Category Archives: Odds & Sods

Saturday Odds & Sods: One For My Baby (And One More For The Road)

Struggle For Existence by Clifford Odets.

The unseasonably cool weather continued through the middle of this week in New Orleans. Summer’s cauldron is finally upon us, but this May has a chance to be one of the coolest on record. The coolish weather has thus far kept the Formosan termite swarms in check in my neighborhood. I have another theory: that the new and very bright street lights on Napoleon Avenue are attracting the swarms and keeping them away from Adrastos World HQ. It’s  just a theory but if I’m right it will be a less swarmy and pestiferous year.

Here’s last year’s termite theory in Tweet form:

Actually, I should give credit where it’s really due:

Let’s get back to where we once belonged, 2017.

I’m burnt out on Lost Cause Fest. I’m glad that the Lee statue came down in broad daylight yesterday. At 16 feet tall, it was too big to be removed at night. I’m just glad it’s over. I haven’t gone to spectate at any of the removal spectacles; mostly because it’s slow, arduous, and somewhat boring. Lost Cause Fest involves statues but it doesn’t rock. This front page headline does:

Photo by Milo’s human.

This week’s featured image is a 1947 painting by Clifford Odets. Until I saw last Monday’s  Antiques Roadshow, I had no idea that the playwright/screenwriter was a gifted painter. I guess that’s why they call PBS educational television.

This week’s theme song was written by Harold Arlen and Johnny Mercer for a 1943 Fred Astaire movie, The Sky’s The Limit.  One For My Baby (And One More For The Road) is the torch song’s torch song or is that the saloon song’s saloon song? I am easily confused but you already knew that. If I were pretentious, I’d tell you that I curated three versions of the song but I’m neither a curate nor a cure-all…

We begin with Fred Astaire singing to an indifferent bartender named Joe followed by fabulous versions by Frank Sinatra and Billie Holiday. Frank called it a saloon song whereas Billie torched it up, y’all. There will be more about torches anon.

Now that Joe has set ’em up, let’s go to the break. It’s not a spoiler break as with The Americans recaps, it’s more of a length break. I do tend to go on.

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Saturday Odds & Sods: One Hit (To The Body)

Baluster and Skull by Georges Braque.

It’s been a quiet week in Lake Wobegone, I mean New Orleans. Where the hell did that come from? I’m not tall enough to be Garrison Keillor and I hate cold weather. I would not, however, mind being Guy Noir if a gig as Marlowe or Spade isn’t available. It actually has NOT been a quiet week in New Orleans but I’m taking a monuments moratorium. If a Lost Causer waves a Confederate battle flag at me, I’ll shove it up their ass. Garrison would never do such a thing…

This was the week that the Insult Comedian flipped his weave. Again. The MSM may have finally realized how stupid the president* is. They’re slow learners. They’ve yet to learn that he neither plans anything nor ever tells the truth. In short, the electoral college winner is a moron. The dumbest Oval One ever. God save the Republic from this dipshit.

This week’s theme song is the underrated Rolling Stones tune One Hit (To The Body.) It placed number 61 on a Vulture mega-listicle rating all 374 songs the Stones have recorded. I’ll take a closer look at the list later, but it’s time to rock:

The song uses a physical fight as a metaphor for a break-up. I’m not sure if they had a romantic relationship in mind. One Hit comes from Dirty Work, which was released right before the Stones took a four-year hiatus and nearly called it quits. Keith was so pissed at Mick that he recorded what amounted to his version of How Do You Sleep:

Now that I’ve landed some blows, let’s go to the break before somebody gets hurt.

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Saturday Odds & Sods: Don’t Be That Way

Mon Oiseau (My Bird) by Orville Bullman.

The bastards did it. Bastards is too polite a word: the fuckers did it. I’m referring to the vote to strip healthcare away from 24+ million Americans. It’s going to complicate things for people with employer based plans as well. And the House passed it without proper vetting, public hearings, or even reading a bill that’s a procedural and substantive atrocity. In the past, the Senate has been where bad and/or controversial legislation goes to die BUT it won’t happen without public pressure. Pick up the phone and call your Senator to either support a no vote or excoriate them for a potential yes vote.

We return to our regularly scheduled Odds & Sods programming with this week’s theme song. Don’t Be That Way was composed by Benny Goodman and Edgar Sampson as an instrumental for Benny’s big band. Mitchell Parrish’s lyrics were written later. The first version is by Benny Goodman and his Orchestra. The second is by Ella Fitzgerald and Louis Armstrong. I somehow missed marking the centennial of Ella’s birth on April, 25th. Oh well, nobody’s perfect.

It’s hard to top Ella and Louis, so we’ll go to the break and regroup.

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Saturday Odds & Sods: Into The Great Wide Open

The Millinery Shop by Edgar Degas.

It’s the first weekend of Jazz Fest. Absent free tickets, we’re not attending this year. We will, however, be going to our top secret location just outside the Fairgrounds to hear Tom Petty and the Heartbreakers. I’d be heartbroken if we didn’t do that. I hope that the weather will co-operate. There’s a chance of severe thunderstorms tomorrow. So it goes.

Hats are popular at Jazz Fest. That’s one reason I posted the Degas painting as the featured image. Another is that Degas spent time in the Crescent City visiting his Creole family; some of whom identified as black and others as white, much like the Herriman-Chasse clan I recently discussed in this space. It’s why gumbo is used so often as a metaphor to describe the natives. I’m equally inclined to compare New Orleans to a crazy quilt. The creator of Krazy Kat was born here, after all.

