Category Archives: Art

Saturday Odds & Sods: Land Of Confusion

From The Dictatorship Of Porfirio Diaz To The Revolution- The People In Arms by David Alfaro Siqueiros, 1957-1965.

It’s election day in New Orleans. We’re about to make history and elect our first woman mayor. I wish I were more excited about it but as I said Thursday, the campaign has been anything but elevating. I’m more engaged in my District City Council race, which pits Mr. Nice Guy (Jay Banks) against an entitled jerk. The race has gotten heated in the last week as the jerk (Seth Bloom, not Steve Martin) has gotten nervous that he’s going to lose. I sure hope he does. I’ve been feuding with him and his supporters online since they think it’s a good idea to fight with voters. Where they got that idea, I’ll never know. Schmucks.

In addition to being King Zulu 2016, another thing Jay Banks has going for him is the crucial child army endorsement:

Lagniappe, the Benevolent Dictator, the Gladowling.

With that much cuteness on his side how can he lose? They’re also his neighbors so Jay can harness the powers of the army of darkness at will. Btw, their mother nicknamed them that, not me. It fits: I’ve seen all of them in meltdown mode. If you live in District B, get out and vote for Jay Banks or they’re coming after you. It won’t be deadly, just loud and sticky.

A quick note on the featured image. It’s a section of a Siqueiros mural depicting the Mexican Revolution. In it, we see the dictator Porfirio Diaz who ruled the country for over 30 years. One of my guilty movie pleasures is the 1939 Warner Brothers “bio-pic” Juarez in which nice Jewish boys Paul Muni and John Garfield play Juarez and Diaz respectively. Oy, just oy. It’s a hoot but terrible history as you can see from the trailer:

This week’s theme song is a genuine rock classic. The video for Land Of Confusion is a mini-movie and one of the best of its kind. The use of the Spitting Image puppets is genius. The live version comes from a 2007 reunion tour which shows that Phil Collins has turned into his Spitting Image puppet.

Now that I’ve confused everyone, let’s jump to the break.

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Art Isn’t Worth It

This drives me into the same kind of rage I feel when people talk about how writers write because they’re depressed, because dark and twisty equals talented, because misery is so so so productive. Maybe YOURS is. My mental illness generally takes the form of either lying in bed catatonic or hyperventilating in my car on the way to wherever I need to be while my brain screams that I am worthless and no one will miss me if I just go away. Not the best environment for creative work.

It gives me the same tweak as did the “but we’ll get some really bitchin’ music out of this” sentiment after Trump’s election, as if the lives of mostly poor people of color are acceptable sacrifices for already wealthy musicians to write a banger protest song or a powerful poem. Is it … like … not possible to put your shoulder into your work without people dying as material?

Is it remotely within the realm of possibility that people create in the darkness not because the darkness is so awesome but because they’re creators and they work no matter their conditions and we don’t KNOW what they would have created in the light?

Stop romanticizing untreated mental illness. Stop rationalizing shitty behavior. Stop justifying terribleness by pointing to the very meagre coping mechanisms people have developed as some kind of … just fucking stop it. No song is worth this. No book is worth this. No poem is worth this. No art is worth perpetuating misery you can stop.

A.

Saturday Odds & Sods: Positively 4th Street

Night View of the Brooklyn Bridge by Joseph Stella.

I learned how important my home internet connection is to me this week. It was not a shocker even if Halloween fell on Tuesday. We had a record number of trick or treaters including the cutest cop I’ve ever seen. She let Dr. A photograph him without breaking out the cuffs:

What an arresting image.

This will be a somewhat abbreviated Saturday post since I didn’t throw it together until Friday morning. It’s usually an involved, gradual, and carefully assembled process even if it appears slapdash to the casual observer. It’s slapstick, not slapdash.

I spent part of my week writing a Bayou Brief column on the increasingly bat shit crazy New Orleans mayoral contest. I didn’t submit it until Thursday because I had to hyperlink the living shit out of it. I’ll link to it here when it goes live. Speaking of the run-off election, there was an astonishing takedown in the District B city council run-off. The third place finisher, Timothy David Ray, was so pissed off at the leader, Seth Bloom, that he not only endorsed the other candidate, Jay Banks, he scorched Bloom. Burn, Bloomy, burn.

