Category Archives: Odds & Sods

Saturday Odds & Sods: Papa Was A Rolling Stone

Hesitation Waltz by Rene Magritte.

It’s been a frustrating week at Adrastos World HQ. Every time I think my pernicious and persistent cold is getting better, I backslide. I would have preferred to be really sick for a few days and then better. Make up your mind, cold.

In local news, the lame duck New Orleans City Council has been up to all sorts of mischief: voting to approve a new power plant for Entergy that won’t solve our blackout  problems and allowing taller buildings to be constructed alongside the Mother of Rivers.  I suspect that the presence of Mayor-elect Cantrell on the Council is one reason they feel free to take such votes. It does not bode well for those who hoped the incoming Mayor would be more neighborhood/citizen friendly. Score another win for real estate developers who are the worst people in the world. Exhibit A for this argument currently lives at 1600 Pennsylvania Avenue.

This week’s theme song is a tribute to Temptations singer Dennis Edwards who died earlier this month at the age of 74. Papa Was A Rolling Stone was written by Norman Whitfield and Barret Strong and was a monster hit in 1972. Here are two versions for your enjoyment: the Temps and David Lindley.

Now that I’ve dissed real estate developers and my stupid cold, it’s time to roll over to the break. I’m too enfeebled to jump.

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Saturday Odds & Sods: Fever

The Grand Jatte Hibernators by Max Ernst.

We’ve put Carnival in the books and my repentance comes in the form of a cold. Mercifully, it’s not the flu, but I’m still going to keep it extra snappy since I might get the vapors at any moment.

There was sad news for New Orleanians Thursday night. Arthur Robinson, better known as Mr. Okra died at the age of 75. I’ll let Advocate food writer Ian McNulty tell you a bit about him:

For decades, Arthur “Mr. Okra” Robinson provided one of the distinctive sounds of a city famous for its music, but he didn’t play the trumpet or the piano.

He was a roving produce vendor, traveling the neighborhood streets in a heavily-customized pickup truck and using a loudspeaker to sing the praises of his oranges and bananas, his avocados and, of course, his okra.

<SNIP>

The young and old alike knew Robinson as Mr. Okra, and he was a frequent sight across many different neighborhoods. In his trade, he was a link back to a different era in New Orleans when everything from ice to charcoal was sold door to door. For Robinson, the job was actually part of a family tradition, one he picked up from his father, the late Nathan Robinson.

It was a pleasure to hear Mr. Okra’s voice echo through my neighborhood. I couldn’t always catch up to him, but when I did I enjoyed chatting with him and squeezing the odd piece of fruit. He will be missed.

Since I have one, I selected Fever as this week’s theme song. We have two versions for your entertainment: Peggy Lee and the Neville Brothers.

I have very little gas in the tank right now, so that’s it for this week. I’ll be back with a full-blown Odds & Sods next Saturday. Let’s finish up with one of my favorite bat memes from 2017: the Spitting Images Genesis puppets.

 

 

Saturday Odds & Sods: Box Of Rain

It’s been a somewhat stressful Carnival season thus far. The reason has been the weather: it’s been chilly and wet. The skies opened and poured down rain on the all female Krewe of Nyx on Wednesday night. We braved the elements and watched large chunks of the parade because we have friends in it and wanted to show our support. We can also run home and change clothes if we’re soaked. Props to the ladies who rode and survived the deluge of 2018.

Our annual Muses open house was a roaring success as was the parade itself, which took place on a dry Thursday evening. Half of New Orleans seems to come to Adrastos World HQ every year and 2018 was no exception. We had a record number of children including the legendary child army. New kitty Paul Drake came out to meet company but eventually got spooked by a close encounter with Lagniappe who is the craziest, cutest, and funniest 2+ year old I’ve ever met. Believe me.

Muses is another all-chick krewe who are famous for their shoe throws and marvelous themes. This year’s theme, Muses Night at the Museum, was their best yet. They riffed on masterpieces by artists such as Seurat, Magritte, Matisse, and Hopper and gave them a satirical twist. It was brilliant thematically and beautifully executed. My years in Krewe du Vieux have made me something of a parade critic but I have no criticism of this parade. It was stone cold brilliant. Four stars all the way, y’all.

Muses has a swell slide/show photo gallery of their floats at their Facebook page. Take a peek you’ll enjoy it, even this one:

Here’s the counterpart to that float. It’s as wistful as hell:

I know what you’re thinking: another Grateful Dead tune as the theme song? It’s actually tied to Carnival by analogy. We live inside what is referred to as the parade box. On parade days, except for Mardi Gras day itself, our movements are constricted by the parades. We even have parking wars.  This forecast for the rest of the weekend is a shit ton of rain. Hence Box Of Rain:

I have just two articles to suggest this week, so we’ll forego the break and usual segment format. I’m not sure if it’s innovative or lazy; probably the latter since hosting a party of 100+ people is hard work. I feel as if I was run over by a float.

Dr. A wanted to see the Super Bowl half time show even though we only watched snippets of the game. She was disappointed by it as was Vulture’s Brian Moylan who was inspired to write a list ranking Super Bowl half time shows from worst to best. Moylan is something of an Irish Shecky who is known for his hilarious recaps of the Real Housewives of Beverly Hills aka Rich Ladies Doing Things. I particularly enjoy how he rags on one of the husbands. He once called this chap a pustule with legs. Now that’s entertainment.

It’s Black History Month everywhere except the Trump White House. The Failing New York Times published a list of must-see movies:

It’s a great list. I’ve only seen half of the films listed so I have some catching up to do. I am pleased that they like Devil With A Blue Dress as much as I do.

That’s it for this week’s limited edition of Saturday Odds & Sods. I can’t assure you that it will grow in value but it’s mercifully short. That’s something, innit?

The last word goes to the Krewe of Muses:

Saturday Odds & Sods: Night and Day

The Night Cafe by Vincent Van Gogh.

Carnival kicks into full swing this weekend. We’re about to have parades and company up the wazoo. I remain uncertain as to what the wazoo is but I think it’s first cousin to the ying-yang or the place where the moon don’t shine.

