Saturday Odds & Sods: Fly Like An Eagle

Women and Birds at Sunrise by Joan Miro

Once again, New Orleans showed the world how to turn adversity into a party. I’m talking about the widespread local boycott of the Super Bowl. It was easy for me. I rarely watch unless I have a rooting interest in one of the teams. I wasn’t down for some of the dumber aspects of “no-call gate” such as claims that the Saints wouldn’t have gone to the big dance after a similar bad call, or that the Rams were cheaters BUT we *wuz* robbed. I blame the league and the referees, not the Rams who lost in one of the dullest Super Bowls in years. Yawn. Brady and Belichick won again. Yawn.

New Orleanians quickly moved from the Super Bowl controversy to an argument over the Krewe of Chewbacchus. It’s a geek/sci-fi parade that sprung up a few years back. I like the idea but hate the execution. I like parades to move quickly and not stall for hours as Chewbacchus invariably does. Yawn.

The head of the krewe styles himself, not as a humble Captain, but as “The Overlord.” He floated a trial balloon that they *might* exploit a loophole in city ordinances and allow commercial sponsorship. That’s a big NOLA no-no: the krewes, not corporations, throw a party for the city and its citizens. The “Overlord” quickly crawfished and claimed he was just joking but I know a deflated trial balloon when I see one. Pop goes the geek weasel.

This week’s theme song was written by Steve Miller and was the title track of his1976 hit album. The Fly Like An Eagle single was a monster hit, peaking at number two on the Billboard charts.

We have three versions for your listening pleasure: the original SMB hit, a live version with guitarist Joe Satriani, and a cover by my homeys, the Neville Brothers:

Now that we’ve soared like eagles, let’s jump to the break, Hopefully, there will be a tailwind so we won’t break our tail feathers or is that bend? Beats the hell outta me.

Continue reading “Saturday Odds & Sods: Fly Like An Eagle”

Signs of the Times

FINE, let’s talk about that idiot Ralph Northam and how this whole flaming fustercluck could have been avoided had he been like, “Look, once upon a time I was an asshole, here is a picture of it, and here is how I have worked to remediate that and how you should do so as well.” Instead of waiting for someone to get mad enough to find it and do what was done with it. God. (The fuckin’ moonwalk thing. Can someone please tell all white men everywhere during this Black History Month that there’s no particular virtue in saying every … Continue reading Signs of the Times

Can We Talk about How Shitty that Serena Cartoon Is?

We’ve been talking about how racist it is, but can we also talk about how it sucks? How it’s obvious and badly drawn and doesn’t make any point that anyone hasn’t ever made before about anything? Australian cartoonist Mark Knight has defended his widely condemned cartoon of US tennis star Serena Williams, claiming that it was a true reflection of the events of the US Open women’s final. The cartoon appeared in Monday’s edition of Australian tabloid The Herald Sun, and drew outrage on social media for depicting the 23-time Grand Slam winner with enlarged lips, a larger figure, a broken racket … Continue reading Can We Talk about How Shitty that Serena Cartoon Is?

Saturday Odds & Sods: Too Late To Turn Back Now

Parade by Jacob Lawrence

It was Katrinaversary week along the Gulf Coast. I wrote about that on the day itself. Nuff said. In related news, former Nagin henchman Greg Meffert aka Muppet crawled out from whatever stone he’s been hiding under since testifying against C Ray. He has a new book out, which I will be reviewing for the Bayou Brief next week. It’s bound to be unintentional comedy gold.

This week’s theme song, Too Late To Turn Back Now, was written by Eddie Cornelius. It was a monster hit in 1972 hitting #2 on the Billboard charts. It’s featured in the new Spike Lee joint; more about that later.

We have 2 versions for your listening pleasure. The original hit song by the Cornelius Brothers & Sister Rose and a reggae-fied cover by the Chi-Lites.

It’s too late to turn back now, which is why we’re jumping to the break. Make that falling…

Continue reading “Saturday Odds & Sods: Too Late To Turn Back Now”

Saturday Odds & Sods: The Calling

Tales from Topographic Oceans by Roger Dean.

Summer colds are the worst. I’ve been laid low by one. Achoo. My nose looks as if it belongs to Rudolph and I sound like Froggy in The Little Rascals. Shorter Adrastos: I’m going to keep this introduction concise lest writing it winds me. Hopefully, the rest of the post will make sense: I’m blogging hurt. Make that wheezy. Jeez, that sounds like an episode of The Jeffersons.