Speaking of epic takedowns,  this week’s theme song was written and recorded by Bob Dylan in 1965. I was worried that he’d sing it in Stockholm in lieu of a speech. Fortunately, he did not attend the Nobel Prize ceremony. I’m posting Positively 4th Street as a pretext to play more Byrds. Listening incessantly to Tom Petty eventually leads to the Byrds and Roger McGuinn.

A quick note about the featured image. It comes from Joseph Stella’s impressionist phase. He returned to the Brooklyn Bridge as a subject many times over the years. I  hate bridges, which is ironic given that I grew up in an area full of them and now live in New Orleans. I white knuckle every time I cross a bridge. On one visit to New York City, the friend with whom I was staying asked if I wanted to walk across the Brooklyn Bridge. I gave him a withering look and the moment passed.

I’m skipping the break this week. I do not feel like jumping, especially after contemplating bridges.

We begin our second act with one of my favorite stolen features.

Separated At Birth: Sarah Huckabee Sanders is the worst White House press secretary since the days of Ron Ziegler. She makes Ziegler look honest and in the loop and makes Ari Fleischer look charming. Ugh.

The picture below crossed my Facebook timeline. It compares and contrasts Huck’s horrible spawn with Jackie Coogan as Uncle Fester on teevee’s Addams Family.

I think Jackie was cuter but the raised eyebrow and facial expression are eerily similar.

Saturday GIF Horse: While we’re on the topic of Uncle Fester, here’s his most famous stunt:

Tabloid Front Page Of The Week: I’ve never been a Smashing Pumpkins fan but I am a fan of the New York Daily News and its smashing front pages. This Halloween edition is a classic:

I wonder if Billy Corgan and his buddy Alex Jones have discussed this front page…

Tweet Of The Week: I retweeted this image of Sebastian Gorka, David Clarke, and Sean Hannity with a clever caption but the picture didn’t show on my tweet. Time for a re-take.

THE THREE HORSE’S ASSES OF THE APOCALYPSE.

Sorry for shouting but sometimes you gotta be loud to get your point across. It’s the only thing Fox News Meathead Sean Hannity and I agree on.

I mentioned I’d been in a Byrds phase, here’s the evidence.

Saturday Classic: Younger Than Yesterday is among the Byrds finest albums. It has one of David Crosby’s best song, Everybody’s Been Burned, and his absolute worst, Mind Gardens.  I used the former as a Saturday post theme song last year, as to the latter UGH.

Crosby was fired for being a raging, gaping asshole when the band commenced recording their next album. It obviously worked out for him as he became the C in CSN.

That’s it for now. My regular features will be back in full force next week. One reason that I was frustrated by the modem death is that Dr. A and I had watched the first 6 episodes of Stranger Things 2 and then it was nerdus interruptus. We finished it Thursday night. It’s swell. That’s why I’m giving the boys from Hawkins the last bat word.

Saturday Odds & Sods: Lover Of The Bayou

Photograph by CC Lockwood.

Fall has fallen. We finally had a week of temptingly temperate temperatures. Unfortunately, it’s oak pollen season, which means I’ve been wheezier than Weezer or Isabel Sanford who played Louise (Weezy) Jefferson on the electronic teevee machine back in the day. Where have you gone George Jefferson? Achoo.

It’s the week after the primary election and the Mayoral  run-off campaign is mostly bubbling under the surface. There was some horrible news involving third-place finisher Michael Bagneris. His daughter, Mia, was hit by a drunk driver while exiting her car after attending her father’s election eve soiree. Since New Orleans is the world’s largest small town, we have several friends in common. Her injuries were severe but it appears that she’ll make it. It’s going to be a long recovery. Best wishes to the Bagneris family. Drunk drivers are the worst.

