People occasionally ask me why I nicknamed Donald Trump the Insult Comedian. In part, it’s his delivery, which is reminiscent of the Borscht Belt comedians who were a staple on teevee when I was a kid. It’s also his demeanor: he’s a man with skin thinner than deli ham who is always eager to take, and give, offense. I coined the nickname not long after the infamous Trump bon mot about John McCain not being a hero because he was shot down. Stay classy, Trumpy.
The main reason I call him the Insult Comedian is his need for conflict, argument, and drama. Not a day goes by when he doesn’t fight a pick with someone over a slight, be it real or imagined.
It’s often difficult to tell which of Trump’s feuds are real. Hence the post title: Kabuki Feuding. My colleague Michael F does a fine job discussing the Insult Comedian’s bizarre and unseemly feud with a dead man. What is this? An episode of Six Feet Under? How dare John McCain not thank Trump for throwing him such a swell funeral? There’s as much wrong with that statement as with the Trump presidency* itself.
Since Michael dealt with that Kabuki Feud, my focus is on Trump’s phony war with George Conway and the latter’s phony war with his cartoon villain wife, Kellyanne. The hostilities have revved up this week, which has led to a debate: is the uncivil war between the Conways real or phony? Frankly my dear, I don’t give a damn. It feels like the B-story line in an episode of Bravo’s Real Housewives franchise. They’re arguing in public to entertain themselves and give the Insult Comedian a reason to distract attention from the legal tsunami that threatens his presidency* and financial empire.
Do I think George Conway hates Trump and thinks he’s a lunatic who threatens the continued existence of the “Conservative movement”? Sure, why not. It doesn’t matter: it’s all entertainment for the twitterati and punditocracy who collectively gasped when a smirking Insult Comedian called George, “Mr. Kellyanne Conway.” If that’s Trump’s idea of a sick burn, he needs better joke writers.
Squabbling couples have been a staple of American entertainment forever. From the Bickersons in the funny papers to Lucy and Ricky on teevee to George and Kellyanne on the tweeter tube. It reminds me of a low-budget version of The War of the Roses; only with creepy wingnuts instead of Michael Douglas and Kathleen Turner. Now that I think of it, George bears a passing resemblance to the director of that movie: Danny Devito.
It’s just reality teevee. It’s just entertainment. A Potemkin presidency* deserves its own Kabuki theatre of the absurd. And it doesn’t get much more absurd than The War of the Conways.
The last word goes to the brilliant cast of The Band Wagon: