Category Archives: Comedy

Saturday Odds & Sods: Volunteers

Two Flags by Jasper Johns

It’s still stupidly hot in New Orleans; summer hot. And we had the third warmest September in recorded history. There are rumors of a cool front next weekend but the relentless heat is putting a damp damper on the local festival season. It typically starts the first weekend of October because that’s when it cools off. Not this year, apparently. Climate change? What climate change? End of weather related rant.

The Kavanaugh Mess ate my week, so let’s move on to this week’s theme song. Volunteers was written by Marty Balin and Paul Kantner. It was the title track of Jefferson Airplane’s classic 1969 album; you know, the one with the pb&j sammich gatefold. Volunteers has an interesting origin story: Marty was awakened by a truck one morning with Volunteers of America painted on the side. A protest song was born. Marty Balin died last Saturday at the age of 76. There’s an extended tribute to Marty at the end of the post.

We have two versions of Volunteers for your listening pleasure. The original studio track and a live version from Woodstock.

“Look what’s happening out in the streets. Got a revolution.”

Now that we’ve revolted in a revolting way, let’s jump to the break.

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Saturday Odds & Sods: Got To Get You Into My Life

Landscape Lumber No. 3 by David Hockney

It has been a difficult week. I was so exhausted from writing about the Kavanaugh mess that I briefly considered pulling the plug on this week’s extravaganza. I decided it was best to muddle through and provide a modicum of comic relief to my readers. That choice was made easier by the Flake Gambit, which at the very least kicks the can down the road a week. Besides, I like beer and cannot recall if I’ve ever been black-out drunk. Have you? Holy crap, I sound like Judge Bro.

This week’s theme song is credited to Lennon-McCartney but is Pure-D Macca. Got To Get You Into My Life first appeared on my favorite Beatles album, Revolver. Yeah, yeah, yeah.

We have two versions for your listening pleasure: the Beatles and the equally fabulous cover by Earth Wind & Fire.

Now that we’ve had some Macca therapy, let’s meet on the other side of the jump.

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Neil Simon, R.I.P.

One bad thing about aging is that your cultural heroes start dropping like flies. It’s happened again: one of my comedic heroes, Neil Simon, has died at the age of 91.  Simon has been making me laugh since I was 10 years old and that’s the straight poop, not hyperbole.

The Odd Couple was the first grown-up movie I remember seeing on the big screen. My mother took me and I laughed til my tummy hurt. I recall asking Mom if it was better to be a Felix or an Oscar. She paused to think before saying something like: “They both have good and bad qualities so it’s better to be a bit like both of them.”

I pondered this for a moment and asked “Is it like ordering Chinese food? You know one from column A and one from column B?”

“Something like that,” she said with a chuckle.

I told her I liked Oscar better and she said, “I know. I’ve seen your room.”

It was our very own Neil Simon scene.

Simon wrote some remarkable plays and movies including The Sunshine Boys, The Heartbreak Kid, Laughter on the 23rd Floor, The Goodbye Girl, and the autobiographical “Eugene Trilogy” of Brighton Beach Memories, Biloxi Blues, and Broadway Bound. But Simon didn’t get the critical respect he deserved until his work took a more serious turn with the Pulitzer prize winning play, Lost In Yonkers. Critics often do not understand how hard it is to be funny.  And nobody was funnier than Neil Simon.

One of my favorite Simon moments came from The Odd Couple in a scene where Oscar let Felix have it:

“You leave me little notes! ‘We are out of corn flakes. F.U.’ It took me 15 minutes to figure out ‘F.U.’ stood for Felix Unger!”

Funny deserves more respect. Repeat after me: nobody was funnier than Neil Simon.

Saturday Odds & Sods: Icy Blue Heart

The Mediterranean Coast by Henri-Edmond Cross.

It’s hot as hell in New Orleans. Anyone surprised? I’m certainly not.

The big local story remains the mess at the Sewerage & Water Board.  The temporary head of the agency tried to give two employees raises but they were all forced out instead. Score one for Mayor Cantrell. She finally put some points on the board amidst an early rebellion by the City Council.

