Category Archives: New Orleans

Saturday Odds & Sods: Pearl Of The Quarter

Krewe du Vieux 2019

Krewe du Vieux ate my week and the Krewe of Spank whuppped my ass. Today is the big day, which is why this week’s entry qualifies as a placeholder. If you want to re-read Confessions Of A Krewe du Vieux Member to get into the spirit of the occasion, there’s no time like the present.

This week’s theme song was written by Walter Becker and Donald Fagen in 1973. It’s one of my favorite Steely Dan album tracks. It’s the touching tale of a man in love with a French Quarter prostitute named Louise. Ooh la la.

We have two versions for your listening pleasure: the steel guitar driven Steely Dan original followed by a swell 2013 cover by Boz Scaggs:

That’s it for this week. The closing bat meme is a picture taken by Dr. A near the Den of Muses.

The last word goes to the Neville Brothers:

Valentine’s Day In New Orleans

I’m not big on Hallmark card holidays. My mother used to make fun of Mother’s Day and thought Valentine’s Day was silly. Her stock line about the former was: “It’s always mother’s day in this family.” Mom’s attitude about Hallmark card holidays prepared me for Valentine’s Day in New Orleans.

Valentine’s Day typically takes place during Carnival and I think you know what my priority is. The good news is that my awesome wife, Dr. A, agrees. In fact, Krewe du Vieux has marched on Valentine’s Day several times during its history.

We will spend today working on our costumes for the big day. And we will spend tonight with 53 of our closest friends as it’s Spank throws distribution night. Our theme is still top-secret. I wouldn’t even allow Slumlord Jared access. Unless, that is, he bribed me. I am easily corrupted. What else would you expect from a Greek guy who lives in the Gret Stet of Louisiana?

There’s an image going around social media that sums up New Orleans’ relationship with Valentine’s Day:

Holy St. Valentine’s Day Massacre, Batman.

Finally a message for Dr. A. As Maybe Cousin Telly would surely say at this point:

Album Cover Art Wednesday: Struttin’

Urban roosters are popular in New Orleans right now. The Meters were ahead of the trend with the cover of this 1970 LP released by Josie Records.

Struttin’ was the first Meters albums to feature vocals. The back cover promotes their first two releases, which was not uncommon back in the day. Dig the crazy striped bell bottoms.

Here are two tracks from the album:

 

Pulp Fiction Thursday: New Orleans Mourning/The Axeman’s Jazz

I rarely post any book  covers released after 1970 but there are always exceptions. These two novels by Julie Smith are set in New Orleans. And 1990’s New Orleans Mourning features a spectacular crime: Rex, King of Carnival, is murdered on his float on Mardi Gras day.

Bayou Brief: Confessions Of A Krewe du Vieux Member

Carnival 2019 is as long as Anthony Davis’ arms. Unlike AD it doesn’t want to be traded to the Lakers. I’m not sure what LeBron would make of this on his home court:

Earlier today my latest piece for the Bayou Brief went live: Confessions Of A Krewe du Vieux Member. It’s a photo essay about my life and times as a member of Krewe du Vieux; something y’all have heard me go on about here at First Draft.

I picked the title because it’s catchy not because I confess to all that much. I must confess that it’s a relief not to write about a certain asshole president* who lied his way through the SOTU. I didn’t watch. Dr. A and I were babysitting our de facto nieces and nephew aka the Child Army. There was, however, snark and shade involved:

That’s why her nickname is the Benevolent Dictator. In the immortal words of Rodney Dangerfield, I don’t get no respect. It’s an open question as to whether I deserve any.

The last word goes to Jay McShann and the Rolling Stones with this confessional classic:

Saturday Odds & Sods: Rainy Night In Georgia

Hummingbirds by Walter Inglis Anderson

The Super Bowl  will be played tomorrow in Atlanta, but ratings in New Orleans will be abysmal because of the infamous blown call. The game is being boycotted by most locals: Dr. A and I are going to two non-watching parties. I’m unsure if NFL Commissioner Roger Goodell will be burnt in effigy at either soiree. One of them is a birthday party so perhaps there will be a Goodell pinata. Probably not: my friends Clay and Candice have a small child and the sight of Goodell is traumatic to most New Orleanians.

