aromatic Kitchen by Leonora Carrington, 1975.

It was a weird week in New Orleans. It was oddly quiet as everyone hunkered down for a storm that had minimal impact in the city. I spent a lot of time with Oscar and Della. I’m glad to report that they’re fine. They’re used to hanging around the house and sleeping incessantly. Nobody does it better, not even Bond.

I spent some time this week calling the offices of my Republican Senators about the abominable health care bill. I’m not sure what good it will do. Both of them know deep down that it’s bad legislation that will damage a poor state like Louisiana. I expect them to vote aye anyway: neither has the backbone to stand up to Chinless Mitch and the Trumper hordes. Repeat after me: I hope I’m wrong about this.

This week’s theme song reflects the climate of our national politics: “In olden days, a crooked Oval One was looked on as something shocking. Now heaven knows, anything goes. ” Cole Porter was one smart Hoosier Yalie. Boola boola, y’all.

We have two versions of Anything Goes for your enjoyment: the inevitable Sinatra as well as Tony Bennett and Lady Gaga. I’m gaga for Gaga even without the meat suit.

Now that we’ve established that:

The world has gone mad today
And good’s bad today,
And black’s white today,
And day’s night today…

It’s time to insert the break and meet on the other side. It’s what Cole would have wanted.

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Saturday Odds & Sods: Get Back

Collage from Une Semaine de Bonte by Max Ernst.

The celestial switch has flipped and it’s full-tilt summer in New Orleans. We’ve also had a lot of rain but not in the classic downpour between 2 and 3 every afternoon pattern. Instead, we’ve had the sort of all day rain that makes one want to curl up in a ball. Of course, Oscar and Della Street need no such excuse, it’s what they do. It’s probably down to climate change but I’m not a meteorologist so what the hell do I know?

Today is the 45th anniversary of the arrest of the Watergate burglars. That scandal is much in the news for some peculiar reason. #sarcasm. One major difference between then and now is that many people argued that Tricky Dick was too smart to be involved in such a stupid crime. We’re not hearing that about the Current Occupant who is easily the most self-destructive and stupid president* in our history. Many think he’s already the worst ever. It’s too early to say, but he’s in a race to the bottom along with George W. Bush, Andrew Johnson, and James Buchanan

Let’s move on to a happier subject, this week’s theme song. The Beatles have tightly restricted online access to the original studio versions of their tunes. Fortunately, Get Back was performed by the Fab Four during their legendary London rooftop concert.  We also have Macca on the kinda sorta rooftop of the Ed Sullivan Theatre. I guess that’s what they mean by shouting from the rooftops.

Yeah, I know. It’s called a marquee; not be confused with les Maquis.

It’s unclear to me if Jo Jo ever got back to where he once belonged. We’ll resume our rooftop shout-a-thon after the break. Marquee my words…

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Saturday Odds & Sods: One Way Out

Part of the Migration Series by Jacob Lawrence.

It was politics Thursday here at Adrastos World HQ. In addition to Comeypalooza,  Oscar and I watched the British election returns. It’s always great fun to see the BBC’s venerable David Dimbleby at work in what are the wee hours in the UK. He gets a bit punchy whereas the young uns are falling out. I dig their graphics, especially the virtual House of Commons. It’s uncommonly cool.

The Tories ran a dreadful campaign and fell short of a majority in the House of Commons. The Maybot has vowed to soldier on with help from the Ulster Unionists but Tory knives are sharpening after her big gamble flopped. I’m not a huge Jeremy Corbyn fan BUT the man is a good campaigner and Labour made impressive gains. If the Maybot attempts to stay indefinitely there may be another election sooner than the British people would like. Stay tuned.

We return to our regularly scheduled Saturday programming.

The topic of who wrote this week’s theme song is the subject of considerable debate. One Way Out has been credited to both Elmore James and Sonny Boy Williamson. I haven’t the foggiest idea who the real songwriter is but it’s a helluva tune. There was even a 1965 variation by GL Crockett called It’s A Man Down There.

