Category Archives: Comedy

Saturday Odds & Sods: In The Still Of The Night

Contrasting Sounds by Wasilly Kandinsky.

It’s been an eventful week in New Orleans. The city celebrated its 300th anniversary and inaugurated our first woman mayor. I expressed my reservations about Mayor LaToya Cantrell on ye olde tweeter tube:

The slogans included “We are woke” and “We will be intentional.” I’m uncertain if that’s intentional grounding or an intentional walk. I dislike the latter baseball tactic as much as exclamation points. I still wish the new mayor well. Her propensity to mangle the language is good for the satire business, and there’s no business like giving a politician the business. I believe in taking care of business, every day, every way.

This week’s theme song, In The Still Of The Night, was written by Cole Porter in 1937 for the MGM movie musical, Rosalie. It was first sung by Nelson Eddy who was in a shit ton of hokey costume movie operettas with Jeanette MacDonald. I am not a fan of the duo but I am a die-hard Cole Porter fan as evinced by the frequent appearance of his work as Odds & Sods theme songs. I considered counting them but I’m feeling as lazy as the president* today. Where did all my executive time go?

We have two versions of the Porter classic for your entertainment. First, the elegant jazz-pop baritone Billy Eckstine aka the Voice of God.

Second, the Neville Brothers featuring some gorgeous sax playing by Charles Neville. He was an acquaintance of mine. Charles died recently at the age of 79. He was a lovely man with a kind word for everyone he met.

It’s time for a journey to Disambiguation City. Fred Parris wrote *his* In The Still Of The Night for his doo-wop group The Five Satins in 1956.

Yeah, I know, Boyz II Men also had a hit with the Parrisian song but I’m not going there. Instead, let’s jump to the break. Now where the hell did I put my parachute?

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Saturday Odds & Sods: Hanging Upside Down

Self Portrait with Halo by Paul Gaugin.

Early summer has arrived in New Orleans. This week featured temperatures in the 80’s as well as the return of Formosan termite swarms who are more annoying than the average tourist. I realize I write a lot about the weather in this space. I became weather obsessed after a certain event in August, 2005. Can you blame me?

This week’s theme song comes from the David Byrne songbook. We saw him at Jazz Fest last Sunday. I’ll review it after the jump. He didn’t play Hanging Upside Down but it’s one of my favorite tunes from his salsa influenced period. It rocks with a jazzy Brazilian beat.

Now that I’ve hung you upside down to dry or some such shit, let’s jump to the break.

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You Beto Your Life

It’s time to revisit the Texas senate race. Beto O’Rourke remains the underdog but I’m glad people are taking a flyer on his candidacy. If there was ever a year to try to win a statewide race in Texas, 2018 is the year. Besides, what would be sweeter than bloodying Tailgunner Ted’s nose even if he survives? It’s win-win.

I have a suggestion for the Beto Bunch. It’s in the nature of a stunt. Those of us who are old enough to have voted in 1992 should recall Chicken George. He was the dude in the chicken suit who followed Poppy Bush around. The chicken came out of the coop when Poppy initially refused to debate. It was a Democratic stunt to bug Bush and benefit the Clinton campaign. It worked.

I think the gag could be updated but with a retro twist. Not only a retro twist but another pun on the Congressman’s nickname. Puns are important, y’all.

Let me clarify something: I may be old but I’m not old enough to have seen You Bet Your Life when it first aired. I saw the re-runs. Ya got that? I don’t want to have to make like the late R Lee Ermey and go Full Metal Jacket on your asses.

Back to Grouco Marx. Anyone who has ever seen his venerable quiz show knows that there was a secret word, when a contestant said it, a duck puppet dropped down and the contestant won some cold, hard cash. The duck puppet/muppet/marionette, whatever it was, looked like Groucho and evoked Duck Soup as opposed to Daffy Duck or Duck Dunn.

I suspect you’re wondering where the 2018 tie-in is. Here it is: the Beto Bunch should station a dude in a duck suit at every Cruz event. He could carry a pole with a You Bet Your Life style duck marionette that looks, not like Groucho, but like Rafael Edward Cruz. Every time Ted lies or mentions the name Donald Trump, the Duck Dude can quack and wave the marionette.

As a reminder of Cruzian spinelessness, there could also be a sidekick waving a placard with these National Enquirer front pages:

On second thought, the placard is probably a bad idea. Some of Cruz’s supporters may be packing heat and if it’s duck season, the Duck Dude and sidekick could be in deep doo doo like Daffy.

Duck Elmer GIF - Find & Share on GIPHY

This proposed stunt is a bit complicated and I realize not everyone will get the joke, but I like to be helpful. Maybe the Duck Dude could duck and cover when Cruz advocates bombing a country. The possibilities are endless as well as endlessly silly.

The last word goes to the Kinks:

Saturday Odds & Sods: Caravan

The Egg by Tarsila do Amaral.

We suffered from weather whiplash in New Orleans this week. It was 84 degrees on Monday within 36 hours the temperature had dropped 40 degrees. My, my, my.

It’s election day in next door Jefferson Parish where they’re about to elect a new Sheriff. Long-time incumbent Newell Normand resigned last summer to become a talk radio big mouth. I don’t get talk radio: the idea of listening to anyone bloviate for three hours does not float my boat. It might even sink it.

The one certainty of the race is that a Republican with an Italian name will be elected. Interim Sheriff Joe Lopinto was anointed by Normand who, in turn, was anointed by the late Harry Lee. His opponent, John Fortunato, was the department spokescop for many years. He’s best known for bringing Steven Seagal and his crappy reality cop show, Lawman, to Jefferson Parish.

If Lopinto wins, it may be down to an error made on live teevee by Fortunato. He said that he’d support pervy parish President Mike Yenni about whom I’ve written in this space. Oopsie. He changed his mind but the damage was done. This ad tying the unfortunate Fortunato to Yenni has been running constantly this week:

It’s a powerful job and Lopinto has momentum as the campaign winds down. Winning the election could be a guarantee of lifelong employment: Lopinto is only the fourth Sheriff since 1964.

Welcome to Disambiguation City with this week’s theme song. (It’s not far from Sufragette City. Wham, bam, thank you m’am.) We have three different songs titled Caravan for your listening pleasure. I give you in chronological order: Duke Ellington, Van Morrison with The Band, and Todd Rundgren and Utopia.

Now that we’ve ridden across Eastern Europe with a Romany/Gypsy caravan, it’s time to jump to the break. Happy landings.

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First Draft Potpourri: Carrey On, Wayward Sons

There’s something about Surrealist art that fits our moment in time. Surrealism came of age during the 1920’s and ’30’s in Europe. They were crazy times with rampant political instability after what one historian called The Fall of Eagles, I’d call it the overthrow of stupid hereditary monarchies who lost the Great War. Of course, what followed was worse: Nazism in Germany and Bolshevism in Russia. Things can always get worse, y’all. They can also get better. It’s why I’m a political surrealist nowadays. It’s a survival tactic.

Surrealism was not an overtly political movement: there were right-wing surrealists-Dali and di Chirico-and left-wing surrealists such as Max Ernst who came to America as a political refugee from Nazi Germany. That’s a long-winded explanation for why I’ve used an Ernst collage as the featured art for this feature in the past, and today am using a Magritte painting that I’ve nicknamed the Dumbbell Caveman, which is perfect for the Current Occupant. Believe me.

I should apologize for going down that rabbit hole but I enjoyed it too much to grovel in the gravel as it were. Or was it a Bungle In The Jungle? Now that we’ve reached daylight, let’s get on with it. We begin by kinda sorta explaining the post title.

Carrey On, Wayward Son: I’ll explain the plural “sons” in the next segment. Jim Carrey won the tweeter tube this week. The boneless comedian turns out to be a pretty good artist: human toon as cartoonist. His caricature of dread White House press secretary, Sarah Huckabee Sanders, raised some hackles on the right:

Carrey captured Huck’s horrible spawn’s inner ugliness quite well. Wingnuts and the flying monkeys of the right were not amused. Fuck them sideways, they’re the ones who are forever commenting on people’s appearances.

Speaking of flying monkeys:

It’s a pity that the body politic can’t melt its way out of this mess. Alas, Trumpy still has the ruby slippers on or, in his case, the overlong red tie. I guess Fred Trump was too busy practicing housing discrimination to teach Donald how to tie a necktie. Dude, it’s way too long and points at your teeny tiny weenie. Not a good look.

Before ending this segment, let’s take a trip to Kansas:

I always thought the title of this tune was Carry On My Wayward Son. My, my, my. Unlike the Insult Comedian, I learn something new every day. My, my, my.

It’s time to explain the plural “sons” in the post title, as if anyone but me gives a shit. Hint: it involves the Biden-Trump mishigas. They’re the wayward sons in question. My, my, my.

Septuagenarian Smackdown: The president* was in full-tilt WWE wrestling villain mode this morning in response to comments by former Veep Joe Biden:

The most amusing aspect of this stupid spat is that the Failing New York Times covered it in vintage Gray Lady fashion:

Mr. Biden, speaking at a University of Miami rally to combat sexual assault, said, “A guy who ended up becoming our national leader said, ‘I can grab a woman anywhere and she likes it,’ ” according to an Associated Press report. Mr. Biden was referring to an Access Hollywood audio recording in which Mr. Trump is heard boasting about kissing and groping women without their consent. Mr. Biden continued, “If we were in high school, I’d take him behind the gym and beat the hell out of him.”

The back-and-forth blustering between two men in their 70s comes a day after Mr. Trump criticized two of his predecessors, Presidents Barack Obama and George W. Bush, for not being able to improve relations with Russia. And Mr. Trump is facing revived sexual misconduct accusations after a New York state judge ruled that a defamation lawsuit from a woman who has said Mr. Trump made unwanted sexual advances could go forward.

Remember when the right-wing media called Barack Obama’s tan summer suit unpresidential? Not only is this tirade unpresidential, it’s straight out of Dumb and Dumber  or is that Stupid and Stupider?

