Saturday Odds & Sods: Town Without Pity

Cover art for Paul Eluard’s Reflections by Max Ernst.

Extreme heat is the price we’ve paid for missing out on Hurricane Dorian. As cranky as I am, I’m glad this heat-bringing high is warding off any tropical activity. I won’t miss it when it’s gone but I’m glad it’s here as Dorian creeps up the east coast. That storm is a relentless motherfucker. The fucker should return to the attic from whence it came.

Drew Brees ate my Friday morning. I hope he buttons his lip and keeps his foot out of his mouth until after Monday’s game.

The featured image is a collage done by the great Max Ernst for a book by his fellow surrealist, Paul Eluard. You may have noticed that I love surrealist art. I use it a lot in this space and have even threatened to post nothing but Ernst and Magritte featured images for Odds & Sods. I’ve also used an Ernst image for my new Bayou Brief column, 13th Ward Rambler.

This week’s theme song was written by Dimitri Tiomkin and Ned Washington for the 1961 Kirk Douglas film, Town Without Pity.  I’d never seen the movie until last weekend. It’s a cross between film noir, Italian neo-realism, German expressionism, and a Cassavetes flick. I liked it a lot and give it 3 1/2 stars and an Adrastos Grade of B+. It’s currently streaming on Amazon Prime.

We have three versions of Town Without Pity for your listening pleasure: the Gene Pitney original, Stray Cats, and the Brian Setzer Orchestra. My boy Brian knows a hidden treasure when he hears one.

Let’s escape the bleak mean streets of a German town without pity by remorselessly jumping to the break.

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Not Everything Sucks

This photo archive exists and is being circulated around again:  For the Documerica Project (1971-1977), the Environmental Protection Agency (EPA) hired freelance photographers to capture images relating to environmental problems, EPA activities, and everyday life in the 1970s. John H. White was one of nearly one hundred photographers hired for DOCUMERICA. His photographs captured the spirit and struggle of the African-American community in Chicago, Illinois in the early 70’s. John White is a national treasure and these images of a Chicago past make it seem so alive and vital. A. Continue reading Not Everything Sucks

Saturday Odds & Sods: Tangled Up In Blue

The Large Blue Horses by Franz Marc.

The weather has been wild and wacky in New Orleans. It was 80 degrees last weekend, then it plummeted to a day time high of 50 a mere two days later. It’s like being an extra in The Pit and The Pendulum. I have no idea what that means but it sounds good.

We had some car trouble this week. We convinced ourselves we might have major electrical issues. It turned out the car needed a new battery. Whew. Dr. A has named the new used car Hildy, after Rosalind Russell’s character in His Girl Friday. Neither Cary Grant nor Ralph Bellamy were consulted.

Am I allowed to brag? I promise not to go all Insult Comedian on your asses. The response to my Neelyisms: Translating Louisiana’s Junior Senator piece has been very favorable indeed. Thanks, y’all. I hope it will further one of my quirkier causes: getting people to stop calling him by his real name instead of my nickname for him. Repeat after me:  In politics, there’s only one John Kennedy, and his middle initial was F, not N. Just call him Neely.

This week’s theme song was written by Bob Dylan for his great 1975 album Blood on the Tracks. Tangled Up In Blue is one of my favorite Dylan tunes. It’s an almost foolproof song, which is why it has been covered so many times.

We have three versions for your listening pleasure: Dylan’s original, a 2017 cover by Joan Osborne, and a live version by the Jerry Garcia Band.

Now that we’re all tangled up, let’s jump to the break. I hope I can find my blue ripcord.

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Saturday Odds & Sods: Running On Empty

Carnival Tryptich by Max Beckmann

It’s been an uneasy week in the Big Easy. There’s much outrage at the local utility company, Entergy, for hiring actors to attend City Council meetings. The company has made it worse by continuing to lie about it. It’s called Astroturfing, it’s not illegal it’s just sleazy. The more Entergy lies, the longer the story persists. Lying seems to be contagious in the age of Trump. Knock it off, y’all.