The SWB billing melodrama continues. One of the people caught up in that clusterfuck is my old friend Karen Gadbois who wrote about it in the online publication she co-founded, The Lens. Check it out. You may need to check your blood pressure after reading it.

The SWB saga poses the eternal question: where have you gone Ed Norton?

That concludes this impromptu edition of Album Cover Art Saturday. Time to go down the sewer with Norton:

This week’s theme song was written by John Hiatt for his classic 1988 album Slow Turning. Icy Blue Heart is one of the best “tears in your beer” weepers of all-time. We have John’s original followed by a cover by the sublime Emmylou Harris with Bonnie Raitt on backing vocals. The Bonster is pretty awesome too.

The opening lines of that song get me every time:

She came on to him like a slow moving cold front.

His beer was warmer than the look in her eyes.

Now that we’ve wept bitter tears, it’s time to dry off and jump to the break.

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There Is ONLY ONE Q

My colleague Tommy T wrote extensively the other day about the low IQ Q conspiracy. It’s a new one on me. I can’t keep up with all the tin foil hatters on the extreme right so I let Tommy do it for me. This new mad hattery brought out my inner Emily Litella:

For those of you who aren’t comedy buffs, Emily Litella was a befuddled character from the early days of Saturday Night Live. She was created and played by the late, great Gilda Radner.

I thought of Emily because as far as I’m concerned there is ONLY ONE Q:

Q was an all-powerful character who delighted in tormenting Captain Picard on Star Trek: The Next Generation. Since Q is an immortal space traveler dude he also turns up on Deep Space 9 and Voyager, but the Frenchman with the Yorkshire accent was his favorite whipping boy.

I refuse to acknowledge the New Q unless it turns out to be a hoax perpetrated by lefties to fish in gullible Trumpers. There is ONLY ONE Q.

Since I made a Gilda Radner reference earlier, I’ll give Q and Emily Litella the last word with Emily’s stock closing line:

Saturday Odds & Sods: Riders On The Storm

Rain, Steam, and Speed by JMW Turner.

There will be no tin cup rattling today since we reached our goal Friday. I’d like to thank everyone who supported what we do here at First Draft. I suppose I should thank Al Capone for helping out but what does a dead wise guy care? Btw, I neglected to state that Stephen Graham in Boardwalk Empire is my favorite reel Capone.

The big story in New Orleans is the ongoing clusterfuck involving the Sewerage and Water Board. A year from tomorrow, there was major street flooding in Mid-City. I hate hearing about the August 5th flood since it’s my birthday but what can ya do? The people whose homes, businesses, and cars flooded hate it even more.

The latest mess involves billing. The lunkheads at SWB have computerized the way they bill customers. In theory, it’s a fine idea, but in practice they failed to adequately train the meter readers in the new system. The result has been crazy large bills that customers have refused to pay. The SWB vowed to crack down on what our new Mayor called “bad actors” by cutting off their water.  They backed down the other day when it became clear that some of the “bad actors” were poor people with $5,000 bills *and* that they could only disconnect 50 customers a day. TFC: This Fucking City. Stay tuned.

I selected this week’s theme song after it popped up in the last episode of Sharp Objects. That show seems to be a love/hate proposition for viewers. I’m on the love side for the music, atmospherics, and acting, especially the divine Amy Adams.

Riders On The Storm was written by the Doors for their last full-blown LP, L.A. Woman. Jim Morrison’s lyrics are moody and expressionistic even for him. We have two versions for your consideration: the original studio track and a live version by 21st Century Doors, a band featuring Doors keyboard player Ray Manzarek and guitarist Robbie Krieger. I wish they hadn’t hired a Morrison lookalike as their singer: it’s creepy.

A quick story about Jim Morrison. My sister-in-law’s mother-in-law went to high school with Morrison. She remembers him as a nice boy. I bet you’ve never heard that anywhere else.

It’s time to break on through to the other side and jump to the break.

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Tweet Of The Day: The Sound Of Mueller

The New Orleans Advocate’s Walt Handlesman is justifiably proud of his Walt Toons. This one is best described as Rodgers and Hammerstein meet Kremlingate. It’s so good that I set aside a lifetime of loathing The Sound of Music to post it.