New Orleans and Atlanta have a longstanding and intense rivalry. And not just in football. They’ve topped us economically but we have better food as well as charm up the proverbial wazoo. Saints fans are also disappointed not to be Super Bowling in Atlanta because they’re losing out on some trash talking opportunities. So it goes.

This week’s theme song was written in 1967 by Louisiana native Tony Joe White who died last fall at the age of 75. Rainy Night In Georgia is a song that proves the adage that the best songs are sad songs: “looks like it’s raining all over the world.”

We have three versions for your listening pleasure: the songwriter’s original, Brook Benton’s 1970 hit version, and a mournful 2013 interpretation by Boz Scaggs.

Let’s put away our umbrellas and jump to the break. We’ll try not to splash land.

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Saturday Odds & Sods: Back To Black

Bird Collage by Max Ernst

It was overwrought drama week in New Orleans. Saints fans are genuinely angry in the aftermath of the blown call but things have gotten silly. There’s a futile lawsuit filed by lawyer Frank D’Amico who advertises his services on the tube. He’s getting some free publicity by filing what is best described as a “feel-good frivolous” lawsuit seeking a Saints-Rams rematch. It has as much chance at success as I have of playing in the NBA.

My Congressman, Cedric Richmond, is doing a major pander by threatening a Congressional hearing over the blown call. Hey, Cedric, we’re having a constitutional crisis, and you want to spend time grilling Roger Goddam Goodell?

This week’s theme song was written in 2007 by Amy Winehouse and Mark Ronson. Black To Black was the title track of Amy’s final studio album and the sub-title of the great documentary about her life. We have two versions for your listening pleasure:

While we’re at it, let’s throw two more blackened songs into the musical skillet:

Did I really use the term musical skillet? I must be slipping. Speaking of which, let’s slip away and jump to the break.

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America Held Hostage Day 31

The Trump shutdown goes on and on and on. As does the president* himself: he tweeted 40 times yesterday according to Politico.

The Insult Comedian’s attempt to impose a “compromise” flopped. Bigly. It’s what happens when the “negotiations” involve only Republicans. It pissed off anti-immigration hardliners and was rejected out of hand by Nancy Smash *before* Trump spoke. She continues to play contract bridge while the president* plays go-fish.

The Turtle finally poked his head out of his shell but the proposal went nowhere Saturday and will not get 60 votes in the Senate. Democrats remain united even though reports of suffering federal employees are painful. We can’t negotiate with a gun pointed at our heads. If we give in, Trump will pull this stunt over and over again.

It’s Martin Luther King Day everywhere in the country except in Mississippi and Alabama where it’s MLK/Robert E. Lee Day. The Lost Cause dream dies hard in the cradle of the confederacy. I wonder if Jeff Beau Sessions is wearing gray today?

It’s “we wuz robbed” day in New Orleans after that egregious blown call in the NFC Championship game. There are even calls for a Saints parade on Super Bowl Sunday. I’m not crazy about the idea. I’d prefer placing the refs in the stocks and pelting them with stale King Cake, but that’s just me. Vengeance is sticky…

That concludes this edition of America Held Hostage. The last word goes to U2:

Saturday Odds & Sods: Drinking Again

Subway Portrait by Walker Evans

The weather roller coaster continues in New Orleans but nobody cares because the Saints are playing the Rams in the NFC championship game tomorrow. Our loud fans are bound to blow the roof off the Superdome and it’s going to be raucous everywhere in town. There’s some overconfidence among the fans but very little on the team itself. I still refuse to say Who Dat but I will say Geaux Saints.

In other local news, the Rolling Stones are playing Jazz Fest. I’ve seen the Stones 6 times, but I’m not shelling out $185 for their special day, which is especially expensive. I may just have to listen for free from my top-secret location nearby. Here’s my  only comment on the continuing gentrification of Jazz Fest:

This week’s theme song, Drinking Again, was written in 1962 by Johnny Mercer and Doris Tauber. We have versions by two of the greatest singers ever: Aretha Franklin and Francis Albert Sinatra. Bottoms up.

The song was reworked in 1968 by the Jeff Beck Group:

I hope you’re not too tipsy to jump to the break.