I’m not getting involved in the authorship fracas other than posting multiple versions of this blues classic. In fact, I’m staying out of the Sonny Boy/Elmore thicket altogether by posting the Allman Brothers Band, Crockett, and a rendition by John Hiatt from a Gregg Allman tribute. We begin with the version that I first heard on the radio longer ago than I care to admit. There ain’t nothing better than live Allman Brothers:

There’s only way out here at First Draft as well. I’ll show you the exit after the break.

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Saturday Odds & Sods: Eight Miles High

A New Frontier by Alan Bean.

It’s been a wet week in New Orleans. The rain, however, hasn’t stopped the Lost Causers from sitting hillbilly shiva. They’re down to the dead enders as I pointed out in this tweet last week:

One of the banners was a Trump for President flag. Now that’s one I’d consider burning…

Speaking of the Insult Comedian, he made news on Thursday. As usual, it was the bad kind. Bowing out of the Paris Climate Accord will be reversible when we have a sane and asterisk free president again. His “reasoning” was the bigger problem with this move. First, Trump wanted a “win,” he promised his supporters constant winning. Instead there’s been constant losing. He’s abandoned most of  his other promises, so he kept this one. The Russia scandal makes keeping the MAGA maggots happy paramount. Second, his baby man feelings were hurt by the mean old Europeans. They didn’t kiss his ass. The Darnold doesn’t like that. He was pouting over Merkel’s speech and Macron’s handshake victory so he lashed out and did something stupid and short-sighted.  This president* has made petulance the centerpiece of what passes for his foreign policy. Trump’s Razor remains in effect.

This week’s theme song was inspired by the featured painting by Apollo astronaut, Alan Bean. Eight Miles High was written by Gene Clark, Roger McGuinn, and David Crosby for the Byrds 5th Dimension album. I have three very different versions for your enjoyment. First, the Byrds original followed by spirited covers from Roxy Music and Husker Du.

Now that we’ve flown Eight Miles High, we’ll touch down after the break.

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Saturday Odds & Sods: All Shook Up

March by Grant Wood.

The monuments aftershocks continue here in New Orleans. I went to a friend’s kid’s birthday party and was warned to skip the subject because there were some rabid Lost Causers invited. They went there, I did not. I asked for a gold star but did not get one. I considered pitching a fit but thought better of it.

While we’re on the subject of the late monuments, I have two articles to recommend, nay, commend. First, Adrastos acquaintances Campbell Robertson and Katy Reckdahl collaborated on a story connecting the monuments and family histories. Second, the local public radio station, WWNO, has a piece about a proposed monument to Oscar Dunn a former slave who was Gret Stet Lt. Governor during Reconstruction. The monument was never built. Dunn, however, is worthy of one. That’s where I’d like this process to go: Civil Rights figures. It’s what makes sense if we were striking a blow against white supremacy and the Confederacy.

I saw this week’s bucolic featured image on the Antiques Roadshow. I used it because I like the austere lines of the print by the austere Iowan, Grant Wood. Austere seems to be the word of the day. Besides, Dr. A won tickets to the Roadshow when it comes to New Orleans this July. I want them to know we’re coming.

I was horrified to learn from the Guardian that Elvis Presley’s spell is waning with the kids today. If they think of him at all, they think of bloated Elvis from the end of his life or the notorious body in the box picture.

As his peer Fats Domino would surely say, Ain’t That A Shame. Elvis brought rock-and-roll to the masses and was its first King, Besides, what will NOLA’s own Rolling Elvi do if the Elvis mystique is diminished?

Rolling Elvi, Muses Parade, 2011. Photo by Dr. A.

This week’s theme song, All Shook Up, was written by Otis Blackwell and recorded by Elvis in 1957. According to his biographer Peter Guralnick, the reason Elvis received a writing credit is that he came up with the title.

First up is Blackwell’s rendition followed by Elvis’ studio version and then the Jeff Beck Group with Rod Stewart belting it out.

I don’t know about you but I’m, uh, all shook up, which is why we’ll take a break at this point.