This week’s theme song was written by Roger McGuinn and Jacques Levy. It has an interesting history. I’ll let the Wikpedia entry for the Byrds album (Untitled) fill you in:

For most of 1969, The Byrds’ leader and guitarist, Roger McGuinn, had been developing a country rock stage production of Henrik Ibsen’s Peer Gynt with former psychologist and Broadway impresario Jacques Levy.[16] The musical was to be titled Gene Tryp, an anagram of the title of Ibsen’s play, and would loosely follow the storyline of Peer Gynt with some modifications to transpose the action from Norway to south-west America during the mid-19th century.[5] The musical was intended as a prelude to even loftier plans of McGuinn’s to produce a science-fiction film, tentatively titled Ecology 70 and starring former Byrd Gram Parsons (no relation to Gene) and ex-member of The Mamas & the PapasMichelle Phillips, as a pair of intergalactic flower children.[12] Ultimately, Gene Tryp was abandoned and a handful of the songs that McGuinn and Levy had written for the project would instead see release on (Untitled) and its follow-up, Byrdmaniax.[4]

I told you it was a long story. We have two versions for your enjoyment, the original live Byrds version and a cover by Mudcrutch, which was Tom Petty’s original band brought back to life in 2008. Holy reanimation, Batman.

That concludes our trip to the bayou or does it? You’ll find out after we jump to the break.

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Saturday Odds & Sods: So Far Away

Speciality Drawing by George Herriman, 1936.

It’s election day in New Orleans. It’s time to winnow down the lackluster mayoral field from 3 major contenders to a face off in the run-off in this off-year election. I hope that wasn’t off-putting. Only a mug would try to predict who will be in the run-off with the so-called big three clustered so tightly in the polls. As Dan Rather would surely say at this point: it’s tighter than a tick. Besides, I threw away my crystal ball after it cracked on 11/9/2016.

One more note on the New Orleans municipal election. I did a podcast about it with my friend Ryne Hancock yesterday. Here’s a LINK.

The featured image is a 1936 drawing by the great George Herriman. In hopes of uncovering a title, I asked Herriman biographer Michael Tisserand. It is, in fact, untitled. It was executed by the artist for a fan named Morris Weiss. It’s unclear if he was a Morris dancer. Btw, if you haven’t read Michael’s book Krazy, pick up a copy. It’s one of the best biographies I’ve read in years. He’s funny on twitter too. Believe me.

This week’s theme song was used in the penultimate episode of AMC’s Halt and Catch Fire, which is one of the most underrated teevee shows ever. There’s only one more episode left in the series but the first three seasons are streaming on Netflix. Check it out and tell them Adrastos sent you; not that they’ll give a shit but it will be good for my self-esteem.

So Far Away is my favorite Dire Straits song. I’m a big fan of wistful lyrics and Mark Knopfler’s guitar playing. This song obviously has both. I’m throwing in a partially acoustic live version as lagniappe.

 Since we’re so far away from one another, let’s bridge the gap by jumping to the break. I hope that made more sense to you than to me. Adrastos thy name is confusion.

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Pulp Fiction Thursday: Gambler’s Girl

This cover was designed and executed by the noted illustrator Rudi Nappi. He obviously skipped the Nappi and was wide awake when he did this one. I dig the little men on poker chips hanging out with the chick who looks like Lana Turner.

Saturday Odds & Sods: Rock ‘n’ Roll Fantasy

From Rock Dreams by Guy Peellaert.

We’re in the throes of our annual autumnal tease in New Orleans. Summer isn’t over yet but the lower humidity is a sign that the end is nigh. Unfortunately, I haven’t been able to enjoy it since I’ve had a bug that left me woozy and congested all week. So it goes.

I’ve got nothing to complain about since Hurricane Irma is going to Florida. I always feel faintly ghoulish at this time of year. It’s not that I *want* a storm to hit Florida or Texas, I just don’t want one to visit Southeast Louisiana. I have friends in South Florida and my thoughts are with them whether they’re evacuating or hunkering. Be careful out there, y’all.

