Pulp Fiction Thursday: Key Largo

This is a reprint of a post from 8/14/2014. It struck me as relevant as I just spent many days cooped up with Kitty Claire Trevor. Besides, Key Largo is the best hurricane movie ever. I give it 4 stars and an Adrastos Grade of A.

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Key Largo is not really pulp fiction, but I felt like stretching the definition a bit today to honor Betty Bacall. [She died two days before this was posted.] It was based on a 1939 play by Maxwell Anderson and the war in question was the Spanish Civil War but it was also an allegory about Fascism. The adaptation by director John Huston and future director Richard Brooks nails the political aspects as well as how damn spooky tropical systems are.

What’s particularly scary about the Big Blow depicted in Key Largo is that information was so sketchy. There were no spaghetti maps , no tracking maps, no local weather pukes shitting in their pants or advising you to go to the attic with an ax if there’s flooding. Dr A and I watch this great film as a form of reassurance when there’s something gathering in the gulf. Besides, the acting is sensational.

It goes without saying that Bogie and Bacall lit up the screen together but Edward G Robinson is spectacular in a role that implicitly revisits his first big hit, Little Caesar. He went from Rico to Rocco if you catch my drift. Speaking of name changes, he goyed up his name by changing it from Emmanuel Goldenberg. Unlike Betty Bacall, he liked his goyish moniker and was known to all as Eddie.

Lionel Barrymore is supposed to be a sympathetic character as Bacall’s dead hubby’s father but he reverts to snarly Mr. Potter mode for much of the film. Nothing kosher about this big slice of ham. He was lucky Rocco didn’t roll him off the pier…

The best performance in the film is by Claire Trevor as a washed up alcoholic canary in love with Rocco. He mistreats her rather badly. Anyone shocked? I thought not. Trevor, always a personal favorite of mine, won an Oscar for this part. She played a long string of femme fatales and hookers with hearts of gold. Her character in John Ford’s Stagecoach was a template for all the goodhearted whores and madams to follow.

A last word about Betty Bacall. There are some good Bacall articles floating about the net, but there are some that do not mention director Howard Hawks. You cannot write about Betty Bacall without mentioning Hawks. He took a chance on an unknown model and gave her a juicy role playing opposite one of the biggest stars in the world in her first film. His gamble paid off big-time for all concerned.

I showed you a lobby card above, here’s the highly evocative poster

Poster - Key Largo_03

Finally, here’s the trailer:

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