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Tweets Of The Day: Protest NOLA Style

The Insult Comedian came to Nashville New Orleans today. I wasn’t able to attend the protest but some very talented people did.

The tweets come from some local media types who covered the protest.. We begin with two food oriented tweets from the Gambit Tabloid:

Here’s a close up of the guillotine from the Advocates’s Jeff Adelson:

I’ve saved the best for last: a Krewe du Vieux worthy mini-float that the unknown (to me) artist calls Fat Man and Little Boy after the first two nukes, They’re definitely da bomb.

Finally, after a shaky start the Saints beat the Eagles 20-14. Next up are the Rams in the NFC Championship Game. We’ll see if Jared Goff handles the crowd noise better than Nick Foles. We witnessed a Foles fail yesterday and it wasn’t even the fall.

I still refuse to say Who Dat but I will say GEAUX SAINTS.

Saturday Odds & Sods: Because The Night

Twelfth Night Revelers Pageant Design by Charles Briton, 1871

Carnival is in its early stages but it’s beginning to eat my life. That may sound cannibalistic but I’ve always been fascinated by the Donner Party, so I’m down with cannibals. But I was never big on the band Fine Young Cannibals. I like music with more bite. All FYC ever did was was drive me crazy. Hmm, FYC sounds like KFC and you know what they say about chicken…

Last Sunday was Twelfth Night proper so Dr. A and I attended the launch party of a new business owned by our friends Will and Jennifer Samuels. It’s called the King Cake Hub and they sell a wide variety of King Cake from numerous local bakeries. And New Orleanians are obsessed with King Cake.

The King Cake Hub’s location has added to the local interest: the Mortuary at 4800 Canal Street. It used to be a genuine mortuary and is currently home to an elaborate haunted house every fall. If you don’t believe me, it’s picture time:

I knew Will before he became a King Cake impresario and was a pizza man; not to be confused with Frank Furillo of Hill Street Blues. I wish him well in his new venture. End of semi-shameless unpaid commercial plug.

Henceforth there shall be no more shilling. Isn’t “thou shall not shill” one of The Ten Commandments of Love?

This week’s theme song, Because The Night, has something of a checkered history:

The song was originally recorded by Bruce Springsteen during sessions for his Darkness on the Edge of Town album. He was not satisfied with the song and later declared he already knew he wasn’t going to finish it since it was “a[nother] love song”; the Patti Smith Group was working on Easter in the studio next door, with engineer/producer Jimmy Iovine working on both albums. Iovine gave Smith a tape of the song, she recast it, and it was included on Easter, becoming the first single released from that album.

We have three versions for your listening pleasure: Patti’s version, Bruce and the E Street live in 2012, and Bruce and Patti teaming up with U2.

WARNING: BONO ALERT.

If that Bono sighting doesn’t make you want to jump to the break, I don’t know what will. So, follow me, trail along.

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Tweet Of The Day: Louisiana 1993

The Insult Comedian is coming to the Gret Stet of Louisiana next week. He’ll be speaking at the Farm Bureau convention at the Morial Convention Center. Since New Orleans is one of the bluest cities in the country, there will be protesters. I may be among them.

That brings me to the tweet of the day. Thanks to my blogger buddy and Spank krewe mate, Noladishu, for sending this my way:

Trump’s casino bid crapped out.

Album Cover Art Wednesday: The New Lee Dorsey

This 1966 album by New Orleans R&B singer and auto mechanic, Lee Dorsey, was produced by Allen Toussaint who also wrote 11 of the 12 tunes. The backing band was a combo you might have heard of: the Meters.

The full album is not on YouTube so the big hits will have to do:

 

 

Saturday Odds & Sods: What Can I Say

Golden Gate Before The Bridge by Ansel Adams

We’re having typical early January weather thus far in 2019: gray, gloomy, foggy, damp, and chilly. Some days I’m not sure if we should run the AC or heater. The cats prefer heat but they don’t have a vote.

I’m still warding off the lingering effects of the Broccolini cold. It was a whopper and I’m not referring to the candy. I wonder if that qualifies as a Malteser, which is the brand name for malted milk balls in the U.K. I should probably do some form of penance for that joke but I’ll get on with the post instead.