If you enjoyed The Sound of Muller, please donate to First Draft’s annual fundraiser.

Malaka Of The Week: Jason Spencer

We live in an era of fake tough guys. It’s a phenomenon made worse by social media, which is full of nebbishes with keyboard courage. I don’t do Reddit but Twitter is jam-packed with tough talking bullies who are cowards in real life. As Dashiell Hammett put it: “The cheaper the crook, the gaudier the patter.”

The latest phony hard man to be exposed is Georgia State Representative Jason Spencer (R-Dipshit.) Sacha Baron Cohen literally pantsed this jerk on Who Is America? And that is why Jason Spencer is malaka of the week.

The first time Malaka Spencer came to my attention, he was in Lost Causer mode. He made empty threats against LaDawn Jones a former black legislator who supports removing Confederate monuments.

The lowest point was when Spencer told her that if she and others kept up their fight to rid the state of Confederate monuments, “I cant guarantee you won’t be met with torches but something a lot more definitive.”

Later, removing any doubt, he said the people who want the statues gone “will go missing in the Okefenokee,” referring to a swamp and national wildlife refuge near his home town. “To many necks they are red around here. Don’t say I didn’t warn you.”

That’s one of many reason this little creep deserved the comeuppance served to him by Erran Morad, Cohen’s Mossad agent character. Cohen convinced this idiot that, if he screamed the N-Word and pranced about with his pants down/ass out, that would somehow protect him from terrorists. You have to see it to believe it.

Spencer’s attempts at damage control were almost as ridiculous as the bit where he posed as a Chinese tourist who spouted off random Japanese phrases. They’re not the same, dude:

“Sacha Baron Cohen and his associates took advantage of my paralyzing fear that my family would be attacked. In posing as an Israeli Agent, he pretended to offer self-defense exercises. As uncomfortable as I was to participate, I agreed to, understanding that these ‘techniques’ were meant to help me and others fend off what I believed was an inevitable attack.

“My fears were so heightened at that time, I was not thinking clearly nor could I appreciate what I was agreeing to when I participated in his ‘class.’ I was told I would be filmed as a ‘demonstration video’ to teach others the same skills in Israel.

That’s the problem with fake tough guys like Spencer and his hero, Donald Trump. They’re motivated by fear. They try to fend it off by picking on people. It’s not only cowardly, it’s downright stupid. Who the hell is intimidated by a malaka with his pants down? Or by an Insult Comedian with a dead nutria pelt atop his head?

Top Georgia Republicans are calling for Spencer’s head based on his racist behavior. They should add another charge to their political indictment: he’s too stupid to represent a district in the state lege. And that is why Jason Spencer is malaka of the week.

UPDATE: Spencer will be taking his malakatude to the private sector. He’s announced that he’s resigning his seat at the end of the month.

Saturday Odds & Sods: The Best Is Yet To Come

Shattered Color by Lee Krasner.

It’s been a long and difficult week for Americans who haven’t imbibed the MAGA Kool-Aid. I already wrote about it on Thursday and Monday so we’re going to keep this introduction snappy and mercifully brief. I wonder if the Insult Comedian would call that a double positive?

This week’s theme song is upbeat and positive in response to all the gloomy shit going on in the world. The Best Is Yet To Come was written for Tony Bennett in 1959 by Cy Coleman and Carolyn Leigh.

We have three versions for your listening pleasure: Tony Bennett, Frank Sinatra and Count Basie, and Chaka Khan. That’s right, Chaka Khan. She can sing anything, y’all.

This is the second time I’ve used The Best Is Yet To Come as a post title. The first was after President Obama’s re-election in 2012. It’s time for him to eschew the non-political Jimmy Carter post-presidential model, make like Harry Truman and hit the stump this fall. His party and country need him. Give ’em hell, Barack.

I’m not sure where the tree of life is right now, but I long to “pick me a plum.” I’ll figure out how to do so after the break.

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Saturday Odds & Sods: Lonely Holiday

Rye Beach by William Glackens.