A quick note about the featured image. It comes from a 1973 coffee table book with art by Guy Peellaert and text by Nik Cohn. I chose it because it’s Hopperish: Edward, not Dennis. Rock Dreams was quite the rage when I was a young rock fan; so much so that somebody stole the book from me not long after I moved out of my parents house. Another Rock Dreams image will turn up later but not the one with the Rolling Stones as SS officers. Oy just oy.

We’re back in almost identical title/different song territory this week. Ray Davies and the Kinks and Paul Rodgers and Bad Company offer their own takes as to what a rock ‘n’ roll fantasy is. I love both songs but if I have to choose, my money is on Ray. Sorry, Paul.

The Kinks got there first so we begin with A Rock ‘n’ Roll Fantasy from 1977’s Misfits album:

Bad Company’s less morose Rock ‘n’ Roll Fantasy comes from 1979’s Desolation Angels.

If you’re thinking that this week’s focus is music, you get a cookie. I’m not sure what kind but probably one with lots of nuts because Odds & Sods is a nutty feature. We’ll go from nuts to soup after the break.

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Saturday Odds & Sods: Spirit In The Dark

Nighthawks by Edward Hopper.

It’s full-bore summer in New Orleans. We’ve had our share of heat advisories this week. All one can do is drink buckets of water, keep out of the sun, and stay in an air conditioned space. It’s a good thing that I’m essentially an indoorsman. It’s too bloody hot to be all outdoorsy and shit.

I usually write about matters personal and local in the Saturday post intro, prologue or whatever the hell this is. But I cannot resist taking a swipe at the idiot president* over his recycling the “Black Jack Pershing pig’s blood on bullets to ward off Muslims” story. First, unlike the Insult Comedian, Black Jack Pershing was an intelligent man who never said or did such a thing. Second, who the hell, with the possible exception of Frank Gaffney, believes this crapola in 2017? Only a very superstitious moron, that’s who. Third, there *is* a New Orleans connection. There’s a General Pershing Street not far from Adrastos World HQ. Some of the streets in my neighborhood were named after Napoleon I’s battles: Cadiz, Bordeaux, Milan, and Marengo to name a few. General Pershing was originally Berlin Street but was renamed while the country was in throes of anti-German hysteria during the Great War. We go through times like that periodically. We’re in one of them now thanks to the Kaiser of Chaos. So it goes.

As to the featured image, I usually steer clear of using an artist’s best known work but how could I resist Edward Hopper’s Nighthawks for this nocturnally named post? Like Levi Stubbs of the Four Tops, I Can’t Help Myself.

This week’s theme song was written by Aretha Franklin for her 1970 album of the same name. It’s perhaps the best song the Queen of Soul ever wrote. We have two versions for your listening pleasure: Aretha’s original and a duet with Ray Charles from her fabulous 1971 album, Aretha Live at Fillmore West.

It’s hard to top the Genius and the Queen of Soul, y’all. I won’t even try. Well, maybe after the break.

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Pulp Fiction Thursday: The Hangman’s Whip

It’s time for another fine cover from master pulp artist Rudolph Belarski:

Saturday Odds & Sods: Touch Of Gray

A Bar at the Folies-Bergère  by Edouard Manet, 1882.

It’s my birthday today. We’re planning a relatively quiet day with dinner at one of the great restaurants in New Orleans, Brigtsen’s. It’s located in an Uptown cottage, not far from the river. The service is great and the food is even better.

A note on the featured image. I’m such a Manet fan that I named a black female cat Manet. She was long-lived and lovable. We had a game that we played together wherein we compared artists. I’d ask “who do you like better, Picasso or Manet?” The answer was always the same: “Manet.” She lived to be twenty, dying in 2005 not long before Katrina. I’m glad she missed the upheaval and disruption of our nomadic evacuation. It’s hard to be a grande dame when you’re on the move.

It’s sad how few pictures we have of our pre-digital camera era cats. This is a good shot of Manet in her Dowager Empress period:

Holy lagniappe catblogging, Batman.