I realize that it was a bit creepy that I included a Captain & Tennile album cover in my Gone To The Dogs post earlier the same day that Daryl Dragon died. If you think I have premonitive powers, you’re barking up the wrong tree. I barely have first sight, let alone second sight.

I’ve been listening to a lot of Boz Scaggs lately. Boz deserves the sort of revival that his fellow “blue-eyed soul” singer Daryl Hall has gotten. Hall & Oates never recorded an album as good as 1976’s Silk Degrees, after all.

This week’s theme song, What Can I Say, is the opening track of the aforementioned album. What can I say? I like it.

Now that I given you silk degrees in lieu of the second degree, let’s jump to the break.

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Saturday Odds & Sods: Elf’s Lament

House on Tchoupitoulas Street by Dr. A

I was under the weather for several days, which means that this week’s outing will be somewhat truncated. I don’t have the full Odds & Sods spirit but I’m working on the Christmas spirit. It’s hard for someone inclined to root for Scrooge, the Grinch, and Mr. Potter but I’m giving it the old school try. I’m not quite sure which old school to apply to.

The featured image is a picture of a house a few blocks away from Adrastos World HQ. It’s always seasonally decorated by the elderly black lady who lives there with her son. During Carnival, they like to blast old school soul music. Good god, y’all.

This week’s theme song was written in 2004 by Ed Robertson for Barenaked for the Holidays. The studio version features a guest appearance by crooner Michael Bublé.  It’s unknown if Bublé brought bubbly to the session. The live version flat out rocks in an elvish way.

I’m still a bit enervated from my malady but let’s jump to the break anyway. Hopefully, that pesky Santa and his sleigh won’t be in the way. Neither Donner not Vixen likes me at all. I find Vixen vexatious so the feeling is mutual.

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Saturday Odds & Sods: Tangled Up In Blue

The Large Blue Horses by Franz Marc.

The weather has been wild and wacky in New Orleans. It was 80 degrees last weekend, then it plummeted to a day time high of 50 a mere two days later. It’s like being an extra in The Pit and The Pendulum. I have no idea what that means but it sounds good.

We had some car trouble this week. We convinced ourselves we might have major electrical issues. It turned out the car needed a new battery. Whew. Dr. A has named the new used car Hildy, after Rosalind Russell’s character in His Girl Friday. Neither Cary Grant nor Ralph Bellamy were consulted.

Am I allowed to brag? I promise not to go all Insult Comedian on your asses. The response to my Neelyisms: Translating Louisiana’s Junior Senator piece has been very favorable indeed. Thanks, y’all. I hope it will further one of my quirkier causes: getting people to stop calling him by his real name instead of my nickname for him. Repeat after me:  In politics, there’s only one John Kennedy, and his middle initial was F, not N. Just call him Neely.

This week’s theme song was written by Bob Dylan for his great 1975 album Blood on the Tracks. Tangled Up In Blue is one of my favorite Dylan tunes. It’s an almost foolproof song, which is why it has been covered so many times.

We have three versions for your listening pleasure: Dylan’s original, a 2017 cover by Joan Osborne, and a live version by the Jerry Garcia Band.

Now that we’re all tangled up, let’s jump to the break. I hope I can find my blue ripcord.

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Saturday Odds & Sods: Holiday

The Stillness Of Time by Salvador Dali

I originally thought I’d be able to write a full-blown Odds & Sods post this week. I was wrong. We spent Turkey Day pinballing from New Orleans to Baton Rouge and back again. Unlike Tommy, I’m not a deaf, dumb, and blind Pinball Wizard but I *am* stiff and sore from sitting in the car in heavy traffic and our pre and post Saints game hikes.

The Saintsgiving game was a bigger rout than the 31-17 final score indicates. The Saints-Falcons rivalry is intense but this isn’t the Dirty Birds’ year. It belongs to the New Orleans Saints. This is a special team: they’re fun to watch and have fun playing. The players are as likely to break out in random acts of dancing as the fans. This Saints team seems determined to put the fun back in the No Fun League.