Summer in New Orleans is typically one long heat advisory but this week has been one of the hottest I can remember. It’s August hot. It’s so hot that new kitty Paul Drake isn’t trying to bolt out the front door whenever it opens. It’s so hot that the air smacks you in the face like a wet barber shop towel. I’m almost tempted to try frying eggs on the sidewalk but I don’t believe in wasting food. In short, it’s fucking hot.

I haven’t been as prolific as usual blogging-wise the last few weeks. I’ve made the mistake of taking the news too personally. It’s bad for both the psyche and satire. It’s been hard not to: the news has been so unrelentingly bleak of late. It makes it hard to be a glass half full person. It’s looking bone dry. That’s why I’m going to keep this post on the snappy side. In addition to my proverbial glass being bone dry, my funny bone is banged up. The good news is that it’s bruised, not broken. And writing Odds & Sods is always therapeutic.

This week’s theme song was written and recorded by Old 97’s for their 1999 album, Fight Songs. That was when this Dallas based alt-country power pop combo came on my radar screen. Lonely Holiday is a very sad song, which is appropriate given the events of the last few weeks. Only a sad song will do.

Get ready to rock with the original studio track as well as a lively live version:

Now that Rhett Miller has serenaded us with a sad song, it’s time to jump to the break.

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Happy Birthday, Mel Brooks

It’s been a harrowing few weeks for the country. It’s yet another reason to remind you that not everything sucks. I’d forgotten about this landmark until I saw this tweet from Herriman biographer and Laissez Boy, Michael Tisserand:

Mel Brooks is one of my comedic heroes. He awakens funny, is funny for lunch, and hilarious for dinner. He never stops, even at the advanced age of 92 He’s a national treasure. Here’s the great comic with Dick Cavett:

Here’s a comedy summit meeting featuring Mel Brooks and Johnny Carson:

I have one more clip for your entertainment, here’s the birthday boy with his dear friend Carl Reiner:

Happy Birthday, Mel. Here’s the obligatory ending, for me at least:

 

 

Historical Both Sides!

Read this now.

The führer and the tattletale: Adolf Hitler’s aggression, Anne Frank’s leaks signal a troubling decline in European manners.
— @nytimesworld, January 11th, 1945, 2:42 PM

A.

Saturday Odds & Sods: The Day I Get Home

Fantastic Landscape (Volcano Erupting) by David Alfaro Siquerios.

Our visit to Virginia was a quickie. One of the highlights came on the return trip when we met longtime First Draft readers Lex and Carroll Alexander for lunch. We rendezvoused at Stamey’s in Greensboro, NC and ate the food of their people: barbecue. The meal included perhaps the best peach cobbler I’ve ever had. A good time was had by all but I’m afraid Carroll and I did most of the talking. She has family roots in the Gret Stet of Louisiana and I was eager to untangle them. Nosy might be a better word, but it’s always fun to learn someone has Momus/Comus/Proteus old line krewe types in the family. You never know what happens when you give someone’s family tree a shake. All sorts of oddities are likely to fall out.

On a weird note, I got into a twitter slagging match last week with a Gret Stet legislator’s wife. My crime was criticizing her hubby’s voting record. She was not amused and he contacted me by DM. “Perfection” is a terrible burden and they don’t carry it well. #sarcasm. I wound up inviting them to a “block party” so the fight would end. I’m not sure why they think fighting with citizens is a good move but they do.  I’m not the first person to have this experience and won’t be the last. Weird, weird, weird.

This week’s theme song wedged itself in my head on our trip home. The title is a minor misnomer  as we got home last Sunday. The very Beatlesque The Day I Get Home was written by Difford and Tilbrook for 1991’s Play album. We have two versions for your listening pleasure: the original studio recording and a swell live performance.

Now that we’ve trekked home, it’s time to jump to the break without crash landing. Knock on wood or some such superstitious shit.

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Saturday Odds & Sods: I Heard It Through The Grapevine

The Memory by Rene Magritte.

It’s been a long, hot pre-summer so far, which has me feeling languid and ennui laden. We went to an anniversary/hurricane season opening day party yesterday at Chez Homan. Long time readers might recall Michael as my blog nemesis. The feud is over and I won.