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Saturday Odds & Sods: One For My Baby (And One More For The Road)

Struggle For Existence by Clifford Odets.

The unseasonably cool weather continued through the middle of this week in New Orleans. Summer’s cauldron is finally upon us, but this May has a chance to be one of the coolest on record. The coolish weather has thus far kept the Formosan termite swarms in check in my neighborhood. I have another theory: that the new and very bright street lights on Napoleon Avenue are attracting the swarms and keeping them away from Adrastos World HQ. It’s  just a theory but if I’m right it will be a less swarmy and pestiferous year.

Here’s last year’s termite theory in Tweet form:

Actually, I should give credit where it’s really due:

Let’s get back to where we once belonged, 2017.

I’m burnt out on Lost Cause Fest. I’m glad that the Lee statue came down in broad daylight yesterday. At 16 feet tall, it was too big to be removed at night. I’m just glad it’s over. I haven’t gone to spectate at any of the removal spectacles; mostly because it’s slow, arduous, and somewhat boring. Lost Cause Fest involves statues but it doesn’t rock. This front page headline does:

Photo by Milo’s human.

This week’s featured image is a 1947 painting by Clifford Odets. Until I saw last Monday’s  Antiques Roadshow, I had no idea that the playwright/screenwriter was a gifted painter. I guess that’s why they call PBS educational television.

This week’s theme song was written by Harold Arlen and Johnny Mercer for a 1943 Fred Astaire movie, The Sky’s The Limit.  One For My Baby (And One More For The Road) is the torch song’s torch song or is that the saloon song’s saloon song? I am easily confused but you already knew that. If I were pretentious, I’d tell you that I curated three versions of the song but I’m neither a curate nor a cure-all…

We begin with Fred Astaire singing to an indifferent bartender named Joe followed by fabulous versions by Frank Sinatra and Billie Holiday. Frank called it a saloon song whereas Billie torched it up, y’all. There will be more about torches anon.

Now that Joe has set ’em up, let’s go to the break. It’s not a spoiler break as with The Americans recaps, it’s more of a length break. I do tend to go on.

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Saturday Odds & Sods: One Hit (To The Body)

Baluster and Skull by Georges Braque.

It’s been a quiet week in Lake Wobegone, I mean New Orleans. Where the hell did that come from? I’m not tall enough to be Garrison Keillor and I hate cold weather. I would not, however, mind being Guy Noir if a gig as Marlowe or Spade isn’t available. It actually has NOT been a quiet week in New Orleans but I’m taking a monuments moratorium. If a Lost Causer waves a Confederate battle flag at me, I’ll shove it up their ass. Garrison would never do such a thing…

This was the week that the Insult Comedian flipped his weave. Again. The MSM may have finally realized how stupid the president* is. They’re slow learners. They’ve yet to learn that he neither plans anything nor ever tells the truth. In short, the electoral college winner is a moron. The dumbest Oval One ever. God save the Republic from this dipshit.

This week’s theme song is the underrated Rolling Stones tune One Hit (To The Body.) It placed number 61 on a Vulture mega-listicle rating all 374 songs the Stones have recorded. I’ll take a closer look at the list later, but it’s time to rock:

The song uses a physical fight as a metaphor for a break-up. I’m not sure if they had a romantic relationship in mind. One Hit comes from Dirty Work, which was released right before the Stones took a four-year hiatus and nearly called it quits. Keith was so pissed at Mick that he recorded what amounted to his version of How Do You Sleep:

Now that I’ve landed some blows, let’s go to the break before somebody gets hurt.

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Saturday Odds & Sods: Don’t Be That Way

Mon Oiseau (My Bird) by Orville Bullman.

The bastards did it. Bastards is too polite a word: the fuckers did it. I’m referring to the vote to strip healthcare away from 24+ million Americans. It’s going to complicate things for people with employer based plans as well. And the House passed it without proper vetting, public hearings, or even reading a bill that’s a procedural and substantive atrocity. In the past, the Senate has been where bad and/or controversial legislation goes to die BUT it won’t happen without public pressure. Pick up the phone and call your Senator to either support a no vote or excoriate them for a potential yes vote.