It’s not exactly presidential for Joey the Shark to talk about opening a can of whoop ass on Trumpy but he’s *our* grumpy old man. I guess that makes him Jack Lemmon. That means Walter Matthau is Trump. I’d like to apologize to the late actor’s family for that analogy. Perhaps I can make up for that by re-posting this image from The Sunshine Boys:

Speaking of unvicepresidential, this 1976 picture of Nelson Rockefeller still floats my boat:

I believe the MSM referred to this as an “untoward gesture.” Rocky was flipping off right-wing hecklers.  And now we have a cartoon villain for president* who panders to the folks who hated his fellow wealthy New Yorker. Oy, just oy.

Let’s circle back to my wee essay on Surrealist artists and give Paul Simon, Rene and Georgette Magritte and their dog the last word:

Saturday Odds & Sods: Heart Of Gold

Tree Of Life by Gustav Klimt.

The weather is playing tricks on us. We’re having February weather in March. That’s fine with me. It beats the hell out of an early New Orleans summer. But the cool temperatures have brought the pollen that torments me in the Spring. Achoo.

In local news, the Mississippi River is on the rise, so it’s time to open the Bonnet Carre Spillway to divert river water into Lake Pontchartrain to prevent flooding. It has me pondering the way folks in South Louisiana pronounce French words. We’re usually off but as not badly as with the Spillway: the local media insist on saying Bonny Carry. That sounds like a blue-haired old lady up river in Duluth. It drives me nuts, y’all. I feel like taking a stroll up Charters (Chartres) Street.

This week’s theme songs are inspired by the layers of golden pollen that are everywhere in Uptown New Orleans. Achoo. Neil Young’s Heart Of Gold was the first of many sonic departures he was to take in his career. It worked: it was Neil’s first big solo hit.

Ray Davies has told two stories about the Kinks’ Heart Of Gold. One is that it was inspired by the birth of his daughter. The other story is that it was inspired by Princess Ann telling some photographers to “naff off.” Only Ray knows for sure. If you asked him, I suspect he’d come up with a third story.

I love Ray’s chorus:

Underneath that rude exterior,
There’s got to be a heart of gold.
Underneath that hard exterior,
Is a little girl waiting to be told,
You’ve got a heart of gold.
She’s got a heart of gold.

Let’s take our rude and hard exteriors and jump to the break. “Watch out, don’t get caught in the crossfire.”

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Album Cover Art Wednesday: Lonesome Echo

The full title of this 1955 LP is Jackie Gleason Presents Lonesome Echo. In addition to his considerable talents as a comic actor, Gleason fancied himself a conductor but not of snooty long hair music. Lonesome Echo is what the Great One called mood music, I’d call it elevator music but it sold well.

The most interesting thing about Lonesome Echo is that the cover art is by Salvador Dali who was a friend of Gleason’s. Here’s how the Catalonian surrealist described the cover in the liner notes:

“The first effect is that of anguish, of space, and of solitude. Secondly, the fragility of the wings of a butterfly, projecting long shadows of late afternoon, reverberates in the landscape like an echo. The feminine element, distant and isolated, forms a perfect triangle with the musical instrument and its other echo, the shell.”

How sweet it is.

Not only did Dali do the cover, he’s on the back cover shaking Jackie’s hand.

And away we go:

The album itself could be prescribed as cure for insomnia. It’s a real snoozer:

Saturday Odds & Sods: Love For Sale

At The Moulin Rouge by Henri de Toulouse-Lautrec.

It’s been a relatively uneventful week at Adrastos World HQ. My cold has gone; only to be replaced by allergies since we’ve gone from winter to late spring without skipping a beat.  It’s hard to believe how damn cold it was just a few weeks ago when we’re slowly moving into air-dish season.  The good news is that a cool front just arrived. It won’t last long but we can dream, dream, dream.

The Toulouse-Lautrec featured image was inspired by a local news story. Last month, some Bourbon Street dancers staged a protest after a police crackdown on strip clubs in the Quarter. They had a lot of support in the community because New Orleans has always had strip clubs and always will. We’ve also always had people who wanted to close or tightly restrict the clubs. The beat goes on.

I suppose I should apologize for using a Cole Porter song for the second time in a month. I decline to do so: Cole was the master. Love For Sale was my earworm when I wrote the Senator For Sale post last Monday. That’s why it’s the theme song. I hope you won’t give me a Cole shoulder for being repetitive…

We have two radically different versions of Porter’s Love For Sale. First,  Anita O’Day’s torchy and sultry version recorded in 1959 with Billy May and his big band. Second, Miles Davis from Kind Of Blue featuring some of his best sidemen: Trane and Cannonball among others.

I should have mentioned the great Bill Evans but he didn’t have a colorful nickname. He was merely a brilliant pianist and arranger.

It’s title disambiguation time. That’s a big word but I bet the brainy members of Talking Heads know it:

Now that I’ve sold you love or some such shit, let’s jump to the break before you demand a refund.

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Saturday Odds & Sods: Night and Day

The Night Cafe by Vincent Van Gogh.

Carnival kicks into full swing this weekend. We’re about to have parades and company up the wazoo. I remain uncertain as to what the wazoo is but I think it’s first cousin to the ying-yang or the place where the moon don’t shine.