In other Gret Stet news, we’re voting on a constitutional amendment to end non-unanimous jury verdicts. Louisiana and Oregon are the only two states that have this system and we’re in a race for repeal. The odds are good that voters will end the practice next Tuesday: there’s broad bi-partisan support for the change. It’s good when the Gret Stet good guys win one. In fact, it’s great. Hopefully, that Tony the Tiger-ish sentiment will help LSU when they play Alabama tonight. Geaux Tigers.

This week’s theme song, Running On Empty, was written and recorded by Jackson Browne in 1977. It’s been used in two movies: Forrest Gump and gave Sidney Lumet’s great 1988 movie its title. We’ll have more about *that* Running On Empty after the jump.

We have two versions for your listening pleasure. Both feature brilliant lap steel playing by the great David Lindley of whom I’ll have more to say at the end of the post. Holy previews, Batman.

We may be low on gas but there’s enough in the tank to jump to the break.

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Saturday Odds & Sods: Late In The Evening

Father Mississippi by Walter Inglis Anderson.

It’s finally showing signs of cooling off in New Orleans even if it appears to be a cruel autumnal tease. The cool front helped keep Hurricane Michael away from us. It was a beast of a storm that battered the Florida panhandle and provoked PTSD flashbacks in the New Orleans area. Best wishes to everyone in the affected areas.

In more savory local news, Advocate food writer Ian McNulty wrote a piece about the surfeit of new restaurants in the city. Ian is worried that we’re losing the thread with so many eateries dependent on the tourist trade. New Orleans didn’t become a great food city with tourist traps but with restaurants serving locals. One Oceana Grill is enough. Just ask Gordon Ramsay:

You didn’t have to take that so personally, Chef Ramsay. Piss off out of my post.

This week’s theme song is appropriate because I usually post Saturday Odds & Sods at the stroke of midnight. Some of my regular readers look for it then. One would hope they’d have something better to do.

Paul Simon wrote Late In The Evening in 1980 for his One-Trick Pony album. Simon also wrote and acted in a movie of the same title, which sank without a trace. I always thought horses could swim…

We have two versions for your listening pleasure. The original hit single followed by a scorching hot live version from 1992’s Born At The Right Time tour.

I used a painting by New Orleans/Ocean Springs, MS artist Walter Anderson as the featured image because he famously tied himself to a tree during Hurricane Betsy. We grow them eccentric in these parts. If things had gone wrong, it would have given a whole new meaning to the term tie-dyed.  If that pun doesn’t make you want to jump to the break, nothing will.

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Saturday Odds & Sods: Sweet Dreams

Any Eye For A View by Paul Fleet.

I vowed not to complain about the heat this week. It’s always hot in New Orleans in July, after all. Besides, much of the world is having a heat wave so we’re not alone. Suffice it to say that even people who like warm weather are complaining about it. I’m trying my best to be stoical in the face of it all. I’m not sure if I’ll succeed in this but who the hell wants to hear a grown man whine about the humidity?

A big local story was the anointment of Zach Strief as the new play-by-play announcer of the New Orleans Saints. He has huge shoes to fill: Jim Henderson was to the Saints and their fans what Vin Scully was to the Dodgers. I’m skeptical that the inexperienced Strief is up to the job: he’s a recently retired Saints offensive lineman, and while he’s a bright, articulate guy, he’s unqualified to be a play-by-announcer.  Of course, this is the age of the unqualified.

Our theme songs this week are variations on a dreamy themey. Patsy Cline’s Sweet Dreams was written by Don Gibson who recorded it 8 years before Patsy. Her version is the one we remember. Sweet Dreams was also the title of the fabulous Jessica Lange starring 1985 bio-pic.

Yes’ Sweet Dreams comes from their second album, Time and a Word. They were still finding their way in the musical world at that point.