We return to our regularly scheduled Odds & Sods programming with this week’s theme song. Don’t Be That Way was composed by Benny Goodman and Edgar Sampson as an instrumental for Benny’s big band. Mitchell Parrish’s lyrics were written later. The first version is by Benny Goodman and his Orchestra. The second is by Ella Fitzgerald and Louis Armstrong. I somehow missed marking the centennial of Ella’s birth on April, 25th. Oh well, nobody’s perfect.

It’s hard to top Ella and Louis, so we’ll go to the break and regroup.

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Saturday Odds & Sods: Into The Great Wide Open

The Millinery Shop by Edgar Degas.

It’s the first weekend of Jazz Fest. Absent free tickets, we’re not attending this year. We will, however, be going to our top secret location just outside the Fairgrounds to hear Tom Petty and the Heartbreakers. I’d be heartbroken if we didn’t do that. I hope that the weather will co-operate. There’s a chance of severe thunderstorms tomorrow. So it goes.

Hats are popular at Jazz Fest. That’s one reason I posted the Degas painting as the featured image. Another is that Degas spent time in the Crescent City visiting his Creole family; some of whom identified as black and others as white, much like the Herriman-Chasse clan I recently discussed in this space. It’s why gumbo is used so often as a metaphor to describe the natives. I’m equally inclined to compare New Orleans to a crazy quilt. The creator of Krazy Kat was born here, after all.

In other local news, the Saints have signed 32-year-old running back Adrian Peterson. His age is not my problem with the signing: it’s his status as a child beater. I wrote about it 3 years ago: Adrian Peterson Did Not Spank His Son, He Beat Him. So much for all of Sean Payton’s blather about bringing in players with “character.” This one has or had a “whooping room” in his Houston area house full of belts, switches, and the like.

This week’s theme song comes from the Tom Petty and the Heartbreakers album of the same name. Into The Great Wide Open is best known for its swell video and “rebel without a clue” chorus. The latter surely applies to the current occupant of the White House. The deplorables among his supporters are a rabble without a clue.

While we’re on the subject of Tom Petty, here’s a sleeper track from that very album:

I’m fond of that song because it reminds me of one of the main drags of my native Peninsula: El Camino Real. That’s the king’s highway in Spanish.  It spans several Bay Area counties and was where teenage me used to cruise. We didn’t have the internet to occupy us so we drove about aimlessly. One of my cronies always called it the Elk. That’s a bit too gamey or clubby for my taste. It must be time for the break.

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Saturday Odds & Sods: Fate’s Right Hand

Reply To Red by Yves Tanguy.

Spring is prime time for crawfish boils or as the natives say, berls. We’ve been to two in the last three weeks. The first one involved some of the usual suspects and nothing unusual happened other than a five-year-old girl pointing at the sacks of live crawfish and asking, “When will they be dead?” That’s a sassy Louisiana child, y’all. It’s one reason why her mama nicknamed her the Benevolent Dictator. I’m not so sure about the first bit though…

Something quite eventful happened last weekend at the second shebang. The berl was thrown (not by Milton Berle or Burl Ives) by one of Dr. A’s first year medical students. He’s an older student who was a helicopter pilot in the Army and is still a reservist. That’s one reason he lives at Jackson Barracks near Arabi, Louisiana. That’s right, it was an Arabi spring crawfish berl…

When I first heard our host’s name, I remarked that it was the same name as the man who sold us our house after renovating it in 2000. It’s a fairly common name so we agreed it was unlikely that her student was a Junior. Guess what? It’s a small fucking world after all. Our host’s father had indeed renovated Adrastos World HQ and Dr. A’s student had worked on the project. The latter was somewhat freaked out by the string of coincidences but I told him not to sweat it because it made him de facto teacher’s pet. Besides, the man knows how to boil crawfish. It’s an indispensable skill as far as I’m concerned.