One downside of Carnival are the creeps who try to appropriate the public green as their own private space. We call them the Krewe of Chad or Chads for short. For the first time in years, the city decided to enforce the existing ordinances against ladders, couches and such being left on the sidewalks and neutral grounds. The Chads were outraged. They’re always either outraged or entitled hence the 2016 Krewe of Spank theme, Clash of the Entitled.

You may recall the mishigas over the Forever Lee Circle beads.  In a fit of hashtag activism, someone decided to do something about it:

Since we have both night and day parades, I picked a classic for this week’s theme song, Night and Day. It doesn’t get more classic than Cole Porter, y’all. We have two versions for your listening pleasure, Ella Fitzgerald  followed by a swell 1995 version by the Temptations.

Now that we’ve heard the boom, boom of the tom-toms, let’s jump to the break. See you on the other side.

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Album Cover Art Wednesday: Lenny Bruce

I’ve had the legendary “sick” comedian Lenny Bruce on my mind because he shows up in The Marvelous Mrs. Maisel as a character. The fictionalized Lenny bails fellow potty-mouthed comic Midge Maisel out of jail. I’m sure the real Lenny would have done so too. Trivia time: In The Marvelous Mrs. Maisel, Lenny is played by Luke Kirby who played Daniel Holden’s do-gooder lawyer in Rectify. He knows from bailing out people.

Lenny Bruce was the bad boy of comedy in his day. His frequent obscenity arrests led to his being less funny over time. Who could blame him for obsessing over his legal situation?

These albums date from 1958 and 1959 respectively. They capture Lenny as his glorious politically incorrect peak. I use that term in its pre-Trumper sense. They’ve spoiled a perfectly good phrase just like they’ve spoiled everything else. Thanks, Donald.

Who among us doesn’t want to picnic in a graveyard?

If Lenny were alive today, there would be tiki torches on this cover.

It’s lagniappe time. Frank Zappa and the Mothers were Lenny Bruce’s opening act at the Fillmore West in 1966. Here’s the poster:

Finally, here’s The Sick Humor of Lenny Bruce in its entirety:

 

 

Saturday Odds & Sods: Cold Cold Heart

The Messenger Boy by Childe Hassam.

To say that it’s been a crazy week at Adrastos World HQ is an understatement. It’s been crazy even for New Orleans but in a dull as opposed to a lively way. Multiple hard freezes have made a mess of our water system. Our water pressure is lower than the Insult Comedian’s IQ and we’re under a multi-day boil water advisory because of all the broken pipes in the city. I am stoical in the face of this mishigas since our pipes did not burst but it’s a major pain in the keister, booty, butt, hinder, or whatever you call your ass.

Our houses are not built for this weather. My Jazz Age era house is raised on piers and our pipes are under the house, semi-exposed.  It helps the house breathe during our usual severe weather season: the summertime. There’s no way to winterize a semi-tropical burg like New Orleans. And even if we threw billions, that we don’t have, at the problem, it wouldn’t work. We haven’t had a hard freeze since 2015, snow since 2008, and multiple hard freezes since 1995 and 1989. We *do* need to upgrade our drainage and basic water infrastructure but it’s summer that really matters, not the winter. Geography is destiny and we’re destined to have more hot weather than cold. Okay, I’ll dismount my soap box now and play some music.

This week’s theme song is the Hank Williams classic Cold Cold Heart. Why? Because I’m fucking cold, that’s why. I have three versions for your listening pleasure: one from the songwriter as well as renditions by Nat King Cole and Aretha Franklin.

I love Nat’s interpretation. It truly melts my cold cold heart, especially when he plays the Hammond B-3. As the Beatles once allegedly said: “Turn me on, dead man.”

As it’s been hard for me to maintain any writerly rhythm, I’m going to keep it relatively snappy this week. Btw, rhythm is one of those words I am incapable of spelling without consulting  Mr. Google or Otto Correct. I’ve let down Jon Anderson, Trevor Rabin, Chris Squire and the rest of Yes West. Sorry, chaps.

I’m only linking to one article today but it’s a must read for Peanuts fans. I’ll let the Failing NYT icon thingamabob serve as the segment header.

That’s right, it’s been 50 years since Franklin joined the Peanuts gang as a supporting player. Sparky Schulz was reluctant to add a black character because he didn’t want to be accused of tokenism. Then a reader changed his mind:

Mr. Schulz wrote back to Ms. Glickman within two weeks, but only to tell her he couldn’t fulfill her request. He and his fellow white cartoonists, he said, were “afraid that it would look like we were patronizing our Negro friends.” Undaunted, Ms. Glickman sent another note, asking if she could share his letter with black acquaintances. Mr. Schulz assented, though he again expressed reluctance to introduce a black character into “Peanuts.”

Ms. Glickman wasted little time in enlisting her friend Kenneth C. Kelly, a black father of two, who told Mr. Schulz, essentially, to get over his anxiety.

“An accusation of being patronizing would be a small price to pay for the positive results that would accrue!” he wrote. Mr. Kelly suggested that Mr. Schulz begin with a “supernumerary” black character, a de facto extra, who “would quietly and unobtrusively set the stage for a principal character at a later date.” This cautious approach would serve the dual purpose of not burdening Mr. Schulz and “Peanuts” with the duty of making a Major Social Statement and presenting friendship between black and white children as utterly normal.