August 1st was the 75th anniversary of Jerry Garcia’s birth. I miss Jerry, which is why the Garcia-Hunter tune, Touch of Gray, is this week’s theme song. It was the Dead’s only genuine hit single, which is remarkable given their longevity and popularity.

We have two touches of gray for your listening pleasure: the  VH1 pop up video of their skeletony promo video and a live version from 7/4/1989 in Buffalo. Notice Jerry and keyboard player Brent Mydland touching their own gray hair before launching into the song. Oh well, a touch of gray, kind of suits you anyway. Literal but still swell. Brent died in 199o. I’ve often said that being the keyboard player in the Dead was much like being the drummer in Spinal Tap. I don’t believe in jinxes but this one has a kernel of truth.

Oh yeah, both videos were posted by someone who spelled gray with an E. So it goes.

Now that I’ve made y’all feel old and decrepit, let’s limp to the break.

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Saturday Odds & Sods: Down On The Riverbed

Valley Farms by Ross Dickinson.

Dr. A and I are going to the Antiques Roadshow at the Morial Convention Center today. We’re not 100% certain what we’re taking as of this writing but I’m nervous that she’ll use me as her antique. While I have some patina, I’m not sure how valuable I am. On the other hand, if puns add value I might be worth a few bucks.

A quick political note. Here’s a tweet I sent out marking the resignation of Sean Spicer, the press secretary who could lie and chew gum at the same time:

I chose this week’s featured image because our theme song is tres Californian. So is the artist. The late Ross Dickinson was our friend Bonny’s grandfather. The Bonster went to grad school with Dr. A. End of cronyistic shout-out. Is cronyistic a word? Since I’m Greek I should know; of course, we specialize in nepotism. Unfortunately, the current administration* is giving nepotism a bad name. I take that as an affront to my heritage.

Down On The Riverbed was written by David Hidalgo and Louis Perez for Los Lobos’ fabulous 1990 album, The Neighborhood. The original studio version features John Hiatt singing harmony with some grit but without the syrup. Hominy grits you want with your eggs, Mr. Hiatt? Dave Alvin’s version comes from the 2006 album West of the West whereon he recorded some of his favorite songs written by California tunesmiths.

Now that we’ve been down on the riverbed without drowning, it’s time to don a life jacket (I wish they were still called Mae Wests) and go to the break.

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Saturday Odds & Sods: Garden Of Earthly Delights

The Garden Of Earthly Delights by Hieronymus Bosch.

The first week of July is when it really heats up in New Orleans. The air is thick and smacks you upside the head when you venture outside. The pace of life slows to a crawl and Oscar and Della can be found sprawled out on our wood floors hoping to cool themselves. Nice work if you can get it.

Later today, I’m going to the silliest annual event in New Orleans. It’s a non-violent running of the bulls thingamabob. The “bulls” are roller girls wielding soft paddles. I do not run. Dr. A and I hang out with our friend Cait and the child army of darkness whilst her husband Dave runs. We all sweat. It’s minosas and donuts for me, y’all. Perhaps I should take a Spank paddle to liven things up:

This week’s theme song is inspired by our Boschian theme. You may have noticed that Hieronymus Bosch’s prot0-surrealist The Garden of Earthly Delights is the featured image. There will be more Bosching about later but I will never head to the mountains and drink Busch beer. You say Busch, I say Bosch. Let’s call the whole thing off. Stop me before I quote Ira Gershwin again.

Back to the theme song. It comes from XTC’s Oranges and Lemons album whose cover was featured of a Wednesday in 2014. That feature was sidelined this week but will return next Wednesay: bad scout’s honor. Welcome to the garden of earthly delights, y’all.

I have another Boschy song for your listening pleasure. It was written and recorded by that self-described “awful little man,” Graham Parker.

Now that we’ve listened to some late-Eighties alternative rock, you deserve a break today. OMG, I sound like Ronald Fucking McDonald. That simply will not do.

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Saturday Odds & Sods: Anything Goes

Grandmother Moorhead’s Aromatic Kitchen by Leonora Carrington, 1975.