This week’s theme song is the stirring album opener from 1994’s Talk by Yes. Like many other fans, I call the Trevor Rabin-era band, Yes West. They moved their base of operation to Southern California in the 1980’s, and had a different sound than classic Yes; pop-prog as opposed to pure prog. Hence Yes West. The Calling was written by Jon Anderson, Trevor Rabin, and Chris Squire and it rocks like crazy.

We have two versions for your entertainment. First, a video featuring a goofy cosmic introduction by Jon Anderson. Second, a live version from the Talk tour that commences with an instrumental Perpetual Change.

While we’re on the subject of Yes, the featured image is Roger Dean’s cover of Tales from Topographic Oceans without the lettering.

Now that I’ve gone all art rocky on your asses, let’s jump to the break.

Continue reading “Saturday Odds & Sods: The Calling”

GOP SOP

It’s human nature to want to think the best of people. Hell, even I give *most* people the benefit of the doubt, and I was first called a curmudgeon in my teens. But I don’t think this presumption should be extended to Republican politicians and anyone with the last name Trump. Since the president* is on “holiday” at his golf club in Jersey, he’s had an itchy twitter finger. He’s made several admissions against legal interest and also slammed two high-profile African-American gents: https://twitter.com/realDonaldTrump/status/1025586524782559232 I thought the Kaiser of Chaos never watched “fake news” CNN. Guess he’s lying about that. … Continue reading GOP SOP

How DID the GOP Become the Party of White Supremacy So Fast?

It’s an eternal mystery. IRWINTON, Ga., Jan. 21— G. Harrold Carswell, President Nixon’s Supreme Court nominee, during a campaign for the Georgia Legislature in 1948, made a speech in which he said that he would always be governed by the “principles of white supremacy.” A. Continue reading How DID the GOP Become the Party of White Supremacy So Fast?

Saturday Odds & Sods: Get Together

Flying Eyeball by Rick Griffin.

To say that New Orleans is a football town is a grotesque understatement. Between the Saints and LSU Tigers, gridiron love runs deep in the Crescent City. But last Monday, local sports fans were talking about the NBA Pelicans. Our local hoopsters lost 2 players to free agency: Rajon Rondo and DeMarcus (Boogie) Cousins. The latter Boogied to the Warriors and the surly Rondo signed with the Lakers. I was one of the few  local hoops fans to take this in stride. Rondo was a team leader last year after 12 years as a locker room cancer and occasional gay basher. Boogie Cousins had a torn ACL, which is an injury that usually diminishes big men when they return. I had a torn ACL myself. It ended my unpromising career as a little leaguer. So it goes.

In other local news, new Mayor LaToya Cantrell continues her incomprehensible PR campaign:

I still haven’t the foggiest notion as to what “being intentional” means. Of course, I may just be unintentionally dim. I had an intentionally amusing twitter exchange inspired by the Mayor’s tweet. Two of my twitter friends evoked the image of Matt Foley, Chris Farley’s failed motivational speaker, culminating in this tweet from my old pal Liprap:

This week’s theme song is a bona fide hippie anthem. Get Together was written by Dino Valenti who is best known as lead singer for Quicksilver Messenger Service. Valenti was a man of many names: he was born Chester Powers and also wrote songs as Jesse Orris Farrow.

We have three versions of Get Together for your listening pleasure. First, the Youngbloods, a band so hippie dippy that their keyboard player was nicknamed Banana, followed by the pre-Grace Slick Jefferson Airplane, and a recent live version by Dave Alvin and Jimmie Dale Gilmore.

In case you’re wondering, the featured image is by Rick Griffin who was one of the legendary Sixties rock poster artists. The image itself was originally on a poster for a Youngbloods show at the Avalon Ballroom in San Francisco.

Now that we’ve discussed the Flying Eyeball, let’s make like Evel Knievel and jump to the break.

Continue reading “Saturday Odds & Sods: Get Together”

Kirstjen’s Katrina Connection

It had to happen. Some pundits are calling the caged children scandal “Trump’s Katrina.” First, former Failing NYT editor Jill Abramson in the former Manchester Guardian followed by New Yorker editor David Remnick. To be fair, Remnick acknowledges a crucial difference: Some … Continue reading Kirstjen’s Katrina Connection

Color Blindness

It drives me crazy when I see white women raising their Black children to be “color-blind.” As the Black daughter of a white mother who prepared me for the world by talking about race and racism, I can tell you that you are doing your children a disservice. — Imani Gandy (@AngryBlackLady) May 15, 2018 I remember the first time Kick directly identified someone’s race. It wasn’t long ago. I’d waved to a neighbor through the window while we were having breakfast and she asked who I was waving at. “Mr. M-, honey. He’s out in his yard.” She turned, … Continue reading Color Blindness

Saturday Odds & Sods: In The Still Of The Night

Contrasting Sounds by Wasilly Kandinsky.