I halfway expect the Bigot-in-Chief to denounce the Franklinversary as a plot to deprive the blond pianist Schroeder of precious Peanuts panels. Oops, I forgot that he’s the least racist person you’ll ever meet and doesn’t have a racist bone in his body. As if one could find any bones amidst the blubber.

There hasn’t been much to do this week as the city has shutdown because of icy roads but we’ve done some major teevee watching including a smashing Amazon series. Sounds all jungley and shit but it’s not.

The Marvelous Mrs. Maisel is a series created by Amy Sherman-Palladino who is the woman behind Gilmore Girls. I have been told repeatedly over the years that I’d love that show but have yet to view it. I do, however, love Sherman-Palladino’s latest effort.

The Marvelous Mrs. Maisel is set in the late 1950’s and tells the story of Miriam (Midge) Maisel an upper-middle class Jewish housewife who is an aspiring stand-up comedian. A show with the word marvelous in the title had better be good since they’ve provided their own straight line. As Johnny Mercer might say at this point, it’s too marvelous for words, but words are all I got so I’ll keep writing. The show is a winner.

The Marvelous Mrs. Maisel is full of wacky situations and zany characters. It’s chock-full-o-Sheckys. I kept waiting for Buddy Sorrell to show up and insult every bald guy in sight.

The main reason I tuned in is the presence in the cast of Tony Shalhoub as Midge’s eccentric father, Abe Weissman. I know what you’re thinking: he always plays quirky characters. Adrian Monk makes Abe look like Ward Cleaver. Not really but hyperbole is the name of my game.

The writing and acting are superb. It’s a star making role for Rachel Brosnahan as the preternaturally sassy Midge. Alex Bornstein as Midge’s androgynous manager Susie is also a stand out. She reminds me of the writer Fran Lebowitz and is almost as funny.

It’s trailer time:

As I watched The Marvelous Mrs. Maisel,  I kept thinking of Barry Levinson’s great 1990 film Avalon. It’s set in a similar cultural milieu and also stars Kevin Pollack. That’s high praise indeed: Avalon is on my top twenty favorite movies list. Remember: Never cut the turkey without me.

The Marvelous Mrs. Maisel is streaming on Amazon. I give it 4 stars, an Adrastos Grade of A- and a big thumbs up. It has a chance to become a classic.

Saturday GIF Horse: I mentioned my love of Tony Shalhoub’s work. His best known character is the OCD teevee detective Adrian Monk. Here he is tidying things up.

Checkmate? Speaking of Chess Records.

Saturday Classic: The freaky winter weather has given me the blues. Hence this 1963 LP by the great blues harmonicat, Marion Walter Jacobs aka Little Walter.

That’s it for this week. I guess one could say that I came, I thawed, and I conquered. I’m not exactly sure what or how I conquered but that’s my story and I’m sticking to it. The last word goes to Abe Weissman and his kooky daughter, Midge Maisel.

 

 

Saturday Odds & Sods: Eyes Of The World

Train Smoke by Edvard Munch.

It’s going to be another cold weekend in New Orleans. Yesterday’s high temperature was at midnight, and it steadily declined thereby requiring me to layer up; beats the hell out of lawyering up. I’m not sure if I looked more like a seven-layer burrito, a wedding cake, or the Michelin Man. It was a dress rehearsal for today’s den day. The Den of Muses is a warehouse and it holds the cold. Holy Raymond Brrrrrr, Batman.

The big local news is that the Saints won their first playoff game and are playing in the frozen North against the Minnesota Vikings. I’m glad it’s in a domed stadium for two reasons. First, many New Orleanians are attending the game and we’re not used to the arctic cold. Second, a domed stadium is the Saints natural habitat: Drew Brees is one of the greatest indoor athletes ever. Hmm, that sounds naughty but you know what I mean. I hope all the Packers fans out there are rooting for my guys.

I chose a lesser known painting by the Norwegian artist Edvard Munch because it’s bloody cold and I mocked Norwegian food on Thursday. The post title is one of my better efforts so it bears repeating: Shithead Says Shithole.

Munch’s most famous painting is, of course, The Scream. When Dr. A was writing her doctoral dissertation, she had a blow up doll of The Scream dude in her office as a stress reliever. She passed it on to our friend Dr. Bonster so she could do likewise. I’m not sure what happened to the blow-up screamster. Perhaps it ended up in the office of Richard Belzer who played Detective John Munch on Homicide and Law & Order SUV. I’ve always wondered what kind of SUV it is: a Ford Exploder? Yeah, I know it’s SVU but it’s a pun I’ve been making for years and you know how I am.

January in my house means the music of the Grateful Dead. I’ve been indoctrinating young Paul Drake in the ways of the Deadhead and he seems down with it. This week’s theme song was written by Jerry Garcia and Robert Hunter in 1974 and became a fixture on the band’s, and its spin-offs, set list. First up is the studio version from Wake of the Flood followed by an epic 1990 live version with Branford Marsalis on saxophone. I could call it When Homies Collide but I won’t. Oops, guess I just did. Never mind.