In other local news, the Saints have signed 32-year-old running back Adrian Peterson. His age is not my problem with the signing: it’s his status as a child beater. I wrote about it 3 years ago: Adrian Peterson Did Not Spank His Son, He Beat Him. So much for all of Sean Payton’s blather about bringing in players with “character.” This one has or had a “whooping room” in his Houston area house full of belts, switches, and the like.

This week’s theme song comes from the Tom Petty and the Heartbreakers album of the same name. Into The Great Wide Open is best known for its swell video and “rebel without a clue” chorus. The latter surely applies to the current occupant of the White House. The deplorables among his supporters are a rabble without a clue.

While we’re on the subject of Tom Petty, here’s a sleeper track from that very album:

I’m fond of that song because it reminds me of one of the main drags of my native Peninsula: El Camino Real. That’s the king’s highway in Spanish.  It spans several Bay Area counties and was where teenage me used to cruise. We didn’t have the internet to occupy us so we drove about aimlessly. One of my cronies always called it the Elk. That’s a bit too gamey or clubby for my taste. It must be time for the break.

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Saturday Odds & Sods: Fate’s Right Hand

Reply To Red by Yves Tanguy.

Spring is prime time for crawfish boils or as the natives say, berls. We’ve been to two in the last three weeks. The first one involved some of the usual suspects and nothing unusual happened other than a five-year-old girl pointing at the sacks of live crawfish and asking, “When will they be dead?” That’s a sassy Louisiana child, y’all. It’s one reason why her mama nicknamed her the Benevolent Dictator. I’m not so sure about the first bit though…

Something quite eventful happened last weekend at the second shebang. The berl was thrown (not by Milton Berle or Burl Ives) by one of Dr. A’s first year medical students. He’s an older student who was a helicopter pilot in the Army and is still a reservist. That’s one reason he lives at Jackson Barracks near Arabi, Louisiana. That’s right, it was an Arabi spring crawfish berl…

When I first heard our host’s name, I remarked that it was the same name as the man who sold us our house after renovating it in 2000. It’s a fairly common name so we agreed it was unlikely that her student was a Junior. Guess what? It’s a small fucking world after all. Our host’s father had indeed renovated Adrastos World HQ and Dr. A’s student had worked on the project. The latter was somewhat freaked out by the string of coincidences but I told him not to sweat it because it made him de facto teacher’s pet. Besides, the man knows how to boil crawfish. It’s an indispensable skill as far as I’m concerned.

This week’s theme song is the title track of Rodney Crowell’s 2003 album, Fate’s Right Hand. It seems that one of his daughters didn’t care for the song at the time. Somewhere in my archives I have a circa 2004 Crowell concert at which he introduced Fate’s Right Hand  more or less as follows:

“My daughter hates this song. She told me it’s undignified for me to talk about poontang and the narrator of the song having a pole in his pants. I told her that I’m a country singer and her mother and grandfather are both country singers. We’re not dignified people.  She reminded me that Grandpa Johnny was the most dignified person she knew. I couldn’t argue that point so I changed the subject.”

Fate’s Right Hand is a list song. The most famous list song I can think of is Irving Berlin’s You’re The Top. Another list song classic is REM’s It’s The End Of The World As We Know It (And I Feel Fine.) I don’t feel like listing list songs so here’s Fate’s Right Hand:

Rodney is fond of list songs. He wrote one about greedy yuppies for his 2005 album, The Outsider complete with the refrain: give it to me, give it to me. I will comply:

Give it to me, give it to me. You may not be as demanding as the coked-out greed head in the song but let’s take a break anyway. Give it to me, give it to me.

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Saturday Odds & Sods: (What’s So Funny ‘Bout) Peace, Love & Understanding

Banjo and Glasses by Juan Gris.

Tomorrow is Easter Sunday. I’m not religious but I was raised Greek Orthodox. This year Greek Easter is the same day as what my most pious relative calls “American Easter.” My memories of Easter revolve around food: leg of lamb was always the main course at our house. I may not celebrate the holiday but I wish those of you who do well.

In Easter related news, it looks as if Team Trump is screwing up the annual White House Easter egg roll. It’s typically an East Wing thing but Melania lives in Manhattan and nobody else seems to be in charge. Holy symbolic ineptitude, Batman. I hear Harvey and Bugs Bunny are organizing a protest…

This week’s theme song is Nick Lowe’s best known and loved song, (What’s So Funny ‘Bout) Peace, Love & Understanding. Nick himself is not madly in love with his most famous song:

“Everyone seems to know it. But it’s never been a hit, a hit song so to speak, on the charts,” says Lowe, reflecting on the song’s legacy. “It is really strange — and I don’t want to sound too, kinda, ‘wet’ — ‘cause when I hear it, it doesn’t really sort of sound like my song any more. I don’t feel hugely possessive about it.”

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“The song had a rather humorous birth,” he says. “It was written, initially, from the point of view of an old hippie who was still sticking to his guns and seeing his kind of followers all suddenly wearing pointy-toed shoes and drinking cocktails. … It’s like they had come to their senses, rediscovered alcohol and cocaine. … They were rather embarrassed that they’d ever been hippies … and thought the hippie thing rather funny.

“And he’s saying to them: ‘Well, you all think I’m an idiot. You’re sniggering now. But all I’m saying — and you can’t argue with this — is what’s so funny about peace, love and understanding?’”

I’m presenting three versions for your amusement. First, the 1974 original recorded with the pub-rock band, Brinsley Schwarz. Then the Elvis Costello rendition that put the tune on the map; it was produced by Nick. Finally, the way I like it best: a solo acoustic version by the songwriter himself.

One thing that *is* funny about Nick Lowe is that his hair is still awesome. I should hate him for that but I’m trying to be a bigger man. I am, however, fuming over the injustice of it all right now. It’s best to insert a break at this point while I take a deep breath.