One downside of Carnival are the creeps who try to appropriate the public green as their own private space. We call them the Krewe of Chad or Chads for short. For the first time in years, the city decided to enforce the existing ordinances against ladders, couches and such being left on the sidewalks and neutral grounds. The Chads were outraged. They’re always either outraged or entitled hence the 2016 Krewe of Spank theme, Clash of the Entitled.

You may recall the mishigas over the Forever Lee Circle beads.  In a fit of hashtag activism, someone decided to do something about it:

Since we have both night and day parades, I picked a classic for this week’s theme song, Night and Day. It doesn’t get more classic than Cole Porter, y’all. We have two versions for your listening pleasure, Ella Fitzgerald  followed by a swell 1995 version by the Temptations.

Now that we’ve heard the boom, boom of the tom-toms, let’s jump to the break. See you on the other side.

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Saturday Odds & Sods: Smack Dab In The Middle

Tonight is the Krewe du Vieux parade. This last week has been fraught for a variety of reasons, especially the weather. Marching several miles in the driving rain has little appeal to me.  I suspect that the overall theme of Bienville’s Wet Dream was tempting fate. That’s why I’m keeping this snappy.

We do have a theme song. Why Smack Dab In The Middle? I originally thought the Krewe of Spank would be in the middle of the parade. I was wrong. Woe is me, bop.

It’s still a great song. We have two versions for your listening pleasure: Joe Williams with the Count Basie Orchestra and Ry Cooder live with the Chicken Skin Band.

I have one article to share with you. Local writer and Tulane professor Richard Campanella is our king this year. Rich has written a piece for the Zombie Picayune that offers a virtual tour of the route.  I hope he has some suitably regal rain gear so he can stay drier than Buster:

That’s it for this abbreviated edition of Saturday Odds & Sods. The last word goes to the two-legged Paul Drake and Della Street. Their four-legged compatriots will have to wait.

Saturday Odds & Sods: Cold Cold Heart

The Messenger Boy by Childe Hassam.

To say that it’s been a crazy week at Adrastos World HQ is an understatement. It’s been crazy even for New Orleans but in a dull as opposed to a lively way. Multiple hard freezes have made a mess of our water system. Our water pressure is lower than the Insult Comedian’s IQ and we’re under a multi-day boil water advisory because of all the broken pipes in the city. I am stoical in the face of this mishigas since our pipes did not burst but it’s a major pain in the keister, booty, butt, hinder, or whatever you call your ass.

Our houses are not built for this weather. My Jazz Age era house is raised on piers and our pipes are under the house, semi-exposed.  It helps the house breathe during our usual severe weather season: the summertime. There’s no way to winterize a semi-tropical burg like New Orleans. And even if we threw billions, that we don’t have, at the problem, it wouldn’t work. We haven’t had a hard freeze since 2015, snow since 2008, and multiple hard freezes since 1995 and 1989. We *do* need to upgrade our drainage and basic water infrastructure but it’s summer that really matters, not the winter. Geography is destiny and we’re destined to have more hot weather than cold. Okay, I’ll dismount my soap box now and play some music.

This week’s theme song is the Hank Williams classic Cold Cold Heart. Why? Because I’m fucking cold, that’s why. I have three versions for your listening pleasure: one from the songwriter as well as renditions by Nat King Cole and Aretha Franklin.

I love Nat’s interpretation. It truly melts my cold cold heart, especially when he plays the Hammond B-3. As the Beatles once allegedly said: “Turn me on, dead man.”

As it’s been hard for me to maintain any writerly rhythm, I’m going to keep it relatively snappy this week. Btw, rhythm is one of those words I am incapable of spelling without consulting  Mr. Google or Otto Correct. I’ve let down Jon Anderson, Trevor Rabin, Chris Squire and the rest of Yes West. Sorry, chaps.

I’m only linking to one article today but it’s a must read for Peanuts fans. I’ll let the Failing NYT icon thingamabob serve as the segment header.

That’s right, it’s been 50 years since Franklin joined the Peanuts gang as a supporting player. Sparky Schulz was reluctant to add a black character because he didn’t want to be accused of tokenism. Then a reader changed his mind:

Mr. Schulz wrote back to Ms. Glickman within two weeks, but only to tell her he couldn’t fulfill her request. He and his fellow white cartoonists, he said, were “afraid that it would look like we were patronizing our Negro friends.” Undaunted, Ms. Glickman sent another note, asking if she could share his letter with black acquaintances. Mr. Schulz assented, though he again expressed reluctance to introduce a black character into “Peanuts.”

Ms. Glickman wasted little time in enlisting her friend Kenneth C. Kelly, a black father of two, who told Mr. Schulz, essentially, to get over his anxiety.

“An accusation of being patronizing would be a small price to pay for the positive results that would accrue!” he wrote. Mr. Kelly suggested that Mr. Schulz begin with a “supernumerary” black character, a de facto extra, who “would quietly and unobtrusively set the stage for a principal character at a later date.” This cautious approach would serve the dual purpose of not burdening Mr. Schulz and “Peanuts” with the duty of making a Major Social Statement and presenting friendship between black and white children as utterly normal.

I halfway expect the Bigot-in-Chief to denounce the Franklinversary as a plot to deprive the blond pianist Schroeder of precious Peanuts panels. Oops, I forgot that he’s the least racist person you’ll ever meet and doesn’t have a racist bone in his body. As if one could find any bones amidst the blubber.

There hasn’t been much to do this week as the city has shutdown because of icy roads but we’ve done some major teevee watching including a smashing Amazon series. Sounds all jungley and shit but it’s not.

The Marvelous Mrs. Maisel is a series created by Amy Sherman-Palladino who is the woman behind Gilmore Girls. I have been told repeatedly over the years that I’d love that show but have yet to view it. I do, however, love Sherman-Palladino’s latest effort.

The Marvelous Mrs. Maisel is set in the late 1950’s and tells the story of Miriam (Midge) Maisel an upper-middle class Jewish housewife who is an aspiring stand-up comedian. A show with the word marvelous in the title had better be good since they’ve provided their own straight line. As Johnny Mercer might say at this point, it’s too marvelous for words, but words are all I got so I’ll keep writing. The show is a winner.