I’m still suffering withdrawal symptoms from the end of The Americans. A bit of Moscow summer weather sounds rather appealing at this point. Of course, they make you drink vodka so I’ll pass. I guess that makes me as stubborn as a Moscow Mule…

It’s too hot to be wordy so I’ll keep this snappy. I know, famous last words and all that shit.

This week’s theme song was written by the brilliant Motown songwriting team of Norman Whitfield and Barrett Strong in 1966. It was originally recorded by Gladys Knight & the Pips but Marvin Gaye’s rendition was the bigger radio hit. It’s a foolproof song, which has been recorded many times over the years. We’re featuring Gladys, Marvin, and CCR today.

Now that we’ve shared some juicy gossip. lets find some shade and jump to the break.

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Ambien Tweeting With Roseanne

I realize that some readers are rolling their eyes because I’m writing about the Roseanne freak show instead of more important matters. There’s been much tut-tutting about this on twitter, the home of overblown outrage and serial dumbassery. I’m multi-tasking: I *could* write about the latest wave of Trump scandals or horrible behavior by the president* but that’s what he wants us to do. As a creature of the New York tabloids, he thinks that all publicity is good. He’s a news cycle shark, convinced he’ll die if he’s not on page one every minute. I don’t feel like playing right now. I suspect I will soon enough. Like Levi Stubbs, I can’t help myself.

Yesterday’s psycho drama was both surprising and not surprising at all. Roseanne Barr has *always* been a horrible person. It’s why I rarely watched her original sitcom despite my fondness for John Goodman, Laurie Metcalf, and Darlene Gilbert. It’s why I haven’t watched the reboot. Additionally, her voice is annoying and she isn’t funny. Nobody should be surprised that she had a public meltdown and fired off a racist tweet about former President Obama’s right hand woman, Valerie Jarrett. In typical Roseanne fashion, it was the crudest insult imaginable as well as the stalest stereotype possible. Repeat after me: she’s not funny.

The surprise yesterday came from ABC. I *assumed* that high ratings would trump everything else and that they’d muddle through after the self-described “domestic goddess” apologized on twitter. I was wrong: ABC fired her bigoted ass. Score one for diversity: ABC President Channing Dungey, who is an African-American woman, wasn’t having it.  Given Barr’s dreadful track record, it was obvious that this would happen again and again and again. Her racism is the gift that keeps giving. Racism isn’t funny and neither is Roseanne Barr.

While ABC deserves kudos for giving the reboot the boot, they shouldn’t have brought Roseanne back in the first place. In the pre-social media era, the star’s malakatude was containable. In 2018, this sort of meltdown was inevitable. Besides, she’s not funny.

My favorite part of the Tuesday shitshow was Barr’s claim that she was leaving twitter, which was followed by a tweet and retweet storm. This instant classic was deleted by the former teevee star:

The tweeter tube is a dangerous place for people without impulse control. If you’re either well-known enough or a big enough asshole, it doesn’t matter if you delete, it will be screen shot and live forever. One thing I agree with Roseanne on, she *is* an idiot as well as a selfish creep: 300 people associated with her show were laid off yesterday. That’s not funny and neither is Roseanne Barr.

Stupid Watergate Goes Postal

I try not to write about the same things as Athenae BUT a bloggers gotta do what a bloggers gotta do. Besides, I’m coming at the fake billionaire president* versus real billionaire publisher smackdown from a different angle, and this post title was too good to waste. I, too, am a grudge-holder but I’d prefer a Coke Zero button on my desk to a Diet Coke one any day. That may be a distinction without a difference but there you have it. Btw, I still don’t think my favorite soda pop tastes different now that it’s been rebranded as Coke Zero Sugar. It’s soda spin as far as I’m concerned: pop goes the marketing weasel.

In case I’ve confused you more than usual, I’m talking about the Insult Comedian’s harebrained scheme to screw Amazon by changing their postal rates. He and Melania seem to have a reverse Ricky and Lucy thing going on. He has the crazy ideas, she has the thick accent. It’s unknown if she ever sings Babalu.