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Saturday Odds & Sods: Let The Four Winds Blow

The Man In The Blue Hat by Fernand Léger.

The French Quarter Festival is this weekend. It used to be a favorite of mine but has gotten more crowded and touristy as the years have gone by. Bigger is not always better but that’s the mentality that drives events in New Orleans in 2017. So it goes.

Allergy season continues apace, exacerbated by the wind. There’s flying pollen in the air. The good news is that I haven’t seen any Buckmoth Caterpillars blowing in the wind. They’re nasty little buggers that will sting the hell out of you given half a chance. In fact, a friend of mine was cutting her grass and learned that even if you cut a Buckmoth, they can still sting you. It’s another reason to avoid yard work. Nature is dirty and stingy.

This week’s windy theme song was written by Fats Domino and Dave Bartholomew. It was first recorded in 1957 by R&B legend Roy Brown who had his sole cross over hit with Let The Four Winds Blow. The Fat Man cut his version in 1961. We’ll go in chronological order.

Windiness is nothing new for this feature. Neither is a pounding piano or honking sax.

It’s baseball season, which means hope springs eternal for last year’s also-rans. My Giants lost on opening day but star pitcher Madison Bumgarner hit two homers. Pitchers rarely do that in the NL and never in the AL because of the accursed DH rule.

The Insult Comedian dodged throwing out the first pitch at the Washington Nationals home opener. I guess he was afraid the boos would drown out any cheers. All Presidents receive both at sporting events. Still, it would have been amusing to see Trump in action. He once claimed to be the best high school ballplayer in New York. It’s another whopper: Hall of Famers Jim Palmer and Rod Carew played high school ball at the same time. Sorry, Donald.

Speaking of putting on a show:

Baseball & Vaudeville: There’s a swell article at the Atlantic about how sports and show business intermingled in the late 19th and early 20th Centuries. Playing baseball was not a lucrative profession back then so some players took to the stage. One of them was New York Giants outfielder Turkey Mike Donlin who brought his manager, John McGraw along for the ride:

I also learned that there’s a vaudeville archive at the University of Arizona. I wonder if they have any gag props?

Elizabeth Yuko has the details in her appropriately entitled article, When Baseball Players Were Vaudeville Stars.

Let’s move on to a more serious segment. April 6th marked the 100th Anniversary of United States entry into the Great War.

The Forgotten War: The Korean conflict is often called that but-thanks to M*A*S*H in particular-it’s still more remembered in America than World War I. The Great War was an important event in world history but, in show business terms, World War II had better villains and bigger explosions. There are so many books and films about that conflict that it won’t be forgotten.

There are two articles about America and the Great War that I’d like to bring to your attention:

The short answer is that Americans have short memories when it comes to our own history. It’s one reason the Insult Comedian is watching teevee at the White House instead of Trump Tower.

Hopefully, a new American Experience documentary will revive interest in the forgotten war. It premiers on April 1oth.

Also forgotten are some Hollywood movies produced at the end of the Hoover administration. In the face of a passive laissez-faire Presidency, some Americans wanted a strong man and the movies reflected that desire.

The Dictator Craze: As part of an outstanding series about Fascism, Slate published an excerpt from a book by Thomas Doherty. The piece deals with Hollywood’s brief fascination with authoritarian jerks, When Fascist Heroes Took Over The Movies. The best of these movies was:

The Power and the Glory (1933) embodied the hankering for a superman in title, sentiment, and central character. Directed by William K. Howard from a screenplay by Preston Sturges, the film is often considered a precursor to Citizen Kane (1941) because of its pioneering use of voice-over narration. The Power and the Glory resurrects the deceased and unmourned railroad tycoon Tom Garner (Spencer Tracy) for a meditation of the price of greatness. Personally flawed but professionally flawless, Garner rises Horatio Alger–fashion from pauper to plutocrat.

Hollywood’s Fascist flirtation faded with the election of Franklin Roosevelt and the revival of what his cousin TR called a more “muscular government.” The reason FDR is atop my President’s list is that he saved the country from dictatorship. He would be appalled by Donald Trump but also confident that we can move past this disaster.

Speaking of Fascism and the movies, there’s an interesting piece about a Nazi era movie star in the Guardian:

The Nazi Marilyn Monroe: Hitler and Goebbels wanted Marlene Dietrich to be the Nazi’s pin-up. Marlene wanted nothing to with their murderous regime and remained in splendid exile in Hollywood. They had to make do with Kristina Söderbaum who was more of a blond bombshell than a blond venus like Dietrich.

Here’s how Karen Liebreich describes her encounter with Söderbaum:

We drove to Horw, near Lucerne, to interview Söderbaum, star of many films, most of them directed by her husband, Veit Harlan. These included Jud Süß, widely regarded as the most antisemitic film ever, and the ridiculous epic Kolberg, about the Napoleonic siege of the Prussian city. Söderbaum was so often drowned in her films that she became known as the Reichswasserleiche, the official State Water Corpse.

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Söderbaum claimed Joseph Goebbels, head of Nazi propaganda, didn’t much like her. His taste – apart from his wife, Magda – ran to dark-haired actresses. “He told me I was not sexy but erotic,” said Söderbaum. Still, she added, “terribly many people fell in love with me. But whether that made me a sex symbol or not, I don’t know.” For her part, she found that: “Goebbels had very nice eyes but,” she added with a laugh, “he was a devil!” She said Adolf Hitler, on the other hand, was always very pleasant to her – and Harlan would often remark on his amazing eyes. She was not unimpressed by Hitler’s eyes herself.