The Marvelous Mrs. Maisel is full of wacky situations and zany characters. It’s chock-full-o-Sheckys. I kept waiting for Buddy Sorrell to show up and insult every bald guy in sight.

The main reason I tuned in is the presence in the cast of Tony Shalhoub as Midge’s eccentric father, Abe Weissman. I know what you’re thinking: he always plays quirky characters. Adrian Monk makes Abe look like Ward Cleaver. Not really but hyperbole is the name of my game.

The writing and acting are superb. It’s a star making role for Rachel Brosnahan as the preternaturally sassy Midge. Alex Bornstein as Midge’s androgynous manager Susie is also a stand out. She reminds me of the writer Fran Lebowitz and is almost as funny.

It’s trailer time:

As I watched The Marvelous Mrs. Maisel,  I kept thinking of Barry Levinson’s great 1990 film Avalon. It’s set in a similar cultural milieu and also stars Kevin Pollack. That’s high praise indeed: Avalon is on my top twenty favorite movies list. Remember: Never cut the turkey without me.

The Marvelous Mrs. Maisel is streaming on Amazon. I give it 4 stars, an Adrastos Grade of A- and a big thumbs up. It has a chance to become a classic.

Saturday GIF Horse: I mentioned my love of Tony Shalhoub’s work. His best known character is the OCD teevee detective Adrian Monk. Here he is tidying things up.

Checkmate? Speaking of Chess Records.

Saturday Classic: The freaky winter weather has given me the blues. Hence this 1963 LP by the great blues harmonicat, Marion Walter Jacobs aka Little Walter.

That’s it for this week. I guess one could say that I came, I thawed, and I conquered. I’m not exactly sure what or how I conquered but that’s my story and I’m sticking to it. The last word goes to Abe Weissman and his kooky daughter, Midge Maisel.

 

 

Saturday Odds & Sods: Eyes Of The World

Train Smoke by Edvard Munch.

It’s going to be another cold weekend in New Orleans. Yesterday’s high temperature was at midnight, and it steadily declined thereby requiring me to layer up; beats the hell out of lawyering up. I’m not sure if I looked more like a seven-layer burrito, a wedding cake, or the Michelin Man. It was a dress rehearsal for today’s den day. The Den of Muses is a warehouse and it holds the cold. Holy Raymond Brrrrrr, Batman.

The big local news is that the Saints won their first playoff game and are playing in the frozen North against the Minnesota Vikings. I’m glad it’s in a domed stadium for two reasons. First, many New Orleanians are attending the game and we’re not used to the arctic cold. Second, a domed stadium is the Saints natural habitat: Drew Brees is one of the greatest indoor athletes ever. Hmm, that sounds naughty but you know what I mean. I hope all the Packers fans out there are rooting for my guys.

I chose a lesser known painting by the Norwegian artist Edvard Munch because it’s bloody cold and I mocked Norwegian food on Thursday. The post title is one of my better efforts so it bears repeating: Shithead Says Shithole.

Munch’s most famous painting is, of course, The Scream. When Dr. A was writing her doctoral dissertation, she had a blow up doll of The Scream dude in her office as a stress reliever. She passed it on to our friend Dr. Bonster so she could do likewise. I’m not sure what happened to the blow-up screamster. Perhaps it ended up in the office of Richard Belzer who played Detective John Munch on Homicide and Law & Order SUV. I’ve always wondered what kind of SUV it is: a Ford Exploder? Yeah, I know it’s SVU but it’s a pun I’ve been making for years and you know how I am.

January in my house means the music of the Grateful Dead. I’ve been indoctrinating young Paul Drake in the ways of the Deadhead and he seems down with it. This week’s theme song was written by Jerry Garcia and Robert Hunter in 1974 and became a fixture on the band’s, and its spin-offs, set list. First up is the studio version from Wake of the Flood followed by an epic 1990 live version with Branford Marsalis on saxophone. I could call it When Homies Collide but I won’t. Oops, guess I just did. Never mind.

Now that we’ve awakened to discover the new day or some such shit, let’s jump to the break. We better make it snappy after that awkward paraphrase of Robert Hunter’s lyrics.

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Twelfth Night Odds & Sods: Iko Iko

1912 Twelfth Night Revelers Invitation.

It’s the first day of Carnival. In New Orleans, the Epiphany means we can consume king cake and hang our krewe flags outside the house. A reminder of mine:

Our cold snap continued all week, which meant dripping faucets to prevent bursting pipes and huddling around space heaters inside our drafty houses. It’s nothing compared to the winter hurricane hitting other parts of the country but neither our people nor our houses are built for freezing weather. Anyone who wants to mock me as soft should try living through a New Orleans summer. I double dog dare you.

Since it’s Twelfth Night, we have a seasonal classic as our theme song. The Dr. John version features Mac performing with Ringo’s All-Starr Band featuring three members of The Band and Joe Fucking Walsh among others.

The big story of the week was Michael Woolff’s “fly on the wall” account of life in the Orange House. I wrongly thought Reince swatted all the flies when he was head lackey.

Crying Woolff: Like Doc, I have reservations about the Wolff book. He’s an unreliable narrator as well as a raging, gaping asshole. His method is akin to that of Merle Miller whose book of Harry Truman interviews, Plain Speaking, was a monster hit in the 1970’s. Miller let Truman speak his piece and didn’t fact check the former president’s most egregious whoppers.

There’s an interesting piece by James Warren about Wolff’s method at Vanity Fair’s Hive that has people buzzing. Warren’s conclusion is that Trump and the creep with the extra f in his name deserve one another. “They’re like conjoined twins tied at the ego.”

In the end, Woolf confirms many things we already knew about Trump’s West Wing: it’s loaded with knaves, morons, and buffoons.

Steve Bannon’s current problems can be traced to a fatal inability to STFU as you can see in a piece  by Gabriel Sherman at the same publication. One of the interesting things we learn is that Sloppy Steve’s nickname for the hardcore MAGA Maggots is “Hobbits.” Btw, I think Sloppy Steve is one of the Insult Comedian’s better derogatory nicknames.

