Saturday Odds & Sods: Trick Bag

Skeletons Fighting Over A Pickled Herring by James Ensor.

This should be Carnival’s biggest weekend. I’ll miss our pre-Tucks peregrinations on Saturday and company on Thoth Sunday. Wait until next year.

The impeachment trial ate my week, so I’ll keep this short. It’s what usually happens the Saturday before Fat Tuesday in any event. So it goes.

This week’s theme song was written by NOLA’s own Earl King in 1962. It’s tricky, it’s baggy, it’s early, it’s kingy.

We have four versions of Trick Bag for your listening pleasure: the Earl King original, the Meters, Johnny Winter, and Robert Palmer.

Now that we’ve pulled some tricks out of the bag, let’s jump to the break.

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Saturday Odds & Sods: Life Is A Carnival

I’m deep in the Carnival bubble, which is a wondrous albeit crowded place to be. We’ve had big company and small company. It’s been fun but as always I’ll be glad when it’s over. I’m so pooped that I’m repeating last week’s featured image.

There was a parade-related accident at the corner where I’ve been watching parades for the last 20 years. A parade-goer was run over by a float in the Nyx parade near the corner of Magazine and Valence. It was fatal, alas.  I’ll have more about that and other Carnival related issues in next week’s 13th Ward Rambler column for the Bayou Brief.

This week’s theme song was written by Robbie Robertson, Rick Danko, and Levon Helm for The Band’s 1971 Cahoots album. The horns were arranged by New Orleans’ own Allen Toussaint.

We have three versions of Life Is A Carnival for your listening pleasure: the studio original, a 1995 teevee appearance by The Band, and a cover by Norah Jones, which is new to me

Lest you think I’ve strayed too far from New Orleans Carnival music, here’s Our Mac:

I try not to spend too much time peering around corners looking for spy boys, skeletons, or baby dolls. If you understood that sentence, you know enough about Carnival, New Orleans style to jump to the break without crash landing.

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Saturday Odds & Sods: Straighten Up and Fly Right

I’m exhausted from the lead up to and the aftermath of this year’s Krewe du Vieux parade. There were a series of mishaps and missteps that made it stressful for me. The political news hasn’t improved my mood either. I’m trying to get in the Carnival spirit by posting the 1939 poster seen above. Additionally, we have company tomorrow so it’s time to straighten up and fly right.

This week’s theme song was written in 1943 by Nat King Cole and Irving Mills and is based on a folk tale involving a buzzard and a signifying monkey. I am not making this up.

Straighten Up and Fly Right was the biggest hit the King Cole Trio ever had. We have three versions for your listening pleasure: the original, Diana Krall, and an instrumental by the Skatalites:

Now that we’ve straightened up, let’s fly right to the jump.

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Saturday Odds & Sods: So It Goes

Spellbound set design by Salvador Dali.

Carnival and Paul Drake’s gotcha day loom. We adopted the dear boy on Twelfth Night in 2018. I guess that means we must consume King Cake on Monday. Poor us.

I said all I have to say about the latest mess in Mesopotamia yesterday. Suffice it to say that I don’t think it’s an Archduke Ferdinand moment but it’s some serious shit,

This week’s theme song was written in 1976 by Nick Lowe for his kinda sorta solo album Jesus Of Cool, which was released in America as Pure Pop For Now People. I said kinda sorta solo album because it featured Nick’s band Rockpile on all the tracks. More about them later.

We have two versions of So It Goes for your listening pleasure: the original studio recording and a live medley with Heart In The City.

Both Nick Lowe and I picked up the phrase “so it goes” from Kurt Vonnegut. So it goes.

Before jumping to the break another Rockpile tune. This time the guys are backing up Nick’s then wife Carlene Carter:

Now that we’ve got all that crying out of our systems, let’s dry our eyes and jump to the break.