Söderbaum could be described as the archetypical feminists’ nightmare. A beautiful woman, a very convincing actress, totally obedient and devoted to her forceful husband, she told me she had lived “in a gilded cage” and “went everywhere in a limo”. But I saw no signs of curiosity about life beyond the bars. In her autobiography, she seemed surprised by the postwar hostility towards Harlan, astonished that their children were taunted as Nazis at school in Sweden.

In a word: clueless. If she were around today, she might have been one of the Insult Comedian’s wives.

Documentary Of The Week: Söderbaum’s director/husband Veit Harlan is the subject of a 2008 documentary, Harlan-In The Shadow Of Jew Suss. He, too, was baffled by the controversy his work stirred up and maintained that Goebbels made him do Jew Suss. There’s nothing to support his story.

The film features extensive interviews with members of Harlan’s family; most of whom take a dim view of his movies. An interesting filmic footnote: Harlan’s niece Christiane was married to Stanley Kubrick for 41 years until his death in 1999.

It’s trailer time:

Harlan-In The Shadow Of Jew Suss is currently streaming at Amazon Prime. I give it 3 stars, an Adrastos Grade of B, and an Ebertian thumbs-up.

This has been a somewhat sombre edition of Odds & Sods so it’s time to lighten things up before we go.

Tweet Of The Week: This tweet proves that even ladies in fur coats dislike the Trumps:

I wonder if she cranked up this Stones song whilst sipping her vino:

That’s it for this week. The last word goes to silent film superstar Buster Keaton in an image from his 1927 comedy College:

 

Saturday Odds & Sods: Roll With It

Composition VIII by Vasily Kandinsky.

It’s April Fool’s Day. I’m not planning to prank y’all but if I were I wouldn’t tell you. I like to keep my readers off-balance with this offbeat and off-kilter feature. I hope the previous sentence wasn’t off-putting.

We’re going to a kid’s birthday party/crawfish berl today. That’s boil to you auslanders. It’s young Harper’s second birthday and she’s already out of fucks to give. She actually reminds me of Della the cat. That’s how she is. Of course, the toddler will stop being a cat whereas Della Street is defiantly feline for life. It’s a good thing that she’ll never learn how to speak: she’d never shut up.

We’re back in same title, different song country with this week’s theme songs. I hope y’all can Roll With It, baby. We begin with Steve Winwood’s tribute to Stax-Volt soul music followed by Oasis and *their* song Roll With It.

I’m keeping it relatively light this time around. It’s going to be heavy on the magic and light on the Nazis and such. Of course, *that* could be the April Fool’s joke. You’ll find out after the break.

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Saturday Odds & Sods: Promised Land

Marbotikin Dulda by Frank Stella.

We seem to have hit peak pollen this week in New Orleans. Achoo. As a result, I awaken each day with watery eyes and a runny nose. Achoo. It’s most unpleasant as is my daily sinus headache. The good news is that we’re supposed to have some rain to wash away the sticky yellow stuff. The bad news is that it won’t happen until later today when we have plans to attend a festival not far from Adrastos World HQ. Oh well, that’s what umbrellas are for.

Unless you’ve been living under a rock or watching teevee with the Insult Comedian, you know that Chuck Berry died at the age of 90.  This week’s theme song, Promised Land, is my favorite Chuck Berry tune. I was introduced to it at the first Grateful Dead show I ever attended. It was a helluva opening number.

I have three versions for your entertainment: Berry’s original, the Band’s rollicking piano driven take from Moondog Matinee, and the Dead live in the Nutmeg State. It’s time to jet to the promised land, y’all.

I remain mystified as to why Chuck wanted to get out of Louisiana and go to Houston town. There’s no accounting for taste. Let’s ponder that as I insert the break, but not where the moon don’t shine.

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Saturday Odds & Sods: Disturbance At The Heron House

Elijah and the Ravens by Ralph Chessé, 1945.

Winter played a fleeting return engagement in New Orleans this week. Unlike the Mid-March blizzard in the Northeast, it wasn’t anything to write home about but we ran the heater and shivered a bit. I’m not a fan of the new practice of naming winter storms even if the first one is named after a famous theatrical character, STELLA. Unless, that is, it’s named for the Hunter-Garcia ballad Stella Blue. The mere thought of a blizzard makes me blue so that could be it.

It may have been chilly of late but Spring allergy season is upon us with a vengeance. I have a mild case of red-eye but I’m used to that. A worse pestilence is this year’s flea crop. We haven’t had a hard freeze for several years so the nasty little buggers are dining on Oscar and Della Street. All we can do is treat the house, medicate the cats, and hope for the best. The idea of putting a flea collar on Della is particularly unappealing. She’s been known to draw blood so I’ll pass. Chomp.

This week’s theme song comes from R.E.M.’s classic 1987 Document album; more on the album anon. It’s my favorite record in their catalog and Disturbance At The Heron House is the kat’s meow. The lyrics were inspired by George Orwell’s Animal Farm, which is another reason I like it so much.

Here are two versions. The original studio track and one from R.E.M.’s appearance on MTV Unplugged. The second video has Radio Song as lagniappe.

The “followers of chaos out of control” indeed. In fact, they can follow me to the other side after the break. I hope it’s sufficiently chaotic.

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Saturday Odds & Sods: Top Of The Pops

Swing Landscape by Stuart Davis.

Swing Landscape by Stuart Davis.

It’s time for the Irish Channel St. Patrick’s Day parade later today. This year’s route is so long that it should be renamed the Uptown/Irish Channel St. Patrick’s Day. We’re fleeing to our friends Greg and Christy’s annual shindig, which puts the bang in shebang or some such shit. And I know the parade isn’t happening on the day itself. This is New Orleans, we do things our own way. Y’all should know that by now. There will, however, be drinking involved. We’re not that bloody different: walk me out in the Tullamore morning dew…

The big local story is that the Fifth Circuit has lifted an injunction against removing the white surpremacist monuments. They’ll be gone pecans soon enough. The erstwhile Gret Stet Fuhrer has been relatively silent this time around. He’s too busy fluffing Trump on Twitter to get worked up about it. For now. I guess that makes him a fluffer nutter. I hereby apologize to others out there who love marshmallow fluff, which recently celebrated a somewhat sticky centennial.