The fans do their bit to support the team by getting LOUD. Check out the decibel level when the Falcons had the ball:

That’s Who concert loud, y’all. I kept waiting for them to play Long Live Rock There was the obligatory We Will Rock You sighting (sounding?) as well.

This week’s Saturday post may be truncated but we do have a theme song as well as a follow-up by the same artist. Ray Davies wrote Holiday for the klassic Kinks album Muswell Hillbillies. The follow-up comes from the Kinks underrated concept album, Soap Opera. Every time I hear Holiday Romance, I visualize Astaire and Rogers gliding across the dance floor.

That’s it for this abbreviated edition of Saturday Odds & Sods. I opened the post with a Salvador Dali painting. Let’s close things out with a picture of Dali and Alfred Hitchcock who are presumably discussing the dream sequence conceived by the artist for Spellbound.

Saturday Odds & Sods: Afterglow

San Giorgio Maggiore At Dusk by Claude Monet

The weird weather continues in New Orleans. We seem to have skipped fall and gone straight to winter. One day we ran the AC, the next the heater. As you saw yesterday, the cats are happy. They love blankets and space heaters. I could do without either. I hate the cold; a stance befitting someone who has lived most of their life in California and Louisiana.

The other down side of cold weather NOLA-style is that public places crank up the heat. I strolled to the grocery store the other day dressed for the great outdoors, I returned a sweaty mess since I had to walk fast to avoid the Valence Street rooster. I’m not a fan of chickens and this one is on the aggressive side.  I’d rather eat them than dodge them.

This week’s theme song was written by Tony Banks in 1976 for Genesis’ last pure prog album, Wind & Wuthering. Afterglow is a drop dead gorgeous song that closes the album as well as an era. It’s the last Genesis album featuring lead guitar player Steve Hackett who was missed almost as much by the band’s fans as Peter Gabriel.

We have two versions for your listening pleasure: the Genesis original followed by the Classic Rock String Quartet.

Now that we’re afterglowing, let’s jump to the break. I promise a soft landing.

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Bayou Brief Briefs

My latest opinion piece for the Bayou Brief is online: The “Why Not Me” Syndrome. Here’s the blurb my editor/publisher, Lamar White Jr., wrote for it:

Peter Athas argues that in the age of Trump, former New Orleans Mayor Mitch Landrieu has a compelling reason to look at the presidency and think, “Why not me?”

Lamar did some snazzy editing too. I particularly liked the Cheat Sheet to my Louisiana Lexicography. Gracias, amigo.

Speaking of Lamar, he’s made news as the guy who posted a video of Mississippi Senator Cindy Hyde-Smith making a “joke” about hanging. It was neither funny nor a joke. It showed the Senator’s Miz Hyde side. Thanks to the Insult Comedian, open racism is back in fashion.

Follow this link to Lamar’s post at The Bayou Brief: Cindy Hyde-Smith Was Not Telling A Joke.

Saturday Odds & Sods: Running On Empty

Carnival Tryptich by Max Beckmann

It’s been an uneasy week in the Big Easy. There’s much outrage at the local utility company, Entergy, for hiring actors to attend City Council meetings. The company has made it worse by continuing to lie about it. It’s called Astroturfing, it’s not illegal it’s just sleazy. The more Entergy lies, the longer the story persists. Lying seems to be contagious in the age of Trump. Knock it off, y’all.

In other Gret Stet news, we’re voting on a constitutional amendment to end non-unanimous jury verdicts. Louisiana and Oregon are the only two states that have this system and we’re in a race for repeal. The odds are good that voters will end the practice next Tuesday: there’s broad bi-partisan support for the change. It’s good when the Gret Stet good guys win one. In fact, it’s great. Hopefully, that Tony the Tiger-ish sentiment will help LSU when they play Alabama tonight. Geaux Tigers.

This week’s theme song, Running On Empty, was written and recorded by Jackson Browne in 1977. It’s been used in two movies: Forrest Gump and gave Sidney Lumet’s great 1988 movie its title. We’ll have more about *that* Running On Empty after the jump.

We have two versions for your listening pleasure. Both feature brilliant lap steel playing by the great David Lindley of whom I’ll have more to say at the end of the post. Holy previews, Batman.

We may be low on gas but there’s enough in the tank to jump to the break.

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