This week’s theme song is the title track of Rodney Crowell’s 2003 album, Fate’s Right Hand. It seems that one of his daughters didn’t care for the song at the time. Somewhere in my archives I have a circa 2004 Crowell concert at which he introduced Fate’s Right Hand  more or less as follows:

“My daughter hates this song. She told me it’s undignified for me to talk about poontang and the narrator of the song having a pole in his pants. I told her that I’m a country singer and her mother and grandfather are both country singers. We’re not dignified people.  She reminded me that Grandpa Johnny was the most dignified person she knew. I couldn’t argue that point so I changed the subject.”

Fate’s Right Hand is a list song. The most famous list song I can think of is Irving Berlin’s You’re The Top. Another list song classic is REM’s It’s The End Of The World As We Know It (And I Feel Fine.) I don’t feel like listing list songs so here’s Fate’s Right Hand:

Rodney is fond of list songs. He wrote one about greedy yuppies for his 2005 album, The Outsider complete with the refrain: give it to me, give it to me. I will comply:

Give it to me, give it to me. You may not be as demanding as the coked-out greed head in the song but let’s take a break anyway. Give it to me, give it to me.

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Saturday Odds & Sods: (What’s So Funny ‘Bout) Peace, Love & Understanding

Banjo and Glasses by Juan Gris.

Tomorrow is Easter Sunday. I’m not religious but I was raised Greek Orthodox. This year Greek Easter is the same day as what my most pious relative calls “American Easter.” My memories of Easter revolve around food: leg of lamb was always the main course at our house. I may not celebrate the holiday but I wish those of you who do well.

In Easter related news, it looks as if Team Trump is screwing up the annual White House Easter egg roll. It’s typically an East Wing thing but Melania lives in Manhattan and nobody else seems to be in charge. Holy symbolic ineptitude, Batman. I hear Harvey and Bugs Bunny are organizing a protest…

This week’s theme song is Nick Lowe’s best known and loved song, (What’s So Funny ‘Bout) Peace, Love & Understanding. Nick himself is not madly in love with his most famous song:

“Everyone seems to know it. But it’s never been a hit, a hit song so to speak, on the charts,” says Lowe, reflecting on the song’s legacy. “It is really strange — and I don’t want to sound too, kinda, ‘wet’ — ‘cause when I hear it, it doesn’t really sort of sound like my song any more. I don’t feel hugely possessive about it.”

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“The song had a rather humorous birth,” he says. “It was written, initially, from the point of view of an old hippie who was still sticking to his guns and seeing his kind of followers all suddenly wearing pointy-toed shoes and drinking cocktails. … It’s like they had come to their senses, rediscovered alcohol and cocaine. … They were rather embarrassed that they’d ever been hippies … and thought the hippie thing rather funny.

“And he’s saying to them: ‘Well, you all think I’m an idiot. You’re sniggering now. But all I’m saying — and you can’t argue with this — is what’s so funny about peace, love and understanding?’”

I’m presenting three versions for your amusement. First, the 1974 original recorded with the pub-rock band, Brinsley Schwarz. Then the Elvis Costello rendition that put the tune on the map; it was produced by Nick. Finally, the way I like it best: a solo acoustic version by the songwriter himself.

One thing that *is* funny about Nick Lowe is that his hair is still awesome. I should hate him for that but I’m trying to be a bigger man. I am, however, fuming over the injustice of it all right now. It’s best to insert a break at this point while I take a deep breath.

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Saturday Odds & Sods: Let The Four Winds Blow

The Man In The Blue Hat by Fernand Léger.

The French Quarter Festival is this weekend. It used to be a favorite of mine but has gotten more crowded and touristy as the years have gone by. Bigger is not always better but that’s the mentality that drives events in New Orleans in 2017. So it goes.