Before we move on, a musical interlude from Todd Rundgren:

Let’s transition from the West Wing to the Old West.

Godless is a revisionist Western mini-series produced by Netflix. It stars Jeff Daniels as Frank Griffin a half brilliant half crazy outlaw/preacher. He’s a complicated character who informs us throughout the series that “I’ve seen my death and this isn’t it” even when he expires in the final episode. Uh oh, the spoiler police will be all over me now. I don’t care: Frank Griffin is your basic doomed outlaw.

Godless centers around the town of LaBelle, New Mexico whose population is 95% women because of a mining disaster that killed almost all the men.

The cast is outstanding and includes Scoot McNairy of Halt and Catch Fire and Downton Abbey’s Michelle Dockery. The only thing her character Alice Fletcher has in common with Lady Mary is a love of horses and a bad attitude.

Here’s the trailer:

Godless is streaming at Netflix. I give it 3 1/2 stars, an Adrastos Grade of B+ and an exuberant thumbs up.

Tweet Of The Week: This one comes from lil’ ole me. The current Veep and former Veeps Fritz Mondale and Joe Biden met up this week when the two formers attended the swearing-ins of baby Senators Doug Jones and Tina Smith. Selina Meyer was not there. Of course, she’s fictional, which could explain her absence. It would fun to see Julia dance like Elaine on the Senate floor but it was not to be.

Saturday GIF Horse: I had an Epiphany this Twelfth Night and decided to post two Carnival related GIFs. Apologies for the exclamation points in the second one.

Let’s shut this party down with some music.

Saturday Classic: For a fleeting moment, Mac Rebbenack was a rock star with hit singles. This 1973 album, In The Right Place, contains both of them.

That’s it for this week. Since I mentioned Selina Meyer, I’ll give the last word to her and her “crack” staff; make that crack me up.

Saturday Odds & Sods: The Best Of Adrastos 2017

2017 was a terrible year for the country but a great year for satire. It made it hard to winnow down this list. It kept growing like topsy. I’m not sure who or what topsy is but it grows like, well, topsy. I suspect topsy is somehow related to turvy, but where the New Orleans jazz singer Topsy Chapman fits into the scheme of things is unclear; much like this sentence…

I *had* hoped to get the list down to a top forty like the AM rock stations of my youth. It wasn’t happening so I got it down to a top fifty. Yeah, I know: who the hell has ever heard of a top fifty? You have now. Besides, I posted a grand total of 483 times in 2017 so a top fifty is only slightly OTT. That’s my story and I’m sticking to it.

Here it is in chronological order:

1/12/2017: The Fog Of History: Mark Twain On The First Gilded Age.

1/16/ 2017: The Gong Show Presidency.

1/23/2017:  Mock Jazz Funeral For Lady Liberty.

1/25/2017: Sean Spicer Can Lie & Chew Gum At The Same Time.

2/8/2017: The Fog Of History: Explaining Trump.

2/15/2017: Power Before Country.

2/22/2017: The Worst Person Ever To Live In The White House.

3/13/2017: King Of The Bigots.

3/18/2017: Saturday Odds & Sods: Disturbance At The Heron House.

3/22/2017: Tea About The Tillerson.

3/29/2017: The Americans Thread: The World According To Gorp.

4/12/2017: Gret Stet Grifter.

4/17/2017: MOAB DICK.

4/19/2017: The March Of Autocracy.

5/2/2017: Lost Cause Fest: The May Day Melee.

5/8/2017: Le Sigh.

5/17/2017: The World Of President* McBragg.

5/18/2017: The Spirit Of ’73: The Unraveling.

5/24/2017: Book Review: The Selected Letters Of John Kenneth Galbraith.

5/31/2017: Glengarry Glen Ross On The Potomac.

6/14/2017: Tweet Of The Day: Larry Tribe Edition.

6/17/2017: Saturday Odds & Sods: Get Back.

6/29/2017: Mr. Bad Example.

7/3/2017: Back To The Nineties.

7/12/2017: The Beguileds.

7/19/2017: The Finger Of Blame.

7/26/2017: Follow Me Boys To The Trumper’s Jamboree.

7/29/2017: Saturday Odds & Sods: I Should’ve Known.

8/3/2017: The Fog Of Cosmopolitan History.

8/14/2017: Lost Causers Fester In Charlottesville.

8/21/2017: The Fog Of History: There Is No Such Thing As White Culture.

8/23/2017: The Primal Scream President’s* Ego Rallies.

9/13/2017: Walter Trump: Teevee Western Con Man.

9/20/2017: Your President* Speaks: Apocalypse UN.

9/21/2017:  Malaka Of The Week: Bill Cassidy.

9/25/2017: Malaka Of The Week: Frank Scurlock.

10/2/2017:  Oscar R.I.P.

10/19/2017: Quote Of The Day: Movie Monsters Edition.

10/23/2017: Bottom Of The Barrel.

10/25/2017: Flaking Out.

11/8/2017: Fuck Yeah, Virginia.

11/9/2017: Putting The Dope In Papadopoulos.

11/13/2017: Judge Pervert’s Ten Commandments Of Love.

11/15/2017: Malaka Of The Week: Rob Maness aka Col. Mayonnaise.

11/21/2017:  Now Be Thankful.

11/29/2017: The Ugliest American.

12/9/2017: Saturday Odds & Sods: Cold Rain and Snow.

12/13/2017: Fuck Yeah, Alabama: A Perfect Political Storm.

12/14/2017: Only A Memory: Pat DiNizio, R.I.P.

12/18/2017: Seven Dirty Words, 2017.

12/21/2017: Welcome To The New Gilded Age: The Great Tax Heist of 2017.

12/27/2017: Headline Of The Day: The Power Of The Butt.

Some of our more anal retentive readers may have noticed that the final tally was 52. I *had* to include the butt post since the headline was written by First Draft pun consultant James Karst. It was one of the dear boy’s career highlights so what the hell else could I do?

That’s it for this year. The scariest thing about this long and winding list is that it could have been even longer: 483 posts, y’all. The final closing bat meme of 2017 is a tribute to the late Rose Marie who died this week at the age of 94. It was a long life, well lived. Sally Rogers lives on.