Now that we’ve awakened to discover the new day or some such shit, let’s jump to the break. We better make it snappy after that awkward paraphrase of Robert Hunter’s lyrics.

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Headline Of The Day: The Power of the Butt

I’ve been feuding with the Times-Picayune/NOLA.com since the great purge of 2012. I doubt that they’ve noticed but I’ve enjoyed deriding them as the Zombie-Picayune since they “moved their focus to digital” and began “robustly” firing people left and right.

This year there was a Christmas miracle as the Zombie-Picayune published a front page that I can get behind:

That’s right, Saints Cornerback Marshon Lattimore intercepted a pass thrown by Matt Ryan of the hated Falcons with his butt. It’s been described as a “butterception” and a “butt pick” among other things. The consensus has settled on butt pick, which the former Ohio State Buckeye doesn’t like but the internet hath spoken and butt pick it is.

The butt pick helped clinch (clench?) the Saints win over the Dirty Birds. The team has snapped three years of monotonous mediocrity, and looks like a “contender and not a bum.” I like to work in an On The Waterfront reference wherever possible. I’m not sure if “Jesus (Breesus?) is on the docks,” but New Orleanians are hoping for another Super Bowl appearance. Who am I kidding? We want to win it all, y’all.

The great butt pick of 2017 reminded me of a classic Dana Carvey bit on SNL:

That’s Carvey as the late, great George Michael who went on and on about his awesome ass and the power of the butt.

The last word goes to my late countryman George Michael and the video that inspired Carvey’s bootylicious reverie:

Album Cover Art Wednesday: No Respect

I haven’t posted a comedy album cover in this space for quite some time. The drought ends with Rodney Dangerfield’s classic 1980 LP No Respect. The back cover is better than the front but back covers don’t get no respect.

It was hard being Rodney.

Here’s the whole damn LP in two bites:

If Jesus had been born in Wisconsin…

On this hallowed Christmas Eve, everyone in my house is pretty much asleep or trying to pretend to be in hopes of getting out of work in preparation for the Wigilla celebration tonight. As my wife and I kind of muttered our way awake, we ended up on a riff about traditions and food and Wisconsin and suddenly, we were into “What if Jesus were born here?” I did my best to document the answers (and augment with a few additional thoughts), so enjoy regardless of your faith, creed or lack thereof:

If Jesus had been born in Wisconsin:

  • He would have been swaddled in a green and gold blanket, cuddled in a Packer onesie and photographed wearing a cheesehead. Like this poor kid.

 

  • The three kings would have shown up last, having been stuck in construction on I-94 and finding out too late that the Illinois toll booths don’t take gold, frankincense and myrrh.

 

  • The little drummer boy would have been replaced by a kid with an accordion playing this little ditty. (“He’s really big in Sheboygan Falls,” my wife added.)

 

  • His middle name would have been “Bart,” “Brett,” “Aaron” or “Vince.”

 

  • Most of the gifts would have come from the Mars Cheese Castle. Curds. Lots and lots of curds.

 

  • Joseph would have been found two hours later at a local tavern, drinking really shitty beer with about a dozen of his new “best friends.” In other news, Blatz would have immediately made a comeback as “The official beer of the birth of our Lord and Savior.”

 

  • He would have been born in June so Christmas didn’t interfere with hunting season or the NFL playoffs.

 

  • He still would be born in a manger, as we have plenty of farmland, but only because the Motel 6 was overbooked.

 

  • Chicagoans would immediately start explaining how the 1985 Bears Superbowl team is somehow better than this.

 

  • Some drunk uncle would have tried to photograph him clutching a Miller Lite can.

 

  • Joseph’s mother would have immediately asked when they plan to have another one. Mary’s mother would have immediately tried to feed everyone who showed up.

 

  • Had he been born on a Friday, two words: Fish Fry. Also, kids would have started bitching, “Do we have to go to church TWICE this week?”

 

 

  • Only about one-fourth of the businesses that use “Packerland” or “Badgerland” to describe their moving companies or HVAC services would have changed to “Saviorland.”

 

  • Christmas Carols would all be polkas.

 

  • The shepherds would have missed the birth because nobody had plowed Highway 41 yet.

 

  • The manger would have been buried under three feet of snow, taking the family about three days to dig out at which point, some old codger would have shown up and said, “Snow? You call this snow? You should have been here for the blizzard of ’47…”

 

Have a great holiday season.

Doc

Seven Dirty Words, 2017

George Carlin has ascended to satire heaven (he may have opted for hell because “heaven is a place where nothing ever happens”) but his spirit lives on in 2017; inadvertently at least. You may recall Carlin’s classic routine Seven Words You Can Never Say On Television. I’ll put the video up at the end of the post, but here’s the list:

  • Shit
  • Piss
  • Fuck
  • Cunt
  • Cocksucker
  • Motherfucker
  • Tits

Always eager to assist the world of satire, the Trump administration has come up with a list of Seven Words The CDC Can Never Say. That’s Centers for Disease Control, which makes this some serious shit. Here’s the list memed:

It’s a list could only offend a Republican anti-science warrior. You know, the kind of stupid motherfucker who waves a fetus doll around outside Planned Parenthood. These cocksuckers (said in the Deadwood sense of the word) deserve to have the fucking shit kicked out of them until they piss their pants.