It’s been an eventful week in New Orleans. The city celebrated its 300th anniversary and inaugurated our first woman mayor. I expressed my reservations about Mayor LaToya Cantrell on ye olde tweeter tube:

The slogans included “We are woke” and “We will be intentional.” I’m uncertain if that’s intentional grounding or an intentional walk. I dislike the latter baseball tactic as much as exclamation points. I still wish the new mayor well. Her propensity to mangle the language is good for the satire business, and there’s no business like giving a politician the business. I believe in taking care of business, every day, every way.

This week’s theme song, In The Still Of The Night, was written by Cole Porter in 1937 for the MGM movie musical, Rosalie. It was first sung by Nelson Eddy who was in a shit ton of hokey costume movie operettas with Jeanette MacDonald. I am not a fan of the duo but I am a die-hard Cole Porter fan as evinced by the frequent appearance of his work as Odds & Sods theme songs. I considered counting them but I’m feeling as lazy as the president* today. Where did all my executive time go?

We have two versions of the Porter classic for your entertainment. First, the elegant jazz-pop baritone Billy Eckstine aka the Voice of God.

Second, the Neville Brothers featuring some gorgeous sax playing by Charles Neville. He was an acquaintance of mine. Charles died recently at the age of 79. He was a lovely man with a kind word for everyone he met.

It’s time for a journey to Disambiguation City. Fred Parris wrote *his* In The Still Of The Night for his doo-wop group The Five Satins in 1956.

Yeah, I know, Boyz II Men also had a hit with the Parrisian song but I’m not going there. Instead, let’s jump to the break. Now where the hell did I put my parachute?

Continue reading “Saturday Odds & Sods: In The Still Of The Night”

You Could Just Ask

Jesus, my fellow white people: My neighbors called the cops on me for sitting in my car for too long Outside of my own house https://t.co/P3kg3eVzDY — Corlin. (@OGCORLIN) April 19, 2018 You could just go up and ask, like hi there, you okay? (You could also know your neighbors, such that if you hear a weird noise or see an unfamiliar car you recognize the person behind it, but let’s take baby steps.) I know we’re all about to be raped and murdered by the slavering hordes at any moment, especially nice white ladies who answer to “the wife” … Continue reading You Could Just Ask

Saturday Odds & Sods: In The Mood

Swing Landscape by Stuart Davis.

It’s crawfish season in New Orleans. I’m talking about eating, not catching them. I leave that to the experts. We went to our longtime boiled crawfish restaurant, Frankie & Johnny’s, with some friends from Richmond this week. Several of them were uncertain they’d like the mudbugs but they did. It may be hard work peeling them but it’s worth it. Mmm, berled crawfish.

We’re attending a benefit crawfish boil tomorrow. It’s in support of Team Gleason, a group dedicated to helping ALS patients and their families. It was founded by former Saints player Steve Gleason who has ALS but keeps on fighting the good fight. He’s a remarkable man and it’s a worthy cause. Plus, there’s crawfish and beer involved.

I’m in a swing mood this week so it’s time to break out some Glenn Miller. We have two versions for your musical amusement: Glenn Miller and his orchestra in the 1941 movie Sun Valley Serenade and the Brian Setzer Orchestra’s Gettin’ In The Mood with lyrics by Mike Himmelstein. The tune is the same. Oh yeah.

Now that I’ve got you Lindy Hopping, it’s time to jump to the break but try to do it on the beat.

Continue reading “Saturday Odds & Sods: In The Mood”

Why Is It Hard To Denounce Neo-Nazis?

It’s the 50th Anniversary of the assassination of Martin Luther King in Memphis. Meanwhile the Tennessee lege is having a hard time passing something that *should* be an easy lift: Twice this spring, lawmakers in the Tennessee Assembly have tried to promote resolutions condemning neo-Nazis and white nationalists. Both times those efforts have failed. The second attempt was abandoned just this week, after a Republican lawmaker unsuccessfully tried to alter the motion’s language to make it more palatable to his caucus. House Republican Caucus Chairman Rep. Ryan Williams’ resolution reworked one put forth by Democratic Rep. John Ray Clemmons, which died in … Continue reading Why Is It Hard To Denounce Neo-Nazis?