Sweet Dreams (Are Made Of This) was a monster hit for the Eurythmics in 1983. There was an epidemic of teenage girls who cut their hair very short because they wanted to be Annie Lennox. Who could blame them?

That concludes this foray to Disambiguation City. It’s time to awaken from your dreams, sweet or otherwise, and jump to the break.

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Saturday Odds & Sods: Dimming Of The Day

New Orleans Window by Lee Friedlander.

Happy Bastille Day. I’m not planning on storming anything, it’s too damn hot for that. I *am* spending some time in the heat by attending San Fermin New Orleans. It’s our zany version of the running of the bulls in which the bulls are rollergirls with plastic bats. I’m not running, I’m drinking mimosas, eating donuts, and hanging out with Dr. A, our friend Cait, the child army, and whoever else shows up. It’s a sweaty, fun, and deeply silly time.

I predicted that the president* would make an ass of himself in the UK and he has done so. He gave an inflammatory interview to the Murdoch owned Sun wherein he praised Boris Johnson, criticized Theresa May, bashed immigrants, and wished people would call the country England again. He apparently re-annexed Ireland while he was at it. The next day, he denied attacking May and called The Sun “fake news” even though it’s owned by his pal Rupert. It was just another day in Trump World.

The featured image is one of my favorite photographs from the New Orleans Museum of Art’s Lee Friedlander in Louisiana exhibit. The New York based photographer has a passion for New Orleans, which is on display at NOMA until August 12th.

This week’s theme song was written by Richard Thompson for Pour Down Like Silver the third album he and then wife Linda recorded together. We have three versions for your listening pleasure. The original version followed by covers by the Neville Brothers and Bonnie Raitt. RT plays on the latter recording.

Now that we’re feeling a bit on the dim side,  let’s brighten things up by jumping to the break.

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Saturday Odds & Sods: In The Still Of The Night

Contrasting Sounds by Wasilly Kandinsky.

It’s been an eventful week in New Orleans. The city celebrated its 300th anniversary and inaugurated our first woman mayor. I expressed my reservations about Mayor LaToya Cantrell on ye olde tweeter tube:

The slogans included “We are woke” and “We will be intentional.” I’m uncertain if that’s intentional grounding or an intentional walk. I dislike the latter baseball tactic as much as exclamation points. I still wish the new mayor well. Her propensity to mangle the language is good for the satire business, and there’s no business like giving a politician the business. I believe in taking care of business, every day, every way.

This week’s theme song, In The Still Of The Night, was written by Cole Porter in 1937 for the MGM movie musical, Rosalie. It was first sung by Nelson Eddy who was in a shit ton of hokey costume movie operettas with Jeanette MacDonald. I am not a fan of the duo but I am a die-hard Cole Porter fan as evinced by the frequent appearance of his work as Odds & Sods theme songs. I considered counting them but I’m feeling as lazy as the president* today. Where did all my executive time go?

We have two versions of the Porter classic for your entertainment. First, the elegant jazz-pop baritone Billy Eckstine aka the Voice of God.

Second, the Neville Brothers featuring some gorgeous sax playing by Charles Neville. He was an acquaintance of mine. Charles died recently at the age of 79. He was a lovely man with a kind word for everyone he met.

It’s time for a journey to Disambiguation City. Fred Parris wrote *his* In The Still Of The Night for his doo-wop group The Five Satins in 1956.

Yeah, I know, Boyz II Men also had a hit with the Parrisian song but I’m not going there. Instead, let’s jump to the break. Now where the hell did I put my parachute?

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Saturday Odds & Sods: Go Your Own Way

High Summer, World of Light by Gillian Ayres.

 The April weather in New Orleans has been so fabulous that I’m convinced we’ll pay for it this summer. It’s been cool, sunny, and not muggy. It’s something to hold on during the dog days of summer when it gets hot enough to melt your face and various extremities.