This week’s theme songs qualify as benign earworms. My mind keeps drifting back in their direction, which is why I’m taking you to the top, top, Top of the Pops.

We’re going in reverse chronological order with the 1991 Smithereens tune first. The video was filmed in Atlantic City. I looked for Chalky White but didn’t see him.

This week we’re back in same title, different song territory with the Kinks who were the band that most influenced the Reens. I’ve always preferred this loose live version of Top of the Pops to the more buttoned down studio track:

Now that I’ve rocked your world, it’s time to insert the break. This post grew like Cat’s Claw vines on an abandoned shotgun double so one is in order. See you on the other side.

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Saturday Odds & Sods: Sick Day

The Grande Jatte Hibernators by Max Ernst

The Grande Jatte Hibernators by Max Ernst

I needed to rest my sore legs and feet after standing so much during Carnival but catching the stomach flu was not how I intended to do it. I’ll skip the details but suffice it to say that this is the longest I’ve sat up since Tuesday. I’m still afraid of eating so I’ll eat my words instead.

This week’s theme song, Sick Day by Fountains Of Wayne, was a no-brainer. A very good thing since my little gray cells aren’t firing on all cylinders as of yet:

I do have a few links to share this week, which is why I rose from my sick-bed. Also, I’m bored: sleeping all day like Oscar and Della isn’t all it’s cracked up to be, y’all.

Tweet Of The Week: I like signs. I like HuffPost senior politics editor Sam Stein. I like anti-Trump signs posted by Sam Stein:

Most people don’t have strong views about punctuation but I do; as does the author of our next piece. I’d give him a piece of advice except that I agree with him.

Satan’s Punctuation: I am on the record as being anti-exclamation point. The only good thing I can say about the Insult Comedian is that his overuse of them has led to a backlash against Satan’s punctuation. BBC Culture has an outstanding piece by Philip Cowell wherein he discusses the pernicious EP.

Along the same lines, legendary lizard lady Liprap made sure I saw this tweet by Houston Chronicle sportswriter Stephanie Stradley:

She’s a woman after my own heart. I seem to like Stephanies even if I never dated one. Of course, it’s been years since I dated at all. I guess I’m dating myself…

Let’s move on from Stephanies to one of my media crushes, Julia. Julia Ioffe:

Rootless Cosmopolitans: The State Department is in deep shit under the Trump-Bannon regime. They’re committed to “burning it down” thereby dumbing it down, which could lead to military options being first on the list as opposed to last. We saw that movie during the Bush-Cheney years and it didn’t end well. The brilliant and beautiful Julia Ioffe has the details at the Atlantic. 

Am I still allowed to issue such a compliment? I don’t want the people who attacked Steve Martin for making a similar comment about Carrie Fisher coming after me. Actually, I don’t give a shit: they’re trolls who attacked someone who knew her IRL and not just as Princess Leia. Fuck them and the tweet they rode in on.

Speaking of entitled people who want to burn it down:

The Feud: I originally planned to give up Susan Sarandon for Lent but I’m not Catholic so I won’t. Besides, the thought of her as Bette Davis and Jessica Lange as Joan Crawford is impossible to pass up. Sarandon’s status as an unrepentant Buster-n-Steiner means that I’ll have to root for Joan Crawford in the upcoming FX show and I’ve always been pro-Bette. But I am a Clint Eastwood fan despite his abominable politics. Now where did I put that empty chair?

That brings me to the point such as it is. In anticipation of the teevee show, Vulture reposted a fine 2016 article by Angelica Jade Bastien about the storied Davis-Crawford feud.

That concludes this edition of sick blogging. I hope I didn’t embarrass myself any more than I do every Saturday. Admittedly, that’s a low bar in an era when the president* is praised for not whipping out his tiny member and pounding it on the podium while addressing Congress.

Thanks to the Trump-Bannon regime’s version of white nationalism, anti-Semitism is fashionable in certain quarters. As a form of rebuttal or rebuke, I’m giving three famous Jews the last word. Zeppo also attended:

marx-bros-meme

 

Lundi Gras Odds & Sods

I decided to emerge from the Carnival bubble today just to mess with y’all. Our run of hosting came to an end yesterday. It’s fun but I’m always glad when it’s over. We have two more days until we repent our Carnival sins on Ash Wednesday. I’m an agnostic but my legs are already repenting all the standing and walking I did this  year. And there’s more to come. Ouch. Pass the Ibuprofen.

Obviously, we were not impacted by the accident Saturday night at the Endymion parade. That’s the *other* parade route and we take the night off. I also hate that fucking parade: the riders tend to be suburban yahoos who snub small black chirren in favor of blond bimbos. It’s the “show your tits” parade. I like tits as much as the next guy but that parade is tacky and tawdry.

We had an enormous party on Muses Thursday. Muses is an all woman krewe who had a Dr. Seuss theme in 2017. Their signature throw is decorated shoes. One of my quirkier Muses friends, Jen K, made a shoe just for me. Remember Ken Bone? He’s the dorky dude who asked a question during the town hall Clinton-Trump debate and briefly became an internet sensation. Here is the Ken Bone shoe, Jen threw to me. Thanks, sweetie:

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In a visual pun worthy of this feature, Jen replaced the heel with a plastic bone:

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Another highlight of Carnival for me was a book signing on the Uptown parade route before the Tucks parade. There’s a rolling group in that parade: the Laissez Boys. They parade in pimped out motorized recliners whilst wearing smoking jackets. I am not making this up.