It was a weird week in New Orleans. It was oddly quiet as everyone hunkered down for a storm that had minimal impact in the city. I spent a lot of time with Oscar and Della. I’m glad to report that they’re fine. They’re used to hanging around the house and sleeping incessantly. Nobody does it better, not even Bond.

I spent some time this week calling the offices of my Republican Senators about the abominable health care bill. I’m not sure what good it will do. Both of them know deep down that it’s bad legislation that will damage a poor state like Louisiana. I expect them to vote aye anyway: neither has the backbone to stand up to Chinless Mitch and the Trumper hordes. Repeat after me: I hope I’m wrong about this.

This week’s theme song reflects the climate of our national politics: “In olden days, a crooked Oval One was looked on as something shocking. Now heaven knows, anything goes. ” Cole Porter was one smart Hoosier Yalie. Boola boola, y’all.

We have two versions of Anything Goes for your enjoyment: the inevitable Sinatra as well as Tony Bennett and Lady Gaga. I’m gaga for Gaga even without the meat suit.

Now that we’ve established that:

The world has gone mad today
And good’s bad today,
And black’s white today,
And day’s night today…

It’s time to insert the break and meet on the other side. It’s what Cole would have wanted.

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Pulp Fiction Thursday: Tropical Disturbance

I wasn’t planning to post another Robert McGinnis cover. I stumbled into this one because it’s the first day of hurricane season. So it goes.

Saturday Odds & Sods: All Shook Up

March by Grant Wood.

The monuments aftershocks continue here in New Orleans. I went to a friend’s kid’s birthday party and was warned to skip the subject because there were some rabid Lost Causers invited. They went there, I did not. I asked for a gold star but did not get one. I considered pitching a fit but thought better of it.

While we’re on the subject of the late monuments, I have two articles to recommend, nay, commend. First, Adrastos acquaintances Campbell Robertson and Katy Reckdahl collaborated on a story connecting the monuments and family histories. Second, the local public radio station, WWNO, has a piece about a proposed monument to Oscar Dunn a former slave who was Gret Stet Lt. Governor during Reconstruction. The monument was never built. Dunn, however, is worthy of one. That’s where I’d like this process to go: Civil Rights figures. It’s what makes sense if we were striking a blow against white supremacy and the Confederacy.

I saw this week’s bucolic featured image on the Antiques Roadshow. I used it because I like the austere lines of the print by the austere Iowan, Grant Wood. Austere seems to be the word of the day. Besides, Dr. A won tickets to the Roadshow when it comes to New Orleans this July. I want them to know we’re coming.

I was horrified to learn from the Guardian that Elvis Presley’s spell is waning with the kids today. If they think of him at all, they think of bloated Elvis from the end of his life or the notorious body in the box picture.

As his peer Fats Domino would surely say, Ain’t That A Shame. Elvis brought rock-and-roll to the masses and was its first King, Besides, what will NOLA’s own Rolling Elvi do if the Elvis mystique is diminished?

Rolling Elvi, Muses Parade, 2011. Photo by Dr. A.

This week’s theme song, All Shook Up, was written by Otis Blackwell and recorded by Elvis in 1957. According to his biographer Peter Guralnick, the reason Elvis received a writing credit is that he came up with the title.

First up is Blackwell’s rendition followed by Elvis’ studio version and then the Jeff Beck Group with Rod Stewart belting it out.

I don’t know about you but I’m, uh, all shook up, which is why we’ll take a break at this point.

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Saturday Odds & Sods: One For My Baby (And One More For The Road)

Struggle For Existence by Clifford Odets.

The unseasonably cool weather continued through the middle of this week in New Orleans. Summer’s cauldron is finally upon us, but this May has a chance to be one of the coolest on record. The coolish weather has thus far kept the Formosan termite swarms in check in my neighborhood. I have another theory: that the new and very bright street lights on Napoleon Avenue are attracting the swarms and keeping them away from Adrastos World HQ. It’s  just a theory but if I’m right it will be a less swarmy and pestiferous year.