 

Saturday Odds & Sods: Merry Christmas Eve Eve

The Big News by Rene Magritte.

It’s been cloudy, damp, warm, and foggy in New Orleans this week. It’s the sort of weather that makes you want to grunt gutterally. I’m not quite sure what that means but I found myself saying ugh a lot of late.

The Krewe of Spank finally has a theme for the upcoming Krewe du Vieux parade. It’s going to be hard to get it done in time for January 26th. We’ll just have to have a Tim Gunn moment and:

My friends Cait and Dave had their annual Chrismukkah retro party last Saturday. It was a howling success and I paid the price the next day. There were tasty retro dishes, which all seemed to be stoner food, even the ones once shared at a Midwestern church supper. There was also a modest bonfire in the backyard. I sat by it for a while and wound up smelling like a campfire.

While I’m posting my own tweets, here’s one with some First Draft content:

We made the big-time, y’all. Actually, we get more hits when Crooks & Liars includes us in Mike’s Blog Roundup. Of course, someone might use Roundup on my original post since it was called Drinking Weed Killer With John Neely Kennedy.

There’s obviously no theme song this week, so I’ll post some holiday fare from The Smithereens and Cyndi Lauper.

I’m not in the mood to write about the news of the day, so all I got for you are some regular features. My little gray cells need respite from the blizzard of bad news.

Separated At Birth: In our continuing attempt to humanize Team Trump, I give you Beavis and Kellyanne Conway.

I should apologize to Beavis for comparing him to the genuinely awful Conway. Even if he’s a toon, he’s a much better person. Funnier too: the Great Cornholio was a stitch.

Conway threatened to sue over this image when it popped up last February. It seems to have never happened. Another day, another lie.

Speaking of classic Christmas movies; we weren’t? Let’s do it anyway.

Saturday GIF Horse: Dr. A and I watched Christmas In Connecticut on TCM last night. It’s time for a lazy self-quote of what I said about it in my Christmas movie post:

It’s a farce in Christmas film drag featuring Barbara Stanwyck trying to con her publisher Sydney Greenstreet. What’s not to love about a film that includes SZ Sakall in the cast? There’s apparently a remake of this 1942 classic, which I’ve never seen. I hate remakes, especially when the justification is that the original is in black and white.

Stanwyck’s character claims to be the ultimate homemaker but she cannot cook. In this week’s GIF horse, SZ (Cuddles) Sakall teaches her how to flip a flapjack.

She does not get the hang of it just as he cannot get the hang of how to say “hunky dory.” Instead he says “hunky dunky” in his cute Hungarian accent. Btw, Cuddles was a nickname the studio hung on the poor bastard. Apparently, all was not hunky dunky at Warner Brothers.

Are you ready to rock?

Saturday Classic: Brian Setzer has carved a niche for himself as a tattooed Christmas rocker. Nobody does it better or rocks it harder.

Dig That Crazy Christmas was released in 2005 and was Setzer’s second holiday opus.

That’s it for this week. I hope everyone has a happy holiday or muddles through. Remember: the key to a happy yuletide is spiked eggnog or your favorite adult beverage. I’ll give the last word on this Christmas Eve Eve to the cast of All About Eve. Who else?

Saturday Odds& Sods: Blues Before and After

Lucky Dare-Devils by Reginald Marsh.

I’ve been on an emotional rollercoaster all week.  I was on top of the world, ma, with Doug Jones’ win and then on the bottom with Pat DiNizio’s passing. I prefer to be somewhere between those two extremes: it’s exhausting y’all.

They shot a Dixie Beer commercial in my neighborhood yesterday. I hate film crews. There’s always some officious twerp with a clipboard yelling at people. I had to deal with clipboard guys in my past life as a Jackson Square business owner. I learned that if you gave them an inch they’d take a country mile even if you were in the city.

One time a clipboard guy wanted to plug into my shop electricity.  No way: the wiring in the Upper Pontalba was dodgy and one could blow a fuse merely by plugging a space heater in the wrong outlet. When in doubt, demand compensation. That usually runs them off but on one memorable occasion they bribed me. It’s the Louisiana way, y’all.

FYI, Dixie Beer was purchased recently by local plutocrats/Saints owners/GOP donors Tom and Gayle Benson. Every time old Tom farts, the local media wets itself. I yawn in disinterest myself although the family fight over his empire was quite entertaining.

We’re staying in New Jersey this week with our featured image and theme song. The featured image is a painting by Reginald Marsh who grew up in Jersey and the theme song comes from the Smithereens. Anyone shocked by the latter? I thought not.

I hope that y’all don’t get the blues before and after the break because it’s time to jump. Skip the Dixie Beer: it’s swill.

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Saturday Odds & Sods: Cold Rain and Snow

It snowed yesterday in the surrounding parishes but not in New Orleans. We just had sleet and gloomy skies. Baton Rouge and rural Tangiapahoa Parish had sustained snowfall. Here’s a message from Mike the Tiger:

The New Orleans media had a snow boner all day long. It was all they talked about. All the teevee people got gussied up in their anoraks and boots. They looked like models in the LL Bean catalog. My favorite snow boner moment came on the WWL morning news:

Repeat after me: snow boner.

The featured image is a venerable postcard showing the 700 block of Canal Street after snowfall in 1895. The last time it snowed in the city was 2008, everyone took pictures of the streetcar in the snow as you can see from this tweet from my friend Katy:

She’s from Minnesota. Say no more.

Repeat after me: snow boner.

This week’s theme song is a “tribute” to the weather. I hate the snow, especially when it falls in a place without any snow removal equipment. I am not an ice person. I do not have a snow boner either.

Cold Rain and Snow is a traditional folk song best known as a staple of the Grateful Dead’s live shows. We have two versions for your amusement. First, the Dead at the 1980 Halloween show emceed by Al Franken and Tom Davis. Sigh. Second, a bluegrass rendition by Del McCoury using an alternate title. I like it with Cold better since I am, in fact, cold right now. I still do not have a snow boner.

Boy howdy. Yeah, boy as the bluegrass types are wont to say.