Trumpy even called in the Postmaster General who tried to explain that she doesn’t have the power to unilaterally change rates or cancel contracts:

President Trump has personally pushed U.S. Postmaster General Megan Brennan to double the rate the Postal Service charges Amazon.com and other firms to ship packages, according to three people familiar with their conversations, a dramatic move that probably would cost these companies billions of dollars.

Brennan has so far resisted Trump’s demand, explaining in multiple conversations occurring this year and last that these arrangements are bound by contracts and must be reviewed by a regulatory commission, the three people said. She has told the president that the Amazon relationship is beneficial for the Postal Service and gave him a set of slides that showed the variety of companies, in addition to Amazon, that also partner for deliveries.

This president* doesn’t do process. I suspect he recalls his father Fred talking about his dealings with the Post Office back when it was a patronage spigot under FDR’s man Jim Farley. That changed in the 1970’s. Trump is usually stuck in the Eighties so this is at least a slightly different form of malakatude. I imagine him straightening his weave and saying in his best Archie Bunker voice: “My foddah told me about dis here t’ing.”

Once again we’re in Stupid Watergate territory. Nixon infamously tried to use the IRS to screw his enemies. He had John Dean hand the enemies list to the IRS commissioner who proceeded to sit on it. Nixon was not a fucking moron so he acted through intermediaries instead of doing the dirty work himself. Trump is still worse than Nixon. He’s always been stupider.

I’m not sure where Trump fits on the George W. Bush bad president scale because he hasn’t started a war or crashed the economy yet. He has, however, politicized the Justice Department and CIA just like the president who many are trying to rehabilitate. Just say no to that, y’all, just say no.

The last word goes to Rachel Maddow with a brilliant segment from her May 18th show. Rachel may not call Trump’s latest fakakta idea Stupid Watergate, but she places it in the proper historical context.

 

Saturday Odds & Sods: In The Still Of The Night

Contrasting Sounds by Wasilly Kandinsky.

It’s been an eventful week in New Orleans. The city celebrated its 300th anniversary and inaugurated our first woman mayor. I expressed my reservations about Mayor LaToya Cantrell on ye olde tweeter tube:

The slogans included “We are woke” and “We will be intentional.” I’m uncertain if that’s intentional grounding or an intentional walk. I dislike the latter baseball tactic as much as exclamation points. I still wish the new mayor well. Her propensity to mangle the language is good for the satire business, and there’s no business like giving a politician the business. I believe in taking care of business, every day, every way.

This week’s theme song, In The Still Of The Night, was written by Cole Porter in 1937 for the MGM movie musical, Rosalie. It was first sung by Nelson Eddy who was in a shit ton of hokey costume movie operettas with Jeanette MacDonald. I am not a fan of the duo but I am a die-hard Cole Porter fan as evinced by the frequent appearance of his work as Odds & Sods theme songs. I considered counting them but I’m feeling as lazy as the president* today. Where did all my executive time go?

We have two versions of the Porter classic for your entertainment. First, the elegant jazz-pop baritone Billy Eckstine aka the Voice of God.

Second, the Neville Brothers featuring some gorgeous sax playing by Charles Neville. He was an acquaintance of mine. Charles died recently at the age of 79. He was a lovely man with a kind word for everyone he met.

It’s time for a journey to Disambiguation City. Fred Parris wrote *his* In The Still Of The Night for his doo-wop group The Five Satins in 1956.

Yeah, I know, Boyz II Men also had a hit with the Parrisian song but I’m not going there. Instead, let’s jump to the break. Now where the hell did I put my parachute?

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Saturday Odds & Sods: Hanging Upside Down

Self Portrait with Halo by Paul Gaugin.

Early summer has arrived in New Orleans. This week featured temperatures in the 80’s as well as the return of Formosan termite swarms who are more annoying than the average tourist. I realize I write a lot about the weather in this space. I became weather obsessed after a certain event in August, 2005. Can you blame me?

This week’s theme song comes from the David Byrne songbook. We saw him at Jazz Fest last Sunday. I’ll review it after the jump. He didn’t play Hanging Upside Down but it’s one of my favorite tunes from his salsa influenced period. It rocks with a jazzy Brazilian beat.