I have some friends in the group and decided to get one of them, Michael Tisserand, to sign my copy of his latest book, Krazy. It’s the story of George Herriman the creator of Krazy Kat. He was from New Orleans and was a black creole who passed as white. It’s the next book in my hopper so to speak.

Michael is an online friend so we surprised him with the help of my friend Paul aka Q. He was as thrilled as I was, “I’ve done a lot of things in this chair but never a book signing.”

Later on twitter he said this:

Here are a few pictures of the event taken by Dr. A:

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The only thing that came close to the Krazy book signing last weekend was the mishigas at the end of the Oscars. There’s a first time for everything. I hope it’s the last time for that sort of fuckup and of Jimmy Kimmel as host. Flying donuts? Mean tweets? Jimmy should get on the tour bus with Gary from Chicago.

Back to the bubble. Proteus and Orpheus await.

Saturday Odds & Sods: The Forecast (Calls For Pain)

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The Problem We All Face by Norman Rockwell.

We’re back on the weather roller coaster in New Orleans. One day it’s unseasonably warm, the next it’s colder than average. It’s almost as crazy as the Current Occupant of the White House. Did you see that insane press conference by the least racist and anti-Semitic person ever? In response to the crazy, I tweeted this:

I hope all the Busters and Steiners are happy right now. They insisted that there was no difference between Hillary Clinton and Donald Trump. They were wrong. She’s sane.

Did y’all see the cartoon that was based on the Norman Rockwell painting that’s this week’s featured image? Here it is on the Tweeter Tube. I refuse to upload it:

That’s right, folks, Cartoonist Glenn (Not The Real) McCoy compared billionaire dilettante Betsy DeVos to NOLA’s own Ruby Bridges That’s preposterous and typical of the whiny titty babies on the Right in 2017.

Btw, BuzzFeed: You got something wrong.

On Sunday, the Belleville News-Democrat published this cartoon by Glenn McCoy. It appears to equate Betsy DeVos, Trump’s controversial pick for secretary of education, with Ruby Bridges, the first black child to attend an all-white school in the South.

Ruby Bridges *was* the first black student to attend an all-white elementary school in New Orleans in 1960. She was not the first overall: that honor belonged to the Little Rock Nine in 1957. The last I heard New Orleans was in the South. Y’all should spend less time cutting and pasting tweets and more time on research.

This week’s theme song fits both my mood and the temper of the times. The Forecast (Calls For Pain) comes from Robert Cray’s brilliant 1990 album Midnight Stroll:

It’s time to take a midnight stroll to the break. The forecast is for more mirth than pain on the other side.

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Saturday Odds & Sods: Night Parade

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Krewe of Spank float, 2015.

It’s the most wonderful day of the year, for me at least. Krewe du Vieux rolls at 6:30. That’s why the full-blown madness that is Saturday Odds & Sods has been dialed back this week. I’m too busy Krewe of Spanking, y’all.

I do, however, have a theme song: Night Parade from Robbie Robertson’s Storyville album. We march not far from where the red light district was located. It’s long gone. Time for some music. Hit it, Robbie:

I may not have a Saturday post extravaganza this week but I do have an Insult Comedian meme courtesy of my Spank krewe mate David M:

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That’s it for now. I’ll be back next week with a post that has more meat on the bone.

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Saturday Odds & Sods: Trouble In Mind

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The Underground Railroad by Hale Woodruff, 1942.

Another week, another mural as the featured image. Hale Woodruff is an example of somebody who’s done an amazing job and is getting recognized more and more, I notice. If you don’t recognize Trump’s Frederick Douglass quote, I have failed as a blogger.

It has been a Krewe of Spank-centric week at Adrastos World HQ. We’ve been helping with the float, buying costume bits, and even went to a pizza-n-shirt-iron-on party. Bet you’ve never done that. We also drank beer. Bet you’ve done that.

This week’s theme song was selected with our politically chaotic moment in mind. I am mindful of the fact that Trouble In Mind was written in 1924 by jazz pianist Richard Jones. It has been recorded oodles of time by oodles of artists. I have selected worthy versions by Big Bill Broonzy, Nina Simone, and the Queen of Soul, Aretha Franklin.

Let’s get down to the nitty-gritty of the post only without the dirt or the band. That’s right, this post will be unbroken…

Emmett Till: Every social movement requires a spark. For the Civil Rights movement, the spark was provided by the lynching of Emmett Till in 1955. In fact, Jesse Jackson describes a conversation with Rosa Parks that confirms the importance of Emmett Till:

“I asked Miss Rosa Parks [in 1988] why didn’t she go to the back of the bus, given the threat that she could be hurt, pushed off the bus, and run over, because three other ladies did get up. She said she thought about going to the back of the bus. But then she thought about Emmett Till and she couldn’t do it.”

There’s a new book about the murder of Emmett Till wherein author Timothy Tyson got the woman who was allegedly the target of unwanted attention by Till to admit that nothing much really happened. Vanity Fair’s Sheila Weller has the details.

It’s abundantly clear that the Current Occupant has no knowledge of the Civil Rights movement or how important it is to many of us. It didn’t involve him directly so it’s off his radar screen. I suspect Trump and his dreadful, racist daddy regarded the movement as a nuisance. It made it harder for them to discriminate against black folks in their apartment buildings in the outer boroughs, after all. So it goes.

We go from the crime that inspired the Civil Rights movement to a look at how Hollywood is taking on the  Insult Comedian.