Jazz Fest started yesterday. I’ve gone from loving it to feeling conflicted. I rarely object to change but most of the changes they’ve made post-K have been, well, objectionable. The promoters and their apologists continue to tell us it’s a community oriented festival but they’ve priced most locals out. Oh well, enough bitching. Here’s a quick reminder of the Krewe of Spank’s 2017 theme, which says it all:

This week’s theme song was written by Lindsey Buckingham for Fleetwood Mac’s 1977 masterpiece Rumors. It subsequently became the closing number at most of their shows. We have three versions for your listening pleasure. First, the original studio track followed by a scorching 1997 live version. I believe it melted my face the first time I heard it. Finally, an orchestral interpretation by the Royal Philharmonic Orchestra.

Fleetwood Mac has been in the news of late with the announcement of their umpteenth lineup change. Lindsey is out for now. In a backhand compliment to his talent, they’re replacing him with two great musicians: Neil Finn of Crowded House and Mike Campbell of the Heartbreakers. If this were a baseball trade, it would be a good one. I’m a diehard fan of both Neil and Mike, so I’m fascinated to hear Fleetwood Mac Mach 4444.

Now that I’ve geeked out, let’s jump to the break. I hope First Draft doesn’t trade me for a blogger to be named later.

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Saturday Odds & Sods: Don’t Be Cruel

Two Flags by Jasper Johns.

I suspect you recognize the featured image. I’ve used it many times during government shutdowns; most notably in my epic America Held Hostage series in 2013. It’s nice to have some Jasper Johns flags about the virtual house to plug-in when the GOP next decides to shut the government down. If only they’d shut their fucking mouths…

Easter Sunday and April Fool’s Day coincide this year. I  expect more bunny related hoaxes than resurrection pranks. The pagan spring fertility thing is more palatable than what Easter means to believers. I’m not one but I like holidays to be straightforward. Now that I think of it, I’m surprised that the biblebangers have never banged on about a war on Easter. It’s bound to happen, they’re the whiniest people in the country. It’s probably why they like the Insult Comedian. It can’t be the hair.

This week’s theme song was written by Otis Blackwell in 1956. Don’t Be Cruel was originally the B-Side of Elvis’ Hound Dog 45 before becoming a hit in its own right. We have two versions of the Blackwell song for your listening pleasure. One from Elvis on the Ed Sullivan Show, the other from Cheap Trick.

It’s time for Nick Lowe’s variation on the cruelty theme with Cruel To Be Kind on Live From Daryl’s House:

Now that we’ve declared our hostility to cruelty, let’s jump, jive, and wail to the break.

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Saturday Odds & Sods: Caravan

The Egg by Tarsila do Amaral.

We suffered from weather whiplash in New Orleans this week. It was 84 degrees on Monday within 36 hours the temperature had dropped 40 degrees. My, my, my.

It’s election day in next door Jefferson Parish where they’re about to elect a new Sheriff. Long-time incumbent Newell Normand resigned last summer to become a talk radio big mouth. I don’t get talk radio: the idea of listening to anyone bloviate for three hours does not float my boat. It might even sink it.

The one certainty of the race is that a Republican with an Italian name will be elected. Interim Sheriff Joe Lopinto was anointed by Normand who, in turn, was anointed by the late Harry Lee. His opponent, John Fortunato, was the department spokescop for many years. He’s best known for bringing Steven Seagal and his crappy reality cop show, Lawman, to Jefferson Parish.

If Lopinto wins, it may be down to an error made on live teevee by Fortunato. He said that he’d support pervy parish President Mike Yenni about whom I’ve written in this space. Oopsie. He changed his mind but the damage was done. This ad tying the unfortunate Fortunato to Yenni has been running constantly this week:

It’s a powerful job and Lopinto has momentum as the campaign winds down. Winning the election could be a guarantee of lifelong employment: Lopinto is only the fourth Sheriff since 1964.