Allergy season continues apace, exacerbated by the wind. There’s flying pollen in the air. The good news is that I haven’t seen any Buckmoth Caterpillars blowing in the wind. They’re nasty little buggers that will sting the hell out of you given half a chance. In fact, a friend of mine was cutting her grass and learned that even if you cut a Buckmoth, they can still sting you. It’s another reason to avoid yard work. Nature is dirty and stingy.

This week’s windy theme song was written by Fats Domino and Dave Bartholomew. It was first recorded in 1957 by R&B legend Roy Brown who had his sole cross over hit with Let The Four Winds Blow. The Fat Man cut his version in 1961. We’ll go in chronological order.

Windiness is nothing new for this feature. Neither is a pounding piano or honking sax.

It’s baseball season, which means hope springs eternal for last year’s also-rans. My Giants lost on opening day but star pitcher Madison Bumgarner hit two homers. Pitchers rarely do that in the NL and never in the AL because of the accursed DH rule.

The Insult Comedian dodged throwing out the first pitch at the Washington Nationals home opener. I guess he was afraid the boos would drown out any cheers. All Presidents receive both at sporting events. Still, it would have been amusing to see Trump in action. He once claimed to be the best high school ballplayer in New York. It’s another whopper: Hall of Famers Jim Palmer and Rod Carew played high school ball at the same time. Sorry, Donald.

Speaking of putting on a show:

Baseball & Vaudeville: There’s a swell article at the Atlantic about how sports and show business intermingled in the late 19th and early 20th Centuries. Playing baseball was not a lucrative profession back then so some players took to the stage. One of them was New York Giants outfielder Turkey Mike Donlin who brought his manager, John McGraw along for the ride:

I also learned that there’s a vaudeville archive at the University of Arizona. I wonder if they have any gag props?

Elizabeth Yuko has the details in her appropriately entitled article, When Baseball Players Were Vaudeville Stars.

Let’s move on to a more serious segment. April 6th marked the 100th Anniversary of United States entry into the Great War.

The Forgotten War: The Korean conflict is often called that but-thanks to M*A*S*H in particular-it’s still more remembered in America than World War I. The Great War was an important event in world history but, in show business terms, World War II had better villains and bigger explosions. There are so many books and films about that conflict that it won’t be forgotten.

There are two articles about America and the Great War that I’d like to bring to your attention:

The short answer is that Americans have short memories when it comes to our own history. It’s one reason the Insult Comedian is watching teevee at the White House instead of Trump Tower.

Hopefully, a new American Experience documentary will revive interest in the forgotten war. It premiers on April 1oth.

Also forgotten are some Hollywood movies produced at the end of the Hoover administration. In the face of a passive laissez-faire Presidency, some Americans wanted a strong man and the movies reflected that desire.

The Dictator Craze: As part of an outstanding series about Fascism, Slate published an excerpt from a book by Thomas Doherty. The piece deals with Hollywood’s brief fascination with authoritarian jerks, When Fascist Heroes Took Over The Movies. The best of these movies was:

The Power and the Glory (1933) embodied the hankering for a superman in title, sentiment, and central character. Directed by William K. Howard from a screenplay by Preston Sturges, the film is often considered a precursor to Citizen Kane (1941) because of its pioneering use of voice-over narration. The Power and the Glory resurrects the deceased and unmourned railroad tycoon Tom Garner (Spencer Tracy) for a meditation of the price of greatness. Personally flawed but professionally flawless, Garner rises Horatio Alger–fashion from pauper to plutocrat.

Hollywood’s Fascist flirtation faded with the election of Franklin Roosevelt and the revival of what his cousin TR called a more “muscular government.” The reason FDR is atop my President’s list is that he saved the country from dictatorship. He would be appalled by Donald Trump but also confident that we can move past this disaster.

Speaking of Fascism and the movies, there’s an interesting piece about a Nazi era movie star in the Guardian:

The Nazi Marilyn Monroe: Hitler and Goebbels wanted Marlene Dietrich to be the Nazi’s pin-up. Marlene wanted nothing to with their murderous regime and remained in splendid exile in Hollywood. They had to make do with Kristina Söderbaum who was more of a blond bombshell than a blond venus like Dietrich.