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Saturday Odds & Sods: Rocky Road

Charing Cross Bridge by Andre Derain

Carnival was alternately exhausting and exhilarating. I love it but I’m always glad when it’s over, especially when the weather is cold and wet. This year was physically difficult for me as I was in pain for the last week of the season. I ended up on the disabled list and stayed home on Mardi Gras day but I don’t regret not resting on Lundi Gras as you can see from this tweet:

Proteus is one of the “old line” krewes and their den is around the corner from Adrastos World Headquarters. They were indeed as drunk as plutocratic skunks. Watching them set up to roll is one of the pleasures of life inside the parade box. Where else can you watch three fake kings-Proteus, Comus, and Rex-toast one another on the street?

This week’s first theme song was written by Nick Lowe and Bad Company drummer Simon Kirke for Nick’s 1990 Party Of One album, which reunited him with his musical partner in crime, Dave Edmunds.

It’s disambiguation time: a different tune with the same title. Our other theme song was written by Steve Tilston but I first heard it done by Fairport Convention. We have two versions for your listening pleasure: Fairport live followed by the songwriter.

Now that we’ve traveled down several rocky roads, it’s time to jump to the break.

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The Bayou Brief: The Zulu Conundrum

New Orleans is one of the few places in the country where a white person can wear blackface in public and not be called a racist. Why? 20% of the folks who ride in the Zulu Social Aid and Pleasure Club’s Mardi Gras day parade are white. My latest piece at the Bayou Brief: The Zulu Conundrum is an attempt to bring nuance and context to this contentious local discussion. I believe that, as they did once before, Zulu should abandon “blacking up” for all its members, not just white riders. The reason I use the word conundrum is that … Continue reading The Bayou Brief: The Zulu Conundrum

Pulp Fiction Thursday: New Orleans Mourning/The Axeman’s Jazz

I rarely post any book  covers released after 1970 but there are always exceptions. These two novels by Julie Smith are set in New Orleans. And 1990’s New Orleans Mourning features a spectacular crime: Rex, King of Carnival, is murdered on … Continue reading Pulp Fiction Thursday: New Orleans Mourning/The Axeman’s Jazz

Saturday Odds & Sods: Papa Was A Rolling Stone

Hesitation Waltz by Rene Magritte.

It’s been a frustrating week at Adrastos World HQ. Every time I think my pernicious and persistent cold is getting better, I backslide. I would have preferred to be really sick for a few days and then better. Make up your mind, cold.

In local news, the lame duck New Orleans City Council has been up to all sorts of mischief: voting to approve a new power plant for Entergy that won’t solve our blackout  problems and allowing taller buildings to be constructed alongside the Mother of Rivers.  I suspect that the presence of Mayor-elect Cantrell on the Council is one reason they feel free to take such votes. It does not bode well for those who hoped the incoming Mayor would be more neighborhood/citizen friendly. Score another win for real estate developers who are the worst people in the world. Exhibit A for this argument currently lives at 1600 Pennsylvania Avenue.

This week’s theme song is a tribute to Temptations singer Dennis Edwards who died earlier this month at the age of 74. Papa Was A Rolling Stone was written by Norman Whitfield and Barret Strong and was a monster hit in 1972. Here are two versions for your enjoyment: the Temps and David Lindley.

Now that I’ve dissed real estate developers and my stupid cold, it’s time to roll over to the break. I’m too enfeebled to jump.

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Quote Of The Day: Birds Of A Feather Edition

I’m peeking my head out of the Carnival bubble because Josh nails the Insult Comedian and his creepy criminal cohort yet again: We can start with the simple fact that this President surrounds himself with men who abuse women. Abuse and predation may know no party. But abusers seek out and run together. Trump’s politics are rooted in grievance, both gendered and racial. Trump is consistent if nothing else. He is an embodiment of his politics. It’s no surprise that this isn’t theoretical or merely expressed in political terms but is interpersonal and personally violent as well. Abusers know the … Continue reading Quote Of The Day: Birds Of A Feather Edition