It’s time to jump to the break. If you have one, be careful not to trip over your snow boner. I should apologize for, uh, beating that joke to death but I won’t. Go ahead and jump.

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Saturday Odds & Sods: Come Rain Or Come Shine

Amerind Landscape by Roy Lichtenstein.

I started this zany, madcap weekly feature in the spring of 2015. I have a lot of fun putting it together and riffing on the segments every week. It’s become a cult favorite among our readers. If you enjoy Saturday Odds & Sods, please donate to First Draft to help keep the doors to this virtual gin joint open. If you don’t like gin, pick your poison as long as it’s not vodka…

That concludes this brief commercial announcement. It’s time to return to our regularly scheduled programming.

It’s full-tilt fall in New Orleans after summer lingered far too long for my taste. We’ve had highs in the low to mid 70s for most of the last week. That means that many New Orleanians are OB’d: Over-bundled. People are so desperate to wear last year’s Christmas sweater that they’re overdressing for these mild days. So it goes.

The big news hyper-locally is that pesky, annoying twerp Seth Bloom has finally conceded in the District B city council race. The satirist in me will miss mocking him, but the citizen in me is relieved that his steady, experienced opponent, Jay Banks will represent me on the council. I will miss having Seth to kick around so I might as well re-post this:

Arrividerci, Sethy. You can go back to annoying people in your daily life. Don’t let the door hit you on the ass as you exit the local political stage. If you re-enter the arena, the feud will resume. Who among us doesn’t like a feud fight?

A brief return to the weather. It was the driest November in recorded history in New Orleans. How’s that for a lead-in to the theme song? Come Rain or Come Shine is the third Arlen-Mercer song I’ve used as the Odds & Sods theme song. I guess I like Harold and Johnny: the nice Jewish boy from Buffalo and the Southern scamp from Savannah. The song was written for the movie musical St. Louis Woman and first published in 1946.

We have three versions for your enjoyment. First, a swinging version arranged by Billy May for Ella Fitzgerald’s Harold Arlen Songbook, which is a seriously underrated entry in the songbook series. Next up, Lady Day with a mid-tempo version from her Music For Torching album. Finally, a 21st Century version from Eric Clapton and BB King.

Now that we’ve risen and shined or something like that, let’s jump to the break.

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Saturday Odds & Sods: Let The Night Fall

Early Sunday Morning by Edward Hopper.

It’s hard to write a full-blown Odds & Sods post during a holiday week so I’m not going to try. I did, however, write about the late New Orleans election and overshare about my past this week so there’s that.

It’s been chilly in these parts lately. I even broke down and turned on the central heat. For some reason, the vents weren’t as dusty as in past years, which means the air inside the house wasn’t as smoky as usual. In the past, I was worried that the original Smokey Bear would show up and harsh my buzz.

I got a free ticket for last Sunday’s Saints home game. One of Dr. A’s favorite colleagues has had end zone seats since Bum Phillips was head coach. The seats are in the first row and the view is spectacular when they’re coming at you. It was a crazy game with an insane comeback leading to victory in OT. I’m taking credit for the win: the Saints are 4-0 when I sit in Section 101. We also got to see this up close and personal:

I associate the music of the Band with Thanksgiving so this week’s theme song comes from Islands, the final studio album recorded by the Robertson-Helm-Danko-Manuel-Hudson lineup. Let The Night Fall is a sleeper in the Band’s catalog with a beautiful lead vocal by Richard Manuel and stirring harmonies by the rest of the group.

I’m aware that the featured image is a morning scene and doesn’t match the theme song. Since when was I a matchy-matchy guy? I did, however, like the original version of The Match Game. Alec Baldwin is no Gene Rayburn, natch.

I have a few more things to share. The first involves the death of Charlie Manson.

Tweet Of The Week: George Herriman biographer and parade route book signer Michael Tisserand won NOLA twitter the other day:

Tabloid Headlines Of The Week: The two daily tabloids in New York City usually have wildly different viewpoints. The Daily News leans left and the Post is owned by Rupert Murdoch. Say no more. This week the two papers came together in an expression of disgust after the Insult Comedian re-endorsed Judge Pervert:

Saturday GIF Horse: Who among us will ever forget the WKRP turkey drop?

Now that we’ve seen Mr. Carlson melt down, it’s time to finish up with some holiday music, Adrastos style.

Saturday Classic: Stage Fright was regarded as a disappointment upon its 1970 release. Those people must have smoked some really strong weed because it’s a wicked awesome album featuring some of the Band’s finest songs.

That’s all for this week. I thought I should recycle last week’s bat meme, which is one of my all-time faves. Tony, Phil, and Mike say toodle-pip:

Saturday Odds & Sods: Land Of Confusion

From The Dictatorship Of Porfirio Diaz To The Revolution- The People In Arms by David Alfaro Siqueiros, 1957-1965.

It’s election day in New Orleans. We’re about to make history and elect our first woman mayor. I wish I were more excited about it but as I said Thursday, the campaign has been anything but elevating. I’m more engaged in my District City Council race, which pits Mr. Nice Guy (Jay Banks) against an entitled jerk. The race has gotten heated in the last week as the jerk (Seth Bloom, not Steve Martin) has gotten nervous that he’s going to lose. I sure hope he does. I’ve been feuding with him and his supporters online since they think it’s a good idea to fight with voters. Where they got that idea, I’ll never know. Schmucks.

In addition to being King Zulu 2016, another thing Jay Banks has going for him is the crucial child army endorsement:

Lagniappe, the Benevolent Dictator, the Gladowling.

With that much cuteness on his side how can he lose? They’re also his neighbors so Jay can harness the powers of the army of darkness at will. Btw, their mother nicknamed them that, not me. It fits: I’ve seen all of them in meltdown mode. If you live in District B, get out and vote for Jay Banks or they’re coming after you. It won’t be deadly, just loud and sticky.