I am grateful to whoever at the CDC leaked a list so stupid that it could have been devised by Donald Trump Jr. No cookie for you or your shithead friend Tailgunner Ted, asswipe:

I will endeavour (not in the Baby Morse sense of the word) to write a sentence about that image using the words the CDC is supposed to ban:

I wonder if there’s science-based or evidence-based proof that Junior was dropped on his head by a transgender nanny before or after he was a fetus; if so, it could explain his entitlement and hatred of diversity and vulnerable populations.

Whatever you do, please do not diagram that sentence; even Faulkner would think I was a long-winded motherfucker, scare the piss out of me, and insert a copy of the Carlin list where the moon don’t shine. I live in fear of paper cuts, y’all.

Back to the Seven Words The CDC Can Never Say. There has been major push back from the medical and scientific community. The CDC director even took to the Insult Comedian’s favorite medium:

It’s a pity that she didn’t tweet this out instead:

Jesus tits. What stupid cunt came up with the seven dirty words, 2017 list? They’re moronic motherfuckers and shit-eating, piss-drinking cocksuckers. They can fuck off.

I didn’t count the characters but I think it’s under 280. Who fucking cares? All I care about is the English language and the ability of medical professionals to do their jobs without being censored by the anti-science warriors of the GOP. They should piss off and return to fighting the war against Christmas.

As promised, George Carlin gets the last word with a 1978 variation on the Seven Dirty Words theme:

Fuckin’ A.

Still Winging It With The Insult Comedian

I wrote a post about you know who in December, 2015 that I’m inordinately proud of. It was written when nobody thought Trump had a chance to secure the Republican nomination let alone steal the general election. I did not get that right in Winging It With The Insult Comedian but I nailed his essentially nihilistic and chaotic nature. For some reason, people still do not get it and think that Trump has some sort of nefarious master plan. There is no plan: he’s still winging it.

My belief that Trump is a walking id (a nickname bestowed upon former New Orleans Mayor Ray Nagin by my pal Liprap) is confirmed yet again in an epic piece in the Sunday edition of the Failing New York Times. Here’s the money quote:

“For most of the year, people inside and outside Washington have been convinced that there is a strategy behind Mr. Trump’s actions. But there is seldom a plan apart from pre-emption, self-defense, obsession and impulse.”

There you have it in a wingnut shell. Those who confidently predict that Trump will fire Robert Mueller seem to base it on a wave of recent attacks in right-wing media. They see it as a concerted effort akin to bombing an enemy during wartime before sending in the infantry. There may be a concerted effort but it’s more about convincing the president* to do something stupid and impulsive by firing Bobby Three Sticks than a White House driven strategy. Trump may admire generals but does not govern like one. He lashes out on impulse; usually while watching cable news with his tiny fingers hovering above his phone’s twitter app. Donald don’t do strategy.

Do I think Trump might fire Mueller? Yes I do. In the immortal words of Frank Zappa, “I figure the odds be fifty-fifty.” But it would be stupid and self-defeating because the probe will continue. There’s precedent: Leon Jaworski finished Archibald Cox’s work during Watergate. This sort of complex federal investigation has a life of its own as some of Trump’s less deranged advisers have surely told him. Will he listen? Beats the hell outta me. I don’t know and neither does anyone else.

Trump is still winging it. If he fires Bobby Three Sticks, it will be on impulse after being overstimulated by a specific event such as the inevitable indictment of Slumlord Jared. He’s not going to do so as part of a concerted campaign. He will do it on a whim, which is why he’s so dangerous.

The Insult Comedian’s mercurial nature led to another Adrastos nickname: the Kaiser of Chaos. There’s disorder in the court of the Kaiser. How that’s for a lead in to my Three Stooges test?  Here we go: Trump is 2/3 Moe and 1/3 Curly.  Anyone who says they know what this inherently unstable and unpredictable figure will do might as well poke themselves in the eyes. Nyuk, nyuk, nyuk.  It’s why he’s so dangerous.

Since I hearkened back to an earlier post, let’s close with the featured image I used for it. It still fits:

2015 Cartoon by Steve Bell of the Guardian.

Saturday Odds & Sods: Cold Rain and Snow

It snowed yesterday in the surrounding parishes but not in New Orleans. We just had sleet and gloomy skies. Baton Rouge and rural Tangiapahoa Parish had sustained snowfall. Here’s a message from Mike the Tiger:

The New Orleans media had a snow boner all day long. It was all they talked about. All the teevee people got gussied up in their anoraks and boots. They looked like models in the LL Bean catalog. My favorite snow boner moment came on the WWL morning news:

Repeat after me: snow boner.

The featured image is a venerable postcard showing the 700 block of Canal Street after snowfall in 1895. The last time it snowed in the city was 2008, everyone took pictures of the streetcar in the snow as you can see from this tweet from my friend Katy:

She’s from Minnesota. Say no more.

Repeat after me: snow boner.

This week’s theme song is a “tribute” to the weather. I hate the snow, especially when it falls in a place without any snow removal equipment. I am not an ice person. I do not have a snow boner either.