Welcome to Disambiguation City with this week’s theme song. (It’s not far from Sufragette City. Wham, bam, thank you m’am.) We have three different songs titled Caravan for your listening pleasure. I give you in chronological order: Duke Ellington, Van Morrison with The Band, and Todd Rundgren and Utopia.

Now that we’ve ridden across Eastern Europe with a Romany/Gypsy caravan, it’s time to jump to the break. Happy landings.

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Saturday Odds & Sods: The Irish Rover

High Spring Tide by Jack Butler Yeats.

The Irish Channel Saint Patrick’s Day parade is on the day itself this year. I’m not sure if this will increase drunken revelry but I plan to do some day drinking. Dr. A and I have been going to our friends Greg and Christy’s open house for the last 11 or 12 years. It’s hard to be precise since whiskey and beer are involved. Whiskey, of course, is the devil.

The big local news is the death of New Orleans Saints and Pelicans owner Tom Benson at the age of 90. The local media has done some cringeworthy coverage of this gruff car dealer whose demeanor and voice reminded me of Archie Bunker. The hagiography is a bit much given Benson’s attempt to move the Saints to his *other* hometown of San Antonio as the region reeled from the Katrina and the Federal Flood. He sent his image to rehab with donations to charity, the Super Bowl win didn’t hurt either. He was also a supporter of the GOP and other dubious conservative rich guy causes. As Archie would surely say at this point, goodnight nurse.

This week’s featured image is by the Irish painter Jack Butler Yeats. And, yes, he was related to the poet William Butler Yeats: he was his kid brother. I’m uncertain as to whether he was a pesky one. It would be poetic justice if he were…

Our theme song is a traditional Irish folk song. The Pogues and the Dubliners recorded The Irish Rover together in 1987. It was a hit in Ireland and the UK.

Now that we’ve taken a trip on a ill-fated ship, let’s jump to the break and hope we land in a lifeboat.

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Your President* Speaks: Dumbbell Caveman Edition

It’s President’s Day. The Current Occupant is currently at his Florida pad and there’s a tweet storm brewing. Who am I kidding? He’s been watching Fox News, hanging out with his idiot sons, and whining about the cards life dealt him … Continue reading Your President* Speaks: Dumbbell Caveman Edition

Today on Tommy T’s Obsession with the Freeperati – Back In Blecch edition

OK – back in the saddle. I’m going to TRY to ease back into this, but I have a horrendous backlog of bookmarks to plough through.

First up – SOROS’s FAULT!!

Holocaust Denier Likely to Represent GOP on Illinois Congressional Ballot KSBW ^ | 2/5 Posted on 2/5/2018, 4:48:13 PM by nickcarraway

A long-shot candidate with a history of anti-Semitic statements and Holocaust denial is primed to represent the Republican Party in a congressional race in Illinois.

The candidate, Arthur Jones, is running unopposed in the GOP primary for Illinois’ 3rd Congressional District,

SNIP

His website contains sections such as “Holocaust?” which features a statement that says “there is no proof such a so-called ‘Holocaust’ ever took place anywhere in Europe, against the Jews.”

SNIP

“I’m sorry I voted for the son of a b****, I really am,” Jones told the Guardian.

SNIP

1 posted on 2/5/2018, 4:48:13 PM by nickcarraway
I’m sure this will provoke some deep soul-searching among the Freeperati as to why Nazis feel so at home in the GOP.
To: nickcarraway

 

This guy is so bad I wouldn’t be surprised to find he’s a Soros plant.

2 posted on 2/5/2018, 4:50:54 PM by rfp1234 (I have already previewed this composition.)

Just kidding. You need to have a soul to do any soul-searching.
To: rfp1234
This guy is so bad I wouldn’t be surprised to find he’s a Soros plant. 

This guy has run for the Republican nomination seven times since the 1990’s. You think Soros plans that far ahead?

5 posted on 2/5/2018, 5:03:29 PM by DoodleDawg
Commie.
.
“LurkingLibertarian” tries to Freepsplain this one away :
To: Joe Dallas
The GOP dropped the ball on this one. 