The New Culture War: We tend to think of Pats Buchanan and Robertson when we think about the culture war. Buchanan’s 1992 GOP convention speech scared the living shit out of middle-American and was a factor in Poppy Bush’s defeat. Thanks, Pat.

The culture war used to be a right-wing thing. It no longer is. The Guardian’s Stuart Jeffries takes a look at how Hollywood and others on the left are standing up to the Insult Comedian. My favorite bit involves the divine Julia Louis-Dreyfus:

At last Sunday’s Screen Actors Guild awards in Hollywood, barely anyone who got to the stage failed to denounce Donald Trump’s immigrant ban. Veep star Julia Louis-Dreyfus, for instance, accepting her award for outstanding performance by a female actor in a comedy series with her portrayal of a (with all due respect) venal and useless president, said: “I am the daughter of an immigrant. My father fled religious persecution in Nazi-occupied France, and I am an American patriot … I love this country. I am horrified by its blemishes. This immigrant ban is a blemish, and it is un-American.”

Her speech came from the heart and was clearly not written by Selina Meyer’s staff. They would have found a way to fuck it up and elect Hugh Laurie President…

There’s already a backlash over comments like Julia’s and Meryl Streep’s but, frankly my dear, I don’t give a damn. The rank hypocrisy on the right about celebrities in politics is breathtaking. The GOP elected an actor President, sent Gopher from The Love Boat and Sonny Bono to Congress, and now they complain about free speech from Julia and Meryl. As the Cowardly Lion would surely say, DA NOIVE.  I fed Siri that sentence and she had a nervous breakdown. It was most amusing.

Speaking of the culture wars, our next segment takes a look at cursing. Hmm, I wonder if we still have a fuck quota at First Draft.

Fucking Around: There’s a motherfucking good review at the New York Review of Books by Joan Acocella of two bloody buggery bollocky books about swearing. You should read the fucker. Fuckin’ A.

Speaking of people who got fucked over, here’s a look back at Grateful Dead’s 1970 arrest in New Orleans. They did not return to the Crescent City until 1988.

Busted Down On Bourbon Street: The Grateful Dead were “set up like a bowling pin” in New Orleans on January 31, 1970. The city fathers were terrified that hippies would overrun the city and interfere with their drinking. They simply could not have that.

There’s a fun look back at Live For Live Music.com. I can say fun because nothing much came of the bust except for semi-lurid headlines and this mug shot of a certain lead guitar player:

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Notice that Jerry had the good sense to smile, not glower in his mugshot. Never let the bastards see you sweat.

I obviously have to post a version of Truckin’ at this juncture. This is a good ‘un complete with tight musicianship and sloppy vocals, both trademarks of the good old Grateful Dead:

Let’s move on to a sporadic Odds & Sods feature:

Separated At Birth? I added a question mark because I’m not 100% sure this works but it cracked me up when I saw it on the Tweeter Tube.

Instead of being leery of the idea, Leary responded without so much as a leer:

Just imagine it: Denis Leary in The Bowling Green Massacre. He really needs to wear Kellyanne Liar’s inauguration day outfit:

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Let’s move from the ridiculous to the sublime.

Saturday Classic: I posted the Queen of Soul earlier, it’s time to listen to the King of Soul, Otis Redding. Note that the album begins with Ole Man Trouble. It has nothing to do with the Insult Comedian but we do have more than our share of trouble right now.

That’s it for this week. We’ll be back with more hijinks and shenanigans next week. Who better to have the last word than three Jokers? Heath, Jack, and Cesar beat the hell out of the joker in the White House. Figuratively, not literally.

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Saturday Odds & Sods: End Of The Line

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Man at the Crossroads by Diego Rivera.

The image you see above began life as a joke at a rich man’s expense. Nelson Rockefeller commissioned the Mexican muralist Diego Rivera to do a fresco at Rockefeller Center. Big mistake: Rivera was not only a lefty, he was a Communist. If you take a closer look at the image you can see Lenin, Trotsky, and Karl Marx among the figures. The future Governor of New York was not amused and had the mural destroyed. Mercifully for art lovers, Rivera had a friend take pictures of the Rocky mocking work. He later did a second version in Mexico City. Take that, Rocky. There’s a lesson in this story for our times even if Rocky’s politics weren’t as odious as those of the Insult Comedian.

This January is a time for sad songs. End Of The Line is a rock torch song. It was written by Bryan Ferry for Roxy Music’s brilliant 1975 album Siren. I listened to Siren obsessively during the bleakest time of my life and it helped me get through it. Thanks, Roxy.

We begin with the studio version; sung by Ferry as if his heart was ripped out of his chest. It’s followed by a swell but less overtly emotional 1993 cover by Concrete Blonde:

I’ve also been known to sing End Of The Line under my breath when taking the bus or streetcar downtown to Canal Street, which is the you know what. I don’t think I’ve been caught in the act but ya never know. I suppose this is as good time as any to insert the break thingamabob. See you on the other side.

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Saturday Odds & Sods: 21st Century Schizoid Man

Hell by William Blake

Dante’s Hell by William Blake.

The weather is New Orleans has been as schizoid as our national politics. If only the latter was ephemeral as the weather. It’s been foggy, damp, and unseasonably warm. I know that may sound good to the ice people out there but I could use some consistency. I loathe running the AC in January but had to break down and do so because the house was so damn damp. So it goes.

As much I hate to do this, I’m going to keep this post as brief as the Insult Comedian’s attention span. Here’s why: I usually write the Saturday post on Friday and I decided to attend one of the New Orleans marches against the incoming maladministration. I hope that everyone who marches this weekend will engage in practical politics during the Insult Comedian’s misrule. I’m reminded of Barney Frank’s aphorism: liberals protest, conservatives vote. The time has come for us to do both. I’ll write about the local festivities on Monday.