Saturday Odds & Sods: Don’t Be Cruel

Two Flags by Jasper Johns.

I suspect you recognize the featured image. I’ve used it many times during government shutdowns; most notably in my epic America Held Hostage series in 2013. It’s nice to have some Jasper Johns flags about the virtual house to plug-in when the GOP next decides to shut the government down. If only they’d shut their fucking mouths…

Easter Sunday and April Fool’s Day coincide this year. I  expect more bunny related hoaxes than resurrection pranks. The pagan spring fertility thing is more palatable than what Easter means to believers. I’m not one but I like holidays to be straightforward. Now that I think of it, I’m surprised that the biblebangers have never banged on about a war on Easter. It’s bound to happen, they’re the whiniest people in the country. It’s probably why they like the Insult Comedian. It can’t be the hair.

This week’s theme song was written by Otis Blackwell in 1956. Don’t Be Cruel was originally the B-Side of Elvis’ Hound Dog 45 before becoming a hit in its own right. We have two versions of the Blackwell song for your listening pleasure. One from Elvis on the Ed Sullivan Show, the other from Cheap Trick.

It’s time for Nick Lowe’s variation on the cruelty theme with Cruel To Be Kind on Live From Daryl’s House:

Now that we’ve declared our hostility to cruelty, let’s jump, jive, and wail to the break.

Continue reading “Saturday Odds & Sods: Don’t Be Cruel”

Quote Of The Day: Radical MLK Edition

The MSM portrays Martin Luther King as a Civil Rights teddy bear when, in fact, he was a tough-minded man. He *was* pragmatic and believed in non-violent action BUT he was a more radical and polarizing figure in his day than the man from the “I have a dream” speech. He would not have accomplished so much if he hadn’t been a bad ass. There are many good radical MLK quotes out there. This one fits our era quite well: “Whites, it must frankly be said, are not putting in a similar mass effort to reeducate themselves out of their … Continue reading Quote Of The Day: Radical MLK Edition

Saturday Odds & Sods: Come Rain Or Come Shine

Amerind Landscape by Roy Lichtenstein.

I started this zany, madcap weekly feature in the spring of 2015. I have a lot of fun putting it together and riffing on the segments every week. It’s become a cult favorite among our readers. If you enjoy Saturday Odds & Sods, please donate to First Draft to help keep the doors to this virtual gin joint open. If you don’t like gin, pick your poison as long as it’s not vodka…

That concludes this brief commercial announcement. It’s time to return to our regularly scheduled programming.

It’s full-tilt fall in New Orleans after summer lingered far too long for my taste. We’ve had highs in the low to mid 70s for most of the last week. That means that many New Orleanians are OB’d: Over-bundled. People are so desperate to wear last year’s Christmas sweater that they’re overdressing for these mild days. So it goes.

The big news hyper-locally is that pesky, annoying twerp Seth Bloom has finally conceded in the District B city council race. The satirist in me will miss mocking him, but the citizen in me is relieved that his steady, experienced opponent, Jay Banks will represent me on the council. I will miss having Seth to kick around so I might as well re-post this:

Arrividerci, Sethy. You can go back to annoying people in your daily life. Don’t let the door hit you on the ass as you exit the local political stage. If you re-enter the arena, the feud will resume. Who among us doesn’t like a feud fight?

A brief return to the weather. It was the driest November in recorded history in New Orleans. How’s that for a lead-in to the theme song? Come Rain or Come Shine is the third Arlen-Mercer song I’ve used as the Odds & Sods theme song. I guess I like Harold and Johnny: the nice Jewish boy from Buffalo and the Southern scamp from Savannah. The song was written for the movie musical St. Louis Woman and first published in 1946.

We have three versions for your enjoyment. First, a swinging version arranged by Billy May for Ella Fitzgerald’s Harold Arlen Songbook, which is a seriously underrated entry in the songbook series. Next up, Lady Day with a mid-tempo version from her Music For Torching album. Finally, a 21st Century version from Eric Clapton and BB King.

Now that we’ve risen and shined or something like that, let’s jump to the break.

Continue reading “Saturday Odds & Sods: Come Rain Or Come Shine”