Cold Rain and Snow is a traditional folk song best known as a staple of the Grateful Dead’s live shows. We have two versions for your amusement. First, the Dead at the 1980 Halloween show emceed by Al Franken and Tom Davis. Sigh. Second, a bluegrass rendition by Del McCoury using an alternate title. I like it with Cold better since I am, in fact, cold right now. I still do not have a snow boner.

Boy howdy. Yeah, boy as the bluegrass types are wont to say.

It’s time to jump to the break. If you have one, be careful not to trip over your snow boner. I should apologize for, uh, beating that joke to death but I won’t. Go ahead and jump.

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Saturday Odds & Sods: Let The Night Fall

Early Sunday Morning by Edward Hopper.

It’s hard to write a full-blown Odds & Sods post during a holiday week so I’m not going to try. I did, however, write about the late New Orleans election and overshare about my past this week so there’s that.

It’s been chilly in these parts lately. I even broke down and turned on the central heat. For some reason, the vents weren’t as dusty as in past years, which means the air inside the house wasn’t as smoky as usual. In the past, I was worried that the original Smokey Bear would show up and harsh my buzz.

I got a free ticket for last Sunday’s Saints home game. One of Dr. A’s favorite colleagues has had end zone seats since Bum Phillips was head coach. The seats are in the first row and the view is spectacular when they’re coming at you. It was a crazy game with an insane comeback leading to victory in OT. I’m taking credit for the win: the Saints are 4-0 when I sit in Section 101. We also got to see this up close and personal:

I associate the music of the Band with Thanksgiving so this week’s theme song comes from Islands, the final studio album recorded by the Robertson-Helm-Danko-Manuel-Hudson lineup. Let The Night Fall is a sleeper in the Band’s catalog with a beautiful lead vocal by Richard Manuel and stirring harmonies by the rest of the group.

I’m aware that the featured image is a morning scene and doesn’t match the theme song. Since when was I a matchy-matchy guy? I did, however, like the original version of The Match Game. Alec Baldwin is no Gene Rayburn, natch.

I have a few more things to share. The first involves the death of Charlie Manson.

Tweet Of The Week: George Herriman biographer and parade route book signer Michael Tisserand won NOLA twitter the other day:

Tabloid Headlines Of The Week: The two daily tabloids in New York City usually have wildly different viewpoints. The Daily News leans left and the Post is owned by Rupert Murdoch. Say no more. This week the two papers came together in an expression of disgust after the Insult Comedian re-endorsed Judge Pervert:

Saturday GIF Horse: Who among us will ever forget the WKRP turkey drop?

Now that we’ve seen Mr. Carlson melt down, it’s time to finish up with some holiday music, Adrastos style.

Saturday Classic: Stage Fright was regarded as a disappointment upon its 1970 release. Those people must have smoked some really strong weed because it’s a wicked awesome album featuring some of the Band’s finest songs.

That’s all for this week. I thought I should recycle last week’s bat meme, which is one of my all-time faves. Tony, Phil, and Mike say toodle-pip:

Saturday Odds & Sods: Goodbye Pork Pie Hat

Swing Landscape by Stuart Davis.

We finally had a chilly day this week. New Orleanians tend to overdress when it cools off so there were many coats, sweaters, and scarves about town. This cold-ish snap is another example of how extreme the weather has been this year: the first cold weather doesn’t usually arrive until around Thanksgiving. I am opposed to turning on the central heat until November but dragged out the space heaters. It warmed up yesterday, but it’s going to be cold today. We’re back on the autumnal weather yo-yo. So it goes.

The big local story is the precipitous fall of celebrity chef John Besh. Picayune restaurant critic Brett Anderson spent 8 months investigating charges of sexual harassment in Besh’s empire. The story landed last weekend and Besh has resigned from his company and lost two casino based locations. I’d heard that he was a hound and a creep but hadn’t heard how systematic the problem was. The timing couldn’t have been worse for Besh since it followed the Weinstein revelations.  I am trying out a new word to describe the outing of sexual harassers: Beshed. It probably won’t catch on but if it does, you heard it here first.

Another big local news story popped up as I was Oddsing and Sodsing. It’s a flap involving  mayoral frontrunner LaToya Cantrell, her use of city credit cards, and the heavy-handed intervention of District Attorney Leon Cannizzarro who is supporting her opponent. So much for that campaign being dull. It’s New Orleans politics in all its seedy glory but I’m going to save it for the Bayou Brief. I’ll let y’all know when my column drops. I’m uncertain if it will be Ionic, Doric, or Corinthian. Corinthian leather?

Now that I’ve incited the wrath of Khan, let’s move on to this week’s theme song. It was composed by Charles Mingus in honor of his friend the great jazz sax player, Lester (Prez) Young.

Here are three versions for your enjoyment. First, Charlie’s original instrumental followed by Joni Mitchell who added lyrics for her Mingus album in 1979. Finally, a guitar driven version by Jeff Beck from his Wired album:

Now that we’ve tipped our pork pie hat to the great Lester Young, it’s time to say goodbye and jump to the break or something like that. Sometimes I even confuse myself.

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