A quick note on the featured image. It’s a section of a Siqueiros mural depicting the Mexican Revolution. In it, we see the dictator Porfirio Diaz who ruled the country for over 30 years. One of my guilty movie pleasures is the 1939 Warner Brothers “bio-pic” Juarez in which nice Jewish boys Paul Muni and John Garfield play Juarez and Diaz respectively. Oy, just oy. It’s a hoot but terrible history as you can see from the trailer:

This week’s theme song is a genuine rock classic. The video for Land Of Confusion is a mini-movie and one of the best of its kind. The use of the Spitting Image puppets is genius. The live version comes from a 2007 reunion tour which shows that Phil Collins has turned into his Spitting Image puppet.

Now that I’ve confused everyone, let’s jump to the break.

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Saturday Odds & Sods: Don’t Get Around Much Anymore

Orestes by Willem de Kooning.

It’s been a weird week in New Orleans. I know, this is a weird place so why is that surprising? It’s not but I had a deeply strange encounter with a City Council candidate who I do not plan to vote for. Here’s how I described it at Zuckerville:

Seth Bloom is the candidate I mentioned last week in this space.  One of his opponents said this about him:

Having the temperament to work with the rest of the councilmembers is of the utmost importance – nothing passes the City Council without a minimum of four votes. Seth Bloom has habitually displayed a lack of self-restraint, professionalism, respect, and sincerity as he has campaigned for another public office. I am convinced that Seth Bloom is volatile, hostile, and vindictive – the residents of District B deserve better. The City of New Orleans deserves better.

BURN.

The good news is that his run-off opponent, Jay Banks, is qualified, famous for being nice, and was King Zulu in 2016. How you like dem coconuts, Bloomy?

Speaking of the 2017 New Orleans run-off election, my latest column on the increasingly bat shit crazy mayor’s race is up at the Bayou Brief: An Uncanny Mess.

I’ve been feeling a bit anti-social of late. That’s one reason I selected Don’t Get Around Much Anymore as this week’s theme song, but mostly because it’s a fucking great song. It was written in 1940 as an instrumental by Duke Ellington. The original title was Never No Lament:

Bob Russell’s lyrics were added two years later. I’m glad they changed the title: Never No Lament doesn’t sound like a hit to me.

We have three versions for your listening pleasure. First, the Ink Spots’ mega-hit version.  Second, the Duke and Louis Armstrong from what many call their genius sessions. Immodest but true. Finally, my favorite version. It was arranged by Billy May for the great Nat King Cole.

There’s nothing quite as good as jazz Nat even though lush string pop Nate is pretty swell as well. Now that I’ve gotten that off my chest, let’s jump to the break.

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Saturday Odds & Sods: Positively 4th Street

Night View of the Brooklyn Bridge by Joseph Stella.

I learned how important my home internet connection is to me this week. It was not a shocker even if Halloween fell on Tuesday. We had a record number of trick or treaters including the cutest cop I’ve ever seen. She let Dr. A photograph him without breaking out the cuffs:

What an arresting image.

This will be a somewhat abbreviated Saturday post since I didn’t throw it together until Friday morning. It’s usually an involved, gradual, and carefully assembled process even if it appears slapdash to the casual observer. It’s slapstick, not slapdash.

I spent part of my week writing a Bayou Brief column on the increasingly bat shit crazy New Orleans mayoral contest. I didn’t submit it until Thursday because I had to hyperlink the living shit out of it. I’ll link to it here when it goes live. Speaking of the run-off election, there was an astonishing takedown in the District B city council run-off. The third place finisher, Timothy David Ray, was so pissed off at the leader, Seth Bloom, that he not only endorsed the other candidate, Jay Banks, he scorched Bloom. Burn, Bloomy, burn.

Speaking of epic takedowns,  this week’s theme song was written and recorded by Bob Dylan in 1965. I was worried that he’d sing it in Stockholm in lieu of a speech. Fortunately, he did not attend the Nobel Prize ceremony. I’m posting Positively 4th Street as a pretext to play more Byrds. Listening incessantly to Tom Petty eventually leads to the Byrds and Roger McGuinn.

A quick note about the featured image. It comes from Joseph Stella’s impressionist phase. He returned to the Brooklyn Bridge as a subject many times over the years. I  hate bridges, which is ironic given that I grew up in an area full of them and now live in New Orleans. I white knuckle every time I cross a bridge. On one visit to New York City, the friend with whom I was staying asked if I wanted to walk across the Brooklyn Bridge. I gave him a withering look and the moment passed.

I’m skipping the break this week. I do not feel like jumping, especially after contemplating bridges.

We begin our second act with one of my favorite stolen features.

Separated At Birth: Sarah Huckabee Sanders is the worst White House press secretary since the days of Ron Ziegler. She makes Ziegler look honest and in the loop and makes Ari Fleischer look charming. Ugh.

The picture below crossed my Facebook timeline. It compares and contrasts Huck’s horrible spawn with Jackie Coogan as Uncle Fester on teevee’s Addams Family.

I think Jackie was cuter but the raised eyebrow and facial expression are eerily similar.

Saturday GIF Horse: While we’re on the topic of Uncle Fester, here’s his most famous stunt:

Tabloid Front Page Of The Week: I’ve never been a Smashing Pumpkins fan but I am a fan of the New York Daily News and its smashing front pages. This Halloween edition is a classic:

I wonder if Billy Corgan and his buddy Alex Jones have discussed this front page…

Tweet Of The Week: I retweeted this image of Sebastian Gorka, David Clarke, and Sean Hannity with a clever caption but the picture didn’t show on my tweet. Time for a re-take.

THE THREE HORSE’S ASSES OF THE APOCALYPSE.

Sorry for shouting but sometimes you gotta be loud to get your point across. It’s the only thing Fox News Meathead Sean Hannity and I agree on.

I mentioned I’d been in a Byrds phase, here’s the evidence.

Saturday Classic: Younger Than Yesterday is among the Byrds finest albums. It has one of David Crosby’s best song, Everybody’s Been Burned, and his absolute worst, Mind Gardens.  I used the former as a Saturday post theme song last year, as to the latter UGH.

Crosby was fired for being a raging, gaping asshole when the band commenced recording their next album. It obviously worked out for him as he became the C in CSN.