Here’s last year’s termite theory in Tweet form:

Actually, I should give credit where it’s really due:

Let’s get back to where we once belonged, 2017.

I’m burnt out on Lost Cause Fest. I’m glad that the Lee statue came down in broad daylight yesterday. At 16 feet tall, it was too big to be removed at night. I’m just glad it’s over. I haven’t gone to spectate at any of the removal spectacles; mostly because it’s slow, arduous, and somewhat boring. Lost Cause Fest involves statues but it doesn’t rock. This front page headline does:

Photo by Milo’s human.

This week’s featured image is a 1947 painting by Clifford Odets. Until I saw last Monday’s  Antiques Roadshow, I had no idea that the playwright/screenwriter was a gifted painter. I guess that’s why they call PBS educational television.

This week’s theme song was written by Harold Arlen and Johnny Mercer for a 1943 Fred Astaire movie, The Sky’s The Limit.  One For My Baby (And One More For The Road) is the torch song’s torch song or is that the saloon song’s saloon song? I am easily confused but you already knew that. If I were pretentious, I’d tell you that I curated three versions of the song but I’m neither a curate nor a cure-all…

We begin with Fred Astaire singing to an indifferent bartender named Joe followed by fabulous versions by Frank Sinatra and Billie Holiday. Frank called it a saloon song whereas Billie torched it up, y’all. There will be more about torches anon.

Now that Joe has set ’em up, let’s go to the break. It’s not a spoiler break as with The Americans recaps, it’s more of a length break. I do tend to go on.

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Saturday Odds & Sods: One Hit (To The Body)

Baluster and Skull by Georges Braque.

It’s been a quiet week in Lake Wobegone, I mean New Orleans. Where the hell did that come from? I’m not tall enough to be Garrison Keillor and I hate cold weather. I would not, however, mind being Guy Noir if a gig as Marlowe or Spade isn’t available. It actually has NOT been a quiet week in New Orleans but I’m taking a monuments moratorium. If a Lost Causer waves a Confederate battle flag at me, I’ll shove it up their ass. Garrison would never do such a thing…

This was the week that the Insult Comedian flipped his weave. Again. The MSM may have finally realized how stupid the president* is. They’re slow learners. They’ve yet to learn that he neither plans anything nor ever tells the truth. In short, the electoral college winner is a moron. The dumbest Oval One ever. God save the Republic from this dipshit.

This week’s theme song is the underrated Rolling Stones tune One Hit (To The Body.) It placed number 61 on a Vulture mega-listicle rating all 374 songs the Stones have recorded. I’ll take a closer look at the list later, but it’s time to rock:

The song uses a physical fight as a metaphor for a break-up. I’m not sure if they had a romantic relationship in mind. One Hit comes from Dirty Work, which was released right before the Stones took a four-year hiatus and nearly called it quits. Keith was so pissed at Mick that he recorded what amounted to his version of How Do You Sleep:

Now that I’ve landed some blows, let’s go to the break before somebody gets hurt.

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Saturday Odds & Sods: Into The Great Wide Open

The Millinery Shop by Edgar Degas.

It’s the first weekend of Jazz Fest. Absent free tickets, we’re not attending this year. We will, however, be going to our top secret location just outside the Fairgrounds to hear Tom Petty and the Heartbreakers. I’d be heartbroken if we didn’t do that. I hope that the weather will co-operate. There’s a chance of severe thunderstorms tomorrow. So it goes.

Hats are popular at Jazz Fest. That’s one reason I posted the Degas painting as the featured image. Another is that Degas spent time in the Crescent City visiting his Creole family; some of whom identified as black and others as white, much like the Herriman-Chasse clan I recently discussed in this space. It’s why gumbo is used so often as a metaphor to describe the natives. I’m equally inclined to compare New Orleans to a crazy quilt. The creator of Krazy Kat was born here, after all.

In other local news, the Saints have signed 32-year-old running back Adrian Peterson. His age is not my problem with the signing: it’s his status as a child beater. I wrote about it 3 years ago: Adrian Peterson Did Not Spank His Son, He Beat Him. So much for all of Sean Payton’s blather about bringing in players with “character.” This one has or had a “whooping room” in his Houston area house full of belts, switches, and the like.

