Beatles Vérité

It’s been 41 years since Mark Chapman murdered John Lennon. Unlike Shapiro, I don’t have a great story about where I was when I heard the news. Besides, I came to praise Peter Jackson’s remarkable documentary Get Back, not to bury John Lennon.
I was shamed by friends into subscribing to Disney+ in order to get back to where I once belonged. You know who you are. Thanks, y’all. I can always cancel without pain or penalty. Yeah, yeah, yeah.
I have a different take on Get Back than Shapiro so let the games begin.
I’m in the minority on Let It Be. I’ve always liked it. The album came out when I was laid up. I had mumps and mono at the same time. I rarely do anything halfway. Let It Be was the new Beatles album so I listened to it intently on the record player my mom bought so I could play music in my sick room. Yeah, yeah, yeah.
I do, however, prefer the 2003 Macca remix Let It Be Naked to the original 1970 release. The running order is different, and the Phil Spector effect has been expunged. The result is the stripped-down album the Beatles thought they were making before the dread Allen Klein brought in Spector. More about Allen Klein anon.
Until recently, I bought the conventional wisdom that the Fab Four were at each other’s throats during the Get Back sessions. The CW was wrong: the vibes were good with intermittent squabbling. All bands bicker. It’s called creative tension.
There *were* genuine moments of tension. George Harrison walked out, but he was convinced by his mates to return. The day after the band met with Allen Klein there was a dark cloud in the room, but it was dispelled when they strapped on their instruments and played. The presence of Billy Preston helped considerably: the man was a ray of sunshine with musical chops to burn.
I’ve been reading at Philip Norman’s 827-page biography of John Lennon. I say reading at because it’s absurdly over-detailed. Norman is a music writer, but as a biographer, he’s what Gore Vidal called a scholar-squirrel who includes more details than even this lifelong Beatles fan is interested in hearing. I did like the bits about how much John loved cats. Claire Trevor approves. Yeah, yeah, yeah.
I consulted with Norman’s mighty tome after seeing Get Back. The source of many of the gloom-and-doom stories is Let It Be director Michael Lindsay-Hogg. I was not surprised. In Get Back, he’s forever stirring the pot hoping some drama will emerge from a bunch of guys sitting around in a room smoking and playing music.
To gin up drama, Lindsay-Hogg keeps asking why John and Paul no longer write songs together. They rarely take the bait. In fact, John makes significant contributions to the song Get Back, which was written in the studio during the sessions.
MLH also ratchets up the pressure on The Beatles to be great when all they want to do is rock. I caught Ringo rolling his eyes several times at the director who is much posher than the lads from Liverpool.
I’ve got a feeling that it’s time to jump to the break. Yeah, yeah, yeah.