Now that I’ve hung you upside down to dry or some such shit, let’s jump to the break.

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You Beto Your Life

It’s time to revisit the Texas senate race. Beto O’Rourke remains the underdog but I’m glad people are taking a flyer on his candidacy. If there was ever a year to try to win a statewide race in Texas, 2018 is the year. Besides, what would be sweeter than bloodying Tailgunner Ted’s nose even if he survives? It’s win-win.

I have a suggestion for the Beto Bunch. It’s in the nature of a stunt. Those of us who are old enough to have voted in 1992 should recall Chicken George. He was the dude in the chicken suit who followed Poppy Bush around. The chicken came out of the coop when Poppy initially refused to debate. It was a Democratic stunt to bug Bush and benefit the Clinton campaign. It worked.

I think the gag could be updated but with a retro twist. Not only a retro twist but another pun on the Congressman’s nickname. Puns are important, y’all.

Let me clarify something: I may be old but I’m not old enough to have seen You Bet Your Life when it first aired. I saw the re-runs. Ya got that? I don’t want to have to make like the late R Lee Ermey and go Full Metal Jacket on your asses.

Back to Grouco Marx. Anyone who has ever seen his venerable quiz show knows that there was a secret word, when a contestant said it, a duck puppet dropped down and the contestant won some cold, hard cash. The duck puppet/muppet/marionette, whatever it was, looked like Groucho and evoked Duck Soup as opposed to Daffy Duck or Duck Dunn.

I suspect you’re wondering where the 2018 tie-in is. Here it is: the Beto Bunch should station a dude in a duck suit at every Cruz event. He could carry a pole with a You Bet Your Life style duck marionette that looks, not like Groucho, but like Rafael Edward Cruz. Every time Ted lies or mentions the name Donald Trump, the Duck Dude can quack and wave the marionette.

As a reminder of Cruzian spinelessness, there could also be a sidekick waving a placard with these National Enquirer front pages:

On second thought, the placard is probably a bad idea. Some of Cruz’s supporters may be packing heat and if it’s duck season, the Duck Dude and sidekick could be in deep doo doo like Daffy.

Duck Elmer GIF - Find & Share on GIPHY

This proposed stunt is a bit complicated and I realize not everyone will get the joke, but I like to be helpful. Maybe the Duck Dude could duck and cover when Cruz advocates bombing a country. The possibilities are endless as well as endlessly silly.

The last word goes to the Kinks:

Saturday Odds & Sods: Caravan

The Egg by Tarsila do Amaral.

We suffered from weather whiplash in New Orleans this week. It was 84 degrees on Monday within 36 hours the temperature had dropped 40 degrees. My, my, my.

It’s election day in next door Jefferson Parish where they’re about to elect a new Sheriff. Long-time incumbent Newell Normand resigned last summer to become a talk radio big mouth. I don’t get talk radio: the idea of listening to anyone bloviate for three hours does not float my boat. It might even sink it.

The one certainty of the race is that a Republican with an Italian name will be elected. Interim Sheriff Joe Lopinto was anointed by Normand who, in turn, was anointed by the late Harry Lee. His opponent, John Fortunato, was the department spokescop for many years. He’s best known for bringing Steven Seagal and his crappy reality cop show, Lawman, to Jefferson Parish.

If Lopinto wins, it may be down to an error made on live teevee by Fortunato. He said that he’d support pervy parish President Mike Yenni about whom I’ve written in this space. Oopsie. He changed his mind but the damage was done. This ad tying the unfortunate Fortunato to Yenni has been running constantly this week:

It’s a powerful job and Lopinto has momentum as the campaign winds down. Winning the election could be a guarantee of lifelong employment: Lopinto is only the fourth Sheriff since 1964.

Welcome to Disambiguation City with this week’s theme song. (It’s not far from Sufragette City. Wham, bam, thank you m’am.) We have three different songs titled Caravan for your listening pleasure. I give you in chronological order: Duke Ellington, Van Morrison with The Band, and Todd Rundgren and Utopia.

Now that we’ve ridden across Eastern Europe with a Romany/Gypsy caravan, it’s time to jump to the break. Happy landings.

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