This week’s theme song comes from the Tom Petty and the Heartbreakers album of the same name. Into The Great Wide Open is best known for its swell video and “rebel without a clue” chorus. The latter surely applies to the current occupant of the White House. The deplorables among his supporters are a rabble without a clue.

While we’re on the subject of Tom Petty, here’s a sleeper track from that very album:

I’m fond of that song because it reminds me of one of the main drags of my native Peninsula: El Camino Real. That’s the king’s highway in Spanish.  It spans several Bay Area counties and was where teenage me used to cruise. We didn’t have the internet to occupy us so we drove about aimlessly. One of my cronies always called it the Elk. That’s a bit too gamey or clubby for my taste. It must be time for the break.

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Saturday Odds & Sods: Disturbance At The Heron House

Elijah and the Ravens by Ralph Chessé, 1945.

Winter played a fleeting return engagement in New Orleans this week. Unlike the Mid-March blizzard in the Northeast, it wasn’t anything to write home about but we ran the heater and shivered a bit. I’m not a fan of the new practice of naming winter storms even if the first one is named after a famous theatrical character, STELLA. Unless, that is, it’s named for the Hunter-Garcia ballad Stella Blue. The mere thought of a blizzard makes me blue so that could be it.

It may have been chilly of late but Spring allergy season is upon us with a vengeance. I have a mild case of red-eye but I’m used to that. A worse pestilence is this year’s flea crop. We haven’t had a hard freeze for several years so the nasty little buggers are dining on Oscar and Della Street. All we can do is treat the house, medicate the cats, and hope for the best. The idea of putting a flea collar on Della is particularly unappealing. She’s been known to draw blood so I’ll pass. Chomp.

This week’s theme song comes from R.E.M.’s classic 1987 Document album; more on the album anon. It’s my favorite record in their catalog and Disturbance At The Heron House is the kat’s meow. The lyrics were inspired by George Orwell’s Animal Farm, which is another reason I like it so much.

Here are two versions. The original studio track and one from R.E.M.’s appearance on MTV Unplugged. The second video has Radio Song as lagniappe.

The “followers of chaos out of control” indeed. In fact, they can follow me to the other side after the break. I hope it’s sufficiently chaotic.

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Saturday Odds & Sods: Top Of The Pops

Swing Landscape by Stuart Davis.

Swing Landscape by Stuart Davis.

It’s time for the Irish Channel St. Patrick’s Day parade later today. This year’s route is so long that it should be renamed the Uptown/Irish Channel St. Patrick’s Day. We’re fleeing to our friends Greg and Christy’s annual shindig, which puts the bang in shebang or some such shit. And I know the parade isn’t happening on the day itself. This is New Orleans, we do things our own way. Y’all should know that by now. There will, however, be drinking involved. We’re not that bloody different: walk me out in the Tullamore morning dew…

The big local story is that the Fifth Circuit has lifted an injunction against removing the white surpremacist monuments. They’ll be gone pecans soon enough. The erstwhile Gret Stet Fuhrer has been relatively silent this time around. He’s too busy fluffing Trump on Twitter to get worked up about it. For now. I guess that makes him a fluffer nutter. I hereby apologize to others out there who love marshmallow fluff, which recently celebrated a somewhat sticky centennial.

This week’s theme songs qualify as benign earworms. My mind keeps drifting back in their direction, which is why I’m taking you to the top, top, Top of the Pops.

We’re going in reverse chronological order with the 1991 Smithereens tune first. The video was filmed in Atlantic City. I looked for Chalky White but didn’t see him.

This week we’re back in same title, different song territory with the Kinks who were the band that most influenced the Reens. I’ve always preferred this loose live version of Top of the Pops to the more buttoned down studio track:

Now that I’ve rocked your world, it’s time to insert the break. This post grew like Cat’s Claw vines on an abandoned shotgun double so one is in order. See you on the other side.

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