That’s it for now. My regular features will be back in full force next week. One reason that I was frustrated by the modem death is that Dr. A and I had watched the first 6 episodes of Stranger Things 2 and then it was nerdus interruptus. We finished it Thursday night. It’s swell. That’s why I’m giving the boys from Hawkins the last bat word.

Saturday Odds & Sods: Goodbye Pork Pie Hat

Swing Landscape by Stuart Davis.

We finally had a chilly day this week. New Orleanians tend to overdress when it cools off so there were many coats, sweaters, and scarves about town. This cold-ish snap is another example of how extreme the weather has been this year: the first cold weather doesn’t usually arrive until around Thanksgiving. I am opposed to turning on the central heat until November but dragged out the space heaters. It warmed up yesterday, but it’s going to be cold today. We’re back on the autumnal weather yo-yo. So it goes.

The big local story is the precipitous fall of celebrity chef John Besh. Picayune restaurant critic Brett Anderson spent 8 months investigating charges of sexual harassment in Besh’s empire. The story landed last weekend and Besh has resigned from his company and lost two casino based locations. I’d heard that he was a hound and a creep but hadn’t heard how systematic the problem was. The timing couldn’t have been worse for Besh since it followed the Weinstein revelations.  I am trying out a new word to describe the outing of sexual harassers: Beshed. It probably won’t catch on but if it does, you heard it here first.

Another big local news story popped up as I was Oddsing and Sodsing. It’s a flap involving  mayoral frontrunner LaToya Cantrell, her use of city credit cards, and the heavy-handed intervention of District Attorney Leon Cannizzarro who is supporting her opponent. So much for that campaign being dull. It’s New Orleans politics in all its seedy glory but I’m going to save it for the Bayou Brief. I’ll let y’all know when my column drops. I’m uncertain if it will be Ionic, Doric, or Corinthian. Corinthian leather?

Now that I’ve incited the wrath of Khan, let’s move on to this week’s theme song. It was composed by Charles Mingus in honor of his friend the great jazz sax player, Lester (Prez) Young.

Here are three versions for your enjoyment. First, Charlie’s original instrumental followed by Joni Mitchell who added lyrics for her Mingus album in 1979. Finally, a guitar driven version by Jeff Beck from his Wired album:

Now that we’ve tipped our pork pie hat to the great Lester Young, it’s time to say goodbye and jump to the break or something like that. Sometimes I even confuse myself.

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Saturday Odds & Sods: Lover Of The Bayou

Photograph by CC Lockwood.

Fall has fallen. We finally had a week of temptingly temperate temperatures. Unfortunately, it’s oak pollen season, which means I’ve been wheezier than Weezer or Isabel Sanford who played Louise (Weezy) Jefferson on the electronic teevee machine back in the day. Where have you gone George Jefferson? Achoo.

It’s the week after the primary election and the Mayoral  run-off campaign is mostly bubbling under the surface. There was some horrible news involving third-place finisher Michael Bagneris. His daughter, Mia, was hit by a drunk driver while exiting her car after attending her father’s election eve soiree. Since New Orleans is the world’s largest small town, we have several friends in common. Her injuries were severe but it appears that she’ll make it. It’s going to be a long recovery. Best wishes to the Bagneris family. Drunk drivers are the worst.

This week’s theme song was written by Roger McGuinn and Jacques Levy. It has an interesting history. I’ll let the Wikpedia entry for the Byrds album (Untitled) fill you in:

For most of 1969, The Byrds’ leader and guitarist, Roger McGuinn, had been developing a country rock stage production of Henrik Ibsen’s Peer Gynt with former psychologist and Broadway impresario Jacques Levy.[16] The musical was to be titled Gene Tryp, an anagram of the title of Ibsen’s play, and would loosely follow the storyline of Peer Gynt with some modifications to transpose the action from Norway to south-west America during the mid-19th century.[5] The musical was intended as a prelude to even loftier plans of McGuinn’s to produce a science-fiction film, tentatively titled Ecology 70 and starring former Byrd Gram Parsons (no relation to Gene) and ex-member of The Mamas & the PapasMichelle Phillips, as a pair of intergalactic flower children.[12] Ultimately, Gene Tryp was abandoned and a handful of the songs that McGuinn and Levy had written for the project would instead see release on (Untitled) and its follow-up, Byrdmaniax.[4]

I told you it was a long story. We have two versions for your enjoyment, the original live Byrds version and a cover by Mudcrutch, which was Tom Petty’s original band brought back to life in 2008. Holy reanimation, Batman.

That concludes our trip to the bayou or does it? You’ll find out after we jump to the break.

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Saturday Odds & Sods: So Far Away

Speciality Drawing by George Herriman, 1936.

It’s election day in New Orleans. It’s time to winnow down the lackluster mayoral field from 3 major contenders to a face off in the run-off in this off-year election. I hope that wasn’t off-putting. Only a mug would try to predict who will be in the run-off with the so-called big three clustered so tightly in the polls. As Dan Rather would surely say at this point: it’s tighter than a tick. Besides, I threw away my crystal ball after it cracked on 11/9/2016.

One more note on the New Orleans municipal election. I did a podcast about it with my friend Ryne Hancock yesterday. Here’s a LINK.

The featured image is a 1936 drawing by the great George Herriman. In hopes of uncovering a title, I asked Herriman biographer Michael Tisserand. It is, in fact, untitled. It was executed by the artist for a fan named Morris Weiss. It’s unclear if he was a Morris dancer. Btw, if you haven’t read Michael’s book Krazy, pick up a copy. It’s one of the best biographies I’ve read in years. He’s funny on twitter too. Believe me.

This week’s theme song was used in the penultimate episode of AMC’s Halt and Catch Fire, which is one of the most underrated teevee shows ever. There’s only one more episode left in the series but the first three seasons are streaming on Netflix. Check it out and tell them Adrastos sent you; not that they’ll give a shit but it will be good for my self-esteem.

So Far Away is my favorite Dire Straits song. I’m a big fan of wistful lyrics and Mark Knopfler’s guitar playing. This song obviously has both. I’m throwing in a partially acoustic live version as lagniappe.

 Since we’re so far away from one another, let’s bridge the gap by jumping to the break. I hope that made more sense to you than to me. Adrastos thy name is confusion.

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