More likely, no serious candidate from the GOP wanted to run in this district; it has voted Dem in 24 of the last 25 congressional elections and all four of the last four presidential elections. Bernie Sanders won the district by 8 points in the 2016 primary.

6 posted on 2/5/2018, 5:04:09 PM by Lurking Libertarian (Non sub homine, sed sub Deo et lege)

“Joe Dallas” ain’t buying it :
To: Lurking Libertarian

 

Then find a somewhat serious candidate that is not a Nazi.

8 posted on 2/5/2018, 5:05:37 PM by Joe Dallas

BanHimHitlerAngry
To: Joe Dallas 

Then find a somewhat serious candidate that is not a Nazi.

Well, you’d have to find one in the district.

Hard to find Republicans in a ghetto, even harder to find one that has the time and money to even run to lose.

11 posted on 2/5/2018, 5:15:45 PM by piasa (Attitude adjustments offered here free of charge)

Um – about that “ghetto”…
To: piasa
Hard to find Republicans in a ghetto, 

The district is 74% white.

18 posted on 2/5/2018, 5:54:48 PM by Lurking Libertarian (Non sub homine, sed sub Deo et lege)
Of course, we all know who’s REALLY to blame, don’t we?
To: nickcarraway

 

This is classic media horseshiTe….badmouth a gop guy (who deserves it) and make it the headline.

22 posted on 2/5/2018, 6:49:41 PM by irish guard

TrumpWinning
One more short bit after the jumparoonie …

Continue reading “Today on Tommy T’s Obsession with the Freeperati – Back In Blecch edition”

Saturday Odds & Sods: Eyes Of The World

Train Smoke by Edvard Munch.

It’s going to be another cold weekend in New Orleans. Yesterday’s high temperature was at midnight, and it steadily declined thereby requiring me to layer up; beats the hell out of lawyering up. I’m not sure if I looked more like a seven-layer burrito, a wedding cake, or the Michelin Man. It was a dress rehearsal for today’s den day. The Den of Muses is a warehouse and it holds the cold. Holy Raymond Brrrrrr, Batman.

The big local news is that the Saints won their first playoff game and are playing in the frozen North against the Minnesota Vikings. I’m glad it’s in a domed stadium for two reasons. First, many New Orleanians are attending the game and we’re not used to the arctic cold. Second, a domed stadium is the Saints natural habitat: Drew Brees is one of the greatest indoor athletes ever. Hmm, that sounds naughty but you know what I mean. I hope all the Packers fans out there are rooting for my guys.

I chose a lesser known painting by the Norwegian artist Edvard Munch because it’s bloody cold and I mocked Norwegian food on Thursday. The post title is one of my better efforts so it bears repeating: Shithead Says Shithole.

Munch’s most famous painting is, of course, The Scream. When Dr. A was writing her doctoral dissertation, she had a blow up doll of The Scream dude in her office as a stress reliever. She passed it on to our friend Dr. Bonster so she could do likewise. I’m not sure what happened to the blow-up screamster. Perhaps it ended up in the office of Richard Belzer who played Detective John Munch on Homicide and Law & Order SUV. I’ve always wondered what kind of SUV it is: a Ford Exploder? Yeah, I know it’s SVU but it’s a pun I’ve been making for years and you know how I am.

January in my house means the music of the Grateful Dead. I’ve been indoctrinating young Paul Drake in the ways of the Deadhead and he seems down with it. This week’s theme song was written by Jerry Garcia and Robert Hunter in 1974 and became a fixture on the band’s, and its spin-offs, set list. First up is the studio version from Wake of the Flood followed by an epic 1990 live version with Branford Marsalis on saxophone. I could call it When Homies Collide but I won’t. Oops, guess I just did. Never mind.

Now that we’ve awakened to discover the new day or some such shit, let’s jump to the break. We better make it snappy after that awkward paraphrase of Robert Hunter’s lyrics.

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