Here’s how Karen Liebreich describes her encounter with Söderbaum:

We drove to Horw, near Lucerne, to interview Söderbaum, star of many films, most of them directed by her husband, Veit Harlan. These included Jud Süß, widely regarded as the most antisemitic film ever, and the ridiculous epic Kolberg, about the Napoleonic siege of the Prussian city. Söderbaum was so often drowned in her films that she became known as the Reichswasserleiche, the official State Water Corpse.

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Söderbaum claimed Joseph Goebbels, head of Nazi propaganda, didn’t much like her. His taste – apart from his wife, Magda – ran to dark-haired actresses. “He told me I was not sexy but erotic,” said Söderbaum. Still, she added, “terribly many people fell in love with me. But whether that made me a sex symbol or not, I don’t know.” For her part, she found that: “Goebbels had very nice eyes but,” she added with a laugh, “he was a devil!” She said Adolf Hitler, on the other hand, was always very pleasant to her – and Harlan would often remark on his amazing eyes. She was not unimpressed by Hitler’s eyes herself.

Söderbaum could be described as the archetypical feminists’ nightmare. A beautiful woman, a very convincing actress, totally obedient and devoted to her forceful husband, she told me she had lived “in a gilded cage” and “went everywhere in a limo”. But I saw no signs of curiosity about life beyond the bars. In her autobiography, she seemed surprised by the postwar hostility towards Harlan, astonished that their children were taunted as Nazis at school in Sweden.

In a word: clueless. If she were around today, she might have been one of the Insult Comedian’s wives.

Documentary Of The Week: Söderbaum’s director/husband Veit Harlan is the subject of a 2008 documentary, Harlan-In The Shadow Of Jew Suss. He, too, was baffled by the controversy his work stirred up and maintained that Goebbels made him do Jew Suss. There’s nothing to support his story.

The film features extensive interviews with members of Harlan’s family; most of whom take a dim view of his movies. An interesting filmic footnote: Harlan’s niece Christiane was married to Stanley Kubrick for 41 years until his death in 1999.

It’s trailer time:

Harlan-In The Shadow Of Jew Suss is currently streaming at Amazon Prime. I give it 3 stars, an Adrastos Grade of B, and an Ebertian thumbs-up.

This has been a somewhat sombre edition of Odds & Sods so it’s time to lighten things up before we go.

Tweet Of The Week: This tweet proves that even ladies in fur coats dislike the Trumps:

I wonder if she cranked up this Stones song whilst sipping her vino:

That’s it for this week. The last word goes to silent film superstar Buster Keaton in an image from his 1927 comedy College:

 

Saturday Odds & Sods: Roll With It

Composition VIII by Vasily Kandinsky.

It’s April Fool’s Day. I’m not planning to prank y’all but if I were I wouldn’t tell you. I like to keep my readers off-balance with this offbeat and off-kilter feature. I hope the previous sentence wasn’t off-putting.

We’re going to a kid’s birthday party/crawfish berl today. That’s boil to you auslanders. It’s young Harper’s second birthday and she’s already out of fucks to give. She actually reminds me of Della the cat. That’s how she is. Of course, the toddler will stop being a cat whereas Della Street is defiantly feline for life. It’s a good thing that she’ll never learn how to speak: she’d never shut up.

We’re back in same title, different song country with this week’s theme songs. I hope y’all can Roll With It, baby. We begin with Steve Winwood’s tribute to Stax-Volt soul music followed by Oasis and *their* song Roll With It.

I’m keeping it relatively light this time around. It’s going to be heavy on the magic and light on the Nazis and such. Of course, *that* could be the April Fool’s joke. You’ll find out after the break.

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Saturday Odds & Sods: Promised Land

Marbotikin Dulda by Frank Stella.

We seem to have hit peak pollen this week in New Orleans. Achoo. As a result, I awaken each day with watery eyes and a runny nose. Achoo. It’s most unpleasant as is my daily sinus headache. The good news is that we’re supposed to have some rain to wash away the sticky yellow stuff. The bad news is that it won’t happen until later today when we have plans to attend a festival not far from Adrastos World HQ. Oh well, that’s what umbrellas are for.