The good news for Odds & Sods irregulars is that I *have* selected a theme song and it’s a doozy. The lyrics of 21st Century Schizoid Man were written by Pete Sinfield and the music by the members of King Crimson Mach One: Robert Fripp, Greg Lake, Ian McDonald, and Michael Giles. It’s a dark and gloomy prog-rock anthem that’s just as relevant today as when it was first recorded in 1969. The lyrics certainly are:

Cat’s foot iron claw
Neuro-surgeons scream for more
At paranoia’s poison door
Twenty first century schizoid man

Blood rack barbed wire
Politicians’ funeral pyre
Innocents raped with napalm fire
Twenty first century schizoid man

Death seed blind man’s greed
Poets’ starving children bleed
Nothing he’s got he really needs
Twenty first century schizoid man

We begin with the original version from In The Court Of The Crimson King. Its classic screaming man cover was featured in an early edition of Album Cover Art Wednesday:

Let’s move on to a live version from King Crimson Mach 3. It’s my favorite KC band: John Wetton bass and vocals, David Cross on violin, Bill Bruford on percussion alongside founding member/band leader Robert Fripp on lead guitar.

Greg Lake sang lead on the original studio recording and trotted it out from time-to-time onstage with ELP:

I had one recurring segment prepared and since it features one of the other founders of prog, I thought it was best to leave in it. I don’t want Roger Waters going off on me, after all.

Saturday Classic: Pink Floyd did a one-off reunion of its classic line-up in 2005. David Gilmour and Roger Waters briefly buried the hatchet before resuming their feud.

That’s it for this week. Now that the lunatic is on the White House grass, I’ll see you on the dark side of the moon. Below is a reminder of better times. I already miss Uncle Joe.

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Saturday Odds & Sods: Don’t Dream It’s Over

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Everything Is Topsy Turvy by Goya.

It’s been a gloomy week in New Orleans and across America. The reality of who and what the next President is has started sinking in. It’s no longer an abstract concept: a man who is as erratic as New Orleans winter weather is about to be in charge of the IRS, military, FBI, and other law enforcement agencies. The intelligence community is in open-not covert-revolt, which is astonishing given that a Republican administration is coming to power. Spooks usually love GOPers. We are well and truly through the looking glass.

Goya was right: everything *is* topsy turvy. I find myself in agreement about the Insult Comedian with dissident neo-cons such as Max Boot. I have even praised a piece Boot wrote for the NYT wondering if Trump was a modern Manchurian Candidate. I’d rather give Max the Boot, but in a crisis you take your allies where you find them. They keep popping up in the oddest places.

As you can tell, I’m not in the mood for a full-blown Odds & Sods extravaganza. I’ve been battling a cold all week while still writing some pretty good stuff. I plan to keep this post terser than a Hemingway sentence. I may even grown a beard, but please don’t call me Papa or hold me to the short sentence thing.

This week’s theme song comes from the great Neil Finn and Crowded House. Don’t Dream It’s Over has a world-weary, anthemic quality that suits my mood as does the opening stanza:

There is freedom within, there is freedom without
Try to catch the deluge in a paper cup
There’s a battle ahead, many battles are lost
But you’ll never see the end of the road
While you’re traveling with me

We begin with the original Crowdies video that helped the song become a world wide smash as opposed to Letterman’s production company, World Wide Pants:

Crowded House is one of the bands that had a “farewell” concert before the inevitable regrouping a mere 10 years later. The setting was dramatic: the Sydney Opera House. It was also the late Paul Hester’s last waltz with the band. I still miss his zany and madcap antics as well as his stellar drumming.

Don’t Dream It’s Over has been covered quite a few times; even on the teevee show, Glee. That was a nice pay-day for Neil but I prefer Diana Krall’s take on the song. Cue string section:

That’s it for this week. If you’re like me, you feel a bit lost as the news of Russian spying rushes by. That feeling, plus Athenae’s great Hemingway post, has me pondering the Lost Generation of the 1920’s That’s why I’m giving Hemingway and his frenemy Scott Fitzgerald the last word.

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Saturday Odds & Sods: Born Under A Bad Sign

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Tollan, Aztec Legend by Marsden Hartley, 1933.

The only predictable thing about the weather in New Orleans to start the new year has been its unpredictability. It’s been warm and muggy, wet and damp, foggy and chilly. You name it, we’ve had it, except, that is, for snow. The last time it snowed here was in 2008. Thousands of pictures were taken of the St. Charles street car in the snow. It melted quickly and hasn’t happened since. So it goes.

It was Twelfth Night yesterday, which means that we can finally eat king cake, and, more importantly, hang our krewe flags on our houses. I’ve been wanting to fly the Spank flag for months but Dr. A wouldn’t hear of it until yesterday. So it goes.

Here’s the flag with Dennie the den of Muses cat:

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End of laginappe Carnival catblogging, make that reblogging. If you blog long enough you end up repeating yourself, repeating yourself, repeating yourself…

This week’s theme song, Born Under A Bad Sign, was written for blues great Albert King by Stax Records legends William Bell and Booker T. Jones. It seems to fit the mood of at least half the country as we contemplate the next administration. I’m not sure whether to feel cursed or resigned but I’m certain that the shit brought to the surface in 2016 will continue to stink. Shit’s a funny thing, no matter how you disguise it, it smells just as bad. So it goes.

We begin with a version King recorded in New Orleans in 1978, produced by Allen Toussaint:

We continue with an instrumental version by the man who wrote the music:

Finally, a swell 1993 rendition by the great Paul Rodgers:

Now that we’ve admitted to being down since we began to crawl, we’ll shoot for a rebirth (no, not the brass band or the pale ale) after the break.

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