Unless you’ve been living under a rock or watching teevee with the Insult Comedian, you know that Chuck Berry died at the age of 90.  This week’s theme song, Promised Land, is my favorite Chuck Berry tune. I was introduced to it at the first Grateful Dead show I ever attended. It was a helluva opening number.

I have three versions for your entertainment: Berry’s original, the Band’s rollicking piano driven take from Moondog Matinee, and the Dead live in the Nutmeg State. It’s time to jet to the promised land, y’all.

I remain mystified as to why Chuck wanted to get out of Louisiana and go to Houston town. There’s no accounting for taste. Let’s ponder that as I insert the break, but not where the moon don’t shine.

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Saturday Odds & Sods: Disturbance At The Heron House

Elijah and the Ravens by Ralph Chessé, 1945.

Winter played a fleeting return engagement in New Orleans this week. Unlike the Mid-March blizzard in the Northeast, it wasn’t anything to write home about but we ran the heater and shivered a bit. I’m not a fan of the new practice of naming winter storms even if the first one is named after a famous theatrical character, STELLA. Unless, that is, it’s named for the Hunter-Garcia ballad Stella Blue. The mere thought of a blizzard makes me blue so that could be it.

It may have been chilly of late but Spring allergy season is upon us with a vengeance. I have a mild case of red-eye but I’m used to that. A worse pestilence is this year’s flea crop. We haven’t had a hard freeze for several years so the nasty little buggers are dining on Oscar and Della Street. All we can do is treat the house, medicate the cats, and hope for the best. The idea of putting a flea collar on Della is particularly unappealing. She’s been known to draw blood so I’ll pass. Chomp.

This week’s theme song comes from R.E.M.’s classic 1987 Document album; more on the album anon. It’s my favorite record in their catalog and Disturbance At The Heron House is the kat’s meow. The lyrics were inspired by George Orwell’s Animal Farm, which is another reason I like it so much.

Here are two versions. The original studio track and one from R.E.M.’s appearance on MTV Unplugged. The second video has Radio Song as lagniappe.

The “followers of chaos out of control” indeed. In fact, they can follow me to the other side after the break. I hope it’s sufficiently chaotic.

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Saturday Odds & Sods: Top Of The Pops

Swing Landscape by Stuart Davis.

Swing Landscape by Stuart Davis.

It’s time for the Irish Channel St. Patrick’s Day parade later today. This year’s route is so long that it should be renamed the Uptown/Irish Channel St. Patrick’s Day. We’re fleeing to our friends Greg and Christy’s annual shindig, which puts the bang in shebang or some such shit. And I know the parade isn’t happening on the day itself. This is New Orleans, we do things our own way. Y’all should know that by now. There will, however, be drinking involved. We’re not that bloody different: walk me out in the Tullamore morning dew…

The big local story is that the Fifth Circuit has lifted an injunction against removing the white surpremacist monuments. They’ll be gone pecans soon enough. The erstwhile Gret Stet Fuhrer has been relatively silent this time around. He’s too busy fluffing Trump on Twitter to get worked up about it. For now. I guess that makes him a fluffer nutter. I hereby apologize to others out there who love marshmallow fluff, which recently celebrated a somewhat sticky centennial.

This week’s theme songs qualify as benign earworms. My mind keeps drifting back in their direction, which is why I’m taking you to the top, top, Top of the Pops.

We’re going in reverse chronological order with the 1991 Smithereens tune first. The video was filmed in Atlantic City. I looked for Chalky White but didn’t see him.

This week we’re back in same title, different song territory with the Kinks who were the band that most influenced the Reens. I’ve always preferred this loose live version of Top of the Pops to the more buttoned down studio track:

Now that I’ve rocked your world, it’s time to insert the break. This post grew like Cat’s Claw vines on an abandoned shotgun double so one is in order